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SSB_Ice_Cream_Theory_Cartel

SSB_Ice_Cream_Theory_Texto

The Sweet, The Sour & The Bitter Ice Cream Theory

While waiting to order ice cream, Beth guesses what flavor the people in front of her are going to choose. That's when Tyler, the boy waiting behind her, joins her game in an apparent flirtation: he too believes that a person's favorite flavor of ice cream reveals a lot about them.

Director/ Writer: Carmen María Sevilla
Producer/Screenwriter: Victoria Ruíz
teaching assistant director/producer: Mar Vicente
Director art director: Natalia Noriega
Director cinematographer: Sara Fernández
Sound: Valentina Talamas
Camera Operator: Vinko Marich
publisher/ Script: Maria Collado
teaching assistant cinematographer: Pablo Beorlegui
teaching assistant sound: Mario Oroz
teaching assistant make-up: Oskia Lisazo
Soundtrack composer: Iago Navarrete

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Aplicaciones anidadas

Soy_Un_Genio_Cartel

Soy_Un_Genio_Texto

I am a Genius

Pablo, a charming but bitter young man, lives sunk and with no desire for anything, until one day Higinio, his imaginary childhood friend, shows up at his door and says he is coming to help him. However, both have different concepts of what it means financial aid, and what in principle was a plan to conquer a girl ends up being a reason for discussion. Both will learn from their mistakes and will become closer and, finally, the problems will be solved thanks to Higinio's ingenuity.

Direction and Script: Irene García
Production: Arantza Gauthier
Ai. Director: Gabriela Lagos
Cinematography: Tamara Garcés
Ay. of Photography: Carmen Ruiz de Temiño, Cristian Aparicio
Camera Operator: Juan Camilo Ramírez Moreno
Sound Direction: Juan Luis Velázquez
Art Director: Joan Luca Pernalete
Script and editing: Andrea Alegría

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Aplicaciones anidadas

Rojo_Por_Rojo_Cartel

Rojo_Por_Rojo_Texto

(R)eye for (R)eye

Caridad has won a washing machine in a raffle at her hairdresser's. Her daughter Helena thinks that this gadget, as she likes to call it, will only bring more expenses. Her daughter Helena thinks that this piece of equipment, as she likes to call it, will only bring more expenses. However, all the neighbors will find a way to make it profitable. But, as it never rains to everyone's liking, envy will surface and Paloma will do everything possible to sink their business. (R)ojo por (R)ojo is a comedy of manners set in Spain in the late 60s.

Director and screenwriter: Lucía Aparici
Producer and screenwriter: Irene San Martín
Director Cinematographer: David Martínez
Art director: Leyre Petri
teaching assistant production and art: Jimena Clemente
teaching assistant DOP/camera operator: María Delgado
Sound: Alba Salas
Script and editing: Estela Gascón

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Off_the_Page_Cartel

Off_the_Page_Texto

Off the page

Phil is devastated after news from the doctor that his wife, Ana, will die in a few hours. However, things change when he realizes he is the main character of a novel that is being written. Phil will start an odyssey to get off the page and find the author in order to convince him not to kill Ana, but the author will write every obstacle his imagination can create to stop him.
him.

Directors: Diego Gomez and Joan Oliver
Producer: Armando Briquet
Assistant Director: Martina Lovo
Production Assistant: Taila Taillefer
Art Director: Camila Estrada
Photography Director: David Ayerra "Dayso"
Sound design: Mario Oroz
Camera Operator: Julian Grochowicz
Script and publisher: Diego Gomez and Joan Oliver
Hair and makeup designer: Camila Estrada
Art assistant: Samantha Coltro

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Aplicaciones anidadas

Orain_Cartel

Orain_Texto

Orain

Orain is a high school of Education special. Sara is a documentary filmmaker. Orain cares about the day to day life of children. Sara worries about the future of her professional degree program . They have nothing in common... Until Sara is asked to make, in one day, a documentary about Orain. Her boss asks her to tell a moving story about disability. Sara goes to high school with Jorge, her trusted photographer director . They need to make the work as good as possible. They need perfect, emotional images. They need to fulfill the deadline... But their attempts are thwarted by the chaos of the five children they interview. These trigger a series of crazy situations that bring Sara to the brink of a nervous breakdown. Through financial aid of the five boys, Sara learns the importance of living in the present. 

