Revistas
Revista:
FOTOCINEMA
ISSN:
2172-0150
Año:
2020
N°:
21
Págs.:
5 - 16
Este número monográfico de Fotocinema pretende ahondar en cómo las artes y los medios audiovisuales reflejan la idea de Europa como "casa común", la crisis profunda que hoy atraviesa, y los principales retos y problemas a los que se enfrenta para hacer posible de nuevo su regeneración y supervivencia
Revista:
COMUNICAZIONI SOCIALI
ISSN:
0392-8667
Año:
2019
N°:
3
Págs.:
363 - 371
This article analyses the creative strategies deployed to frame the narrative and aesthetic resemblance between Fargo the series and Fargo the movie. It explores the cluster of intersec- tions between the film and the TV show in relation to four categories: 1) The choice of a diegetic universe related to the original, which also frames the series within similar genre coordinates. Both productions present an investigative, thriller-ish plot that unfolds against the breath-taking snowy backdrops of Minnesota and Dakota, enabling us to view them under the paradoxical la- bel of white noir. 2) The dramatic construction of the main characters in the series replicates the struggle between good and evil present in the film, through the choice of analogous roles: good, incarnated again in an ordinary police woman; and evil, in the hitman duo from Fargo and Lorne Malvo, a diabolical character who features only in the TV show. Moreover, the series extends the antiheroic, pathetic archetype that acts as a catalyst for the intrusion of evil in the plot. 3) Traces of certain narrative and visual echoes comprise the clearest mode of resemblance, although they are also used to drive the plot in new directions and to underscore the metaphorical meaning of the mise-en-sce¿ne. 4) And last but not least, the development of the expressive possibilities of the landscape, which ¿ in both film and TV series ¿ is portrayed as linked with the inner world and personality of the characters.
Revista:
REVISTA LATINA DE COMUNICACION SOCIAL
ISSN:
1138-5820
Año:
2019
N°:
74
Págs.:
383 - 402
Revista:
ARTE INDIVIDUO Y SOCIEDAD
ISSN:
1988-2408
Año:
2017
Vol.:
29
N°:
1
Págs.:
57 - 70
Art plays a key role in the lives of Woody Allen's film characters. Many of them are writers, filmmakers or musicians; others, although not artists themselves, display a keen sensibility to appreciate art. The purpose of this article is to explore how this characterization trait significantly determines the nature of the characters, the ways in which they interact with each other, and even the fate they deserve within the plot. Art, in its many different manifestations, helps these characters infuse their lives with a boundless vitality, at the same time that it becomes a source of beauty and refuge. Furthermore, art plays a vital role in shaping romantic relationships as well as in enabling characters to achieve selfknowledge, both of which come close to the idea of happiness in Woody Allen's poetic universe. At the same time, together with this recognition of the redeeming potential of art, a poetic punishment is inflicted frequently in Allen's films on the characters that approach art with spurious intentions, as well as a stern warning of the vital unhappiness to which its enshrinement leads.
Revista:
FOTOCINEMA
ISSN:
2172-0150
Año:
2017
N°:
14
Págs.:
313 - 339
This article examines how childhood is adressed in the Hirokazu Koreeda's films Nobody Knows, I Wish and Like Father, Like Son. Being identifiable as inheritances of the original Japanese homu dorama -or home drama-films, they constitute an homogeneous corpus to explore the issue of family destructuring from a childish perspective. This issue happens to be a main plot motif in the filmography of the japanese director. Using a textual analysis supported by particularly expressive scenes this article explores, first, how the protagonist children physically and emotionally face this traumatic experience: their isolation before their parents, their yearning for them and their efforts to regenerate the family ties. All of these are constant tropes in the identified films. Second, this article analyses two archetypes produced by family destructuring: the inmature adult and the adult-child. Finally, Koreeda's knowing look to children is made clear in the exceptional capacity of creating strong bonds that he attributes to them. This fact reinforces another thematic constant in his ouvre: the conception of family as an institution supported by affective more than blood ties.
Revista:
SCIO
ISSN:
1887-9853
Año:
2017
N°:
13
Págs.:
57 - 75
Revista:
JOURNAL OF POPULAR FILM AND TELEVISION
ISSN:
0195-6051
Año:
2016
Vol.:
44
N°:
2
Págs.:
99 - 108
Revista:
COMUNICACION Y SOCIEDAD (UNIVERSIDAD DE NAVARRA)
ISSN:
0214-0039
Año:
2015
Vol.:
28
N°:
4
Págs.:
109 - 123
Revista:
FOTOCINEMA
ISSN:
2172-0150
Año:
2014
Vol.:
8
Págs.:
109 - 132
Revista:
REVISTA EMPRESA Y HUMANISMO
ISSN:
1139-7608
Año:
2014
Vol.:
XVII
N°:
1
Págs.:
7 - 22
Revista:
IKUSGAIAK. CUADERNOS DE CINEMATOGRAFIA
ISSN:
1137-4438
Año:
2013
Vol.:
8
Págs.:
35 - 54
La casa Emak Bakia (Oskar Alegria, 2012) rinde homenaje a la ¿gura y al cine de Man Ray. Además de evaluar la génesis del proyecto, los rasgos distintivos de su principal referente ¿Emak Bakia (1926)¿ y los vínculos retóricos apreciables entre ellos, se enfatiza el lugar propio y destacado que merece el ¿lm de Alegria como documental de creación.
Revista:
RILCE. REVISTA DE FILOLOGIA HISPANICA
ISSN:
0213-2370
Año:
2012
Vol.:
28
N°:
1
Págs.:
312 - 317
Revista:
AREA ABIERTA
ISSN:
1578-8393
Revista:
COMMUNICATION & SOCIETY
ISSN:
2386-7876
Año:
2010
Vol.:
XXIII
N°:
1
Págs.:
325 - 328
Revista:
ZER. REVISTA DE ESTUDIOS DE COMUNICACION
ISSN:
1137-1102
Año:
2010
Vol.:
15
N°:
29
Págs.:
31 - 45
Capítulos de libros
Libro:
El sueño europeo en las artes audiovisuales
Lugar de Edición:
Madrid
Editorial:
Editorial Síntesis S. A.
Año:
2021
Págs.:
57 - 70
Libro:
Epifanías de la brevedad. Microformas literarias y artísticas en la red
Editorial:
Visor Libros S.L.
Año:
2019
Págs.:
309 - 323
Libro:
Cine & Series. La promiscuidad infinita
Lugar de Edición:
Salamanca
Editorial:
Comunicación Social Edicciones y Publicaciones
Año:
2018
Págs.:
199 - 216
Libro:
Global finance on screen
Editorial:
Routledge, Taylor & Francis Books, Ltd
Año:
2018
Págs.:
56 - 67
Libro:
Elogio de lo mínimo. Estudios sobre microrrelato y minificción en el siglo XXI
Editorial:
Iberoamericana-Veruert
Año:
2018
Págs.:
295 - 308
Este capítulo presenta una serie de microformatos relevantes en el audiovisual actual y analiza las especificidades propias del "micrometraje", para lo cual toma ejemplos del Jameson Notodofilmfest
Libro:
Questions of cultural value: the London film & media reader 5
Editorial:
The London Symposium
Año:
2018
Págs.:
79 - 89
Libro:
Cine pensado 2016
Editorial:
Nipho publicaciones
Año:
2017
Págs.:
15 - 22
En este estudio crítico del film de Allen se hace particular hincapié en el tema de la autenticidad personal en relación con las elecciones afectivas que toman los personajes.
Libro:
Transcultural screenwriting. telling stories for a global world
Editorial:
Cambridge Scholars Publishers
Año:
2017
Págs.:
70 - 85
Libro:
Hollywood y el ocaso del American Dream: siete visiones independientes
Editorial:
Síntesis
Año:
2016
Págs.:
29 - 49
Libro:
Alzheimer. Guía práctica para conocer, comprender y convivir con la enfermedad
Editorial:
Nobel
Año:
2016
Págs.:
17 - 21
Libro:
Emotions in Contemporary TV Series
Editorial:
Palgrave MacMillan
Año:
2016
Págs.:
189 - 203
Libro:
Cine pensado: estudios críticos sobre 30 películas estrenadas en 2015
Editorial:
Fila Siete
Año:
2016
Págs.:
177 - 184
Libro:
Imaginarios audiovisuales de la crisis
Editorial:
EUNSA
Año:
2016
Págs.:
51 - 65
Libro:
Framing the Apocalypse: visions of the end-of times
Editorial:
Inter Disciplinary-Net
Año:
2015
Págs.:
145 - 166
Libro:
The methods of Breaking Bad: essays on narrative, character, and ethics
Lugar de Edición:
Jefferson
Editorial:
McFarland Pub
Año:
2015
Págs.:
78 - 93
This article aims to explore the motivations fueling the behavior of the Breaking Bad¿s characters, especially the two protagonists: Walter White and Jesse Pinkman.