Written by Ainara Oto and Juan Goyache
Directed by: Ainara Oto
Producer: Lucía Rodrigo
Cinematography: Juan Goyache
Art director: Susana Ferrer
Editing: Elena Laguna Elena Laguna
design Sound director: Elisa Fernánde
Assistant director: Manuela Hernández
Camera operator: Mario Lameiro

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Aplicaciones anidadas

Lo_dejo_Cuando_Quiera_Cartel

Lo_dejo_Cuando_Quiera_Texto

I leave it whenever I want

Jose is trying to quit smoking. However, the life of a mugger he leads with his brother Raul doesn't make it easy for him. Especially when one of his hits goes wrong.

Production company: Juan Voltas
Director: Miguel Ángel Iribarren
Screenplay: Miguel Ángel Iribarren y Juan Voltas
Cinematography: Miguel Arguibide
Art director: Miriam Márquez
design Wardrobe, makeup and hair: Miriam Márquez
Sound: Javier Cano and David Aguerri
Script and editing: Pablo Beorlegui
teaching assistant direction: Eugenio Heredia
teaching assistant production and art: David Aguerri
teaching assistant photography and camera: Javi Zorrilla
Production assistant: Sara Munárriz
Hairdresser: Guillermo Ayerdi
Makeup FX: Katia Chivite and Delia Ayensa

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Aplicaciones anidadas

Libro_Rojo_Cartel

Libro_Rojo_Texto

The red book

Alicia, Cobo, Joel and Adara, four young university students, go to spend a weekend at a house in the mountains. One night they decide to play the red book, a kind of Ouija board, but with more elaborate answers. However, the only thing they manage to do is to awaken a spirit that wanders around the place full of guilt. Only by joining forces will they be able to close the game and put an end to the madness they themselves have unleashed.

Director: Alexander Aguilar Ropero
Written by Alexander Aguilar Ropero and Ander Santamaría Canento
Production: Ander Santamaría Canento
Cinematographer: Patricia Larumbe Oneca
Assistant Cinematographer and Camera Operator: Lorea Arrillaga García
Art director: Nerea Marchal García
Script and editing: María Azpiri Aguirre
design Sound and original music: Mario Oroz Arraiza
Visual effects: Patricia Larumbe Oneca and Mario Oroz Arraiza
design wardrobe: Nerea Marchal García
design make-up and hairdresser: Nerea Marchal García
Assistant director: Mireya Iturmendi Fernández
Production assistant: María Azpiri Aguirre

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Casa_Beraza_Cartel

Casa_Beraza_Texto

Beraza House

Salvador is the chef and owner of the haute cuisine restaurant Casa Beraza. He is a traditional cook, meticulous in the preparation of his dishes. Raul is a young cook who accompanies Salvador at Casa Beraza. He is a revolutionary cook who introduces modernist methods in his recipes to create risky dishes. Both will have to overcome their differences to face the visit of a culinary magazine in a night with a most extravagant clientele.

Director: Josu Goñi Yoldi
Production: Loreto Del Pozo Fernández and Fernando Zandio Orcoyen
Cinematography: Gabriela Castellares Tello
Art Director: María Antonia Velásquez
teaching assistant Art Director: Loreto Del Pozo Fernández
Makeup and Hairstyling: Shannon Evelynn Oro Dunne
Camera Operator: Clara Lacosta Arpide
teaching assistant Camera and Cinematographer: Anatoly Terekhin Komendrovskiy
Editing and script: Jon García Olabarri
Sound: Elías Alegría Azcona
Original Music: J.A. Badillo
teaching assistant Director: Maite Serna Valdés
teaching assistant Production: Jon García Olabarri
Assistant Director and teaching assistant Script: Leyre Cazalla Ruíz
teaching assistant of Sound: Fernando Olmedo López-Frías
Gaffer: Miguel Arguibide Cia