The discovery of Walter White¿s cancer serves as a catalyst (a particularly appropriate chemical term) for him to unveil his true `inner self¿. The serious nature of his disease, the associated medical costs, and his feeling of failure as both a father/husband and in the professional sphere, are established as the driving force behind his infamous behavior from the very start of the series. In the case of Jesse Pinkman, despite his roguish character, we soon discover his addiction to drugs, his dysfunctional relationship with his parents, and his need to be recognized and loved. However, beyond the strategies that underlie the initial sympathy that viewers usually tend to feel for this `ordinary American guy¿ and his meth-making partner, Breaking Bad divulges other keys that allow us to understand the different emotional and moral paths that Mr. White and Jesse Pinkman follow.
As we will explore, the progressive moral and criminal decline of Walter White is spurred on by the contradictory tension between two radical emotions that become `rationalized¿ in order to justify his actions, which become increasingly less defensible: an intensifying pride, and a guilt that fades as the narrative unfolds. Even when remorse emerge in Walter White¿s soul (specially during the last eight episodes), these two emotions play a
Libro:
A critical approach to the apocalypse
Editorial:
Inter-Disciplinary Press
Año:
2013
Págs.:
205 - 217
Although Breaking Bad (AMC, 2008-2013) is one of the most critically acclaimed TV Series of the last decade, it has been the subject of little academic research. This paper aims to figure out the motivations fueling Walter White¿s behavior, one of the most compelling characters in contemporary popular culture. The discovery of Walter White¿s cancer serves as a catalyst (a particularly appropriate chemical term) for him to unveil his true `inner self¿. The serious nature of his disease, the associated medical costs, and his feeling of failure as both a father/husband and in the professional sphere, are established as the driving force behind his infamous behavior from the very start of the series. However, beyond the strategies that underlie the initial sympathy that every viewer feels for this `ordinary American guy¿, Breaking Bad divulges other keys that allow us to understand the transformation from `Mr Chips into Scarface¿, following the premise described by Breaking Bad¿s creator, Vince Gilligan. As we will explore, the progressive moral and criminal decline of Walter White is spurred on by the contradictory tension between two radical emotions that become `rationalized¿ in order to justify his actions, which become increasingly less defensible: an increasing pride, and the guilt that fades as the narrative unfolds. In summary, we will analyze the moral and narrative mechanisms that hasten Walter White¿s self-destruction once he became aware that he was facing the end of
Libro:
Poéticas de la persona. Creación, responsabilidad y vigencia en la Comunicación Pública y la Cultura
Editorial:
Comunicación Social Ediciones y Publicaciones
Año:
2013
Págs.:
170 - 180
Libro:
Directory of World Cinema: Spain
Editorial:
, Intellect, The Mill, Parnall Road Fishponds, Bristol Intelect, UK.
Año:
2011
Págs.:
200 - 202
Libro:
Directory of World Cinema: Spain
Editorial:
, Intellect, The Mill, Parnall Road Fishponds, Bristol Intelect, UK.
Año:
2011
Págs.:
97 - 98
Libro:
Género negro para el siglo XXI. Nuevas tendencias y nuevas voces
Editorial:
Laertes
Año:
2011
Págs.:
229 - 235
Libro:
Directory of World Cinema: Spain
Editorial:
, Intellect, The Mill, Parnall Road Fishponds, Bristol Intelect, UK.
Año:
2011
Págs.:
213 - 214
Libro:
La representación de las mujeres en el cine y la televisión contemporáneos
Lugar de Edición:
Barcelona
Editorial:
Laertes
Año:
2010
Págs.:
159 - 176
Libro:
Los mensajeros del miedo. Las imágenes como testigos y agentes del terrorismo
Lugar de Edición:
Madrid
Editorial:
Ediciones Rialp
Año:
2010
Págs.:
223 - 238
Libro:
John Huston: essays on a restless director
Lugar de Edición:
Jefferson
Editorial:
Mc Farland & Company
Año:
2010
Págs.:
22 - 32
Otros (PIUNA, fundaciones, contratos…)
Título:
El sueño de Europa: el guion cinematográfico,
Código de expediente:
Beca Leonardo 2017
Investigador principal:
Pablo Echart Orús
Financiador:
FUNDACION BBVA
Convocatoria:
2017 BBVA Proyectos
Fecha de inicio:
15/09/2017
Fecha fin:
15/03/2019
Importe concedido:
20.661,16€
