Journals
Magazine:
HYPOGRAPH
ISSN:
2328-1308
Year:
2022
Vol:
10
N°:
1
Pp:
765 - 767
Magazine:
CONFLUENCIA-REVISTA HISPANICA DE CULTURA Y LITERATURA
ISSN:
0888-6091
Year:
2022
Vol:
38
N°:
1
Pp:
191 - 206
Magazine:
PRINCIPE DE VIANA
ISSN:
0032-8472
Year:
2022
Vol:
83
N°:
282
Pp:
9 - 19
Magazine:
PRINCIPE DE VIANA
ISSN:
0032-8472
Year:
2022
N°:
282
Pp:
107 - 145
This work analyzes the collection of poems Ángel en el País del Águila by Ángel Martínez Baigorri (1899-1971). First published in Spain (1954), it was later collected in the volume Poesías completas I, edited by Emilio del Río (1999). It studies its genesis (during the poet¿s stay in the United States, between August 1946 and the end of 1947), its structure (external and internal) and themes (in addition to the description of some American cities such as New Orleans and New York, the nuclear topic is the struggle of the Angel¿the world of the spirit¿to enter inside the Eagle¿the material world¿and breathe new and higher life into it).
Magazine:
HYPOGRAPH
ISSN:
2328-1308
Year:
2022
Vol:
10
N°:
2
Pp:
501 - 518
After briefly reviewing the phenomenon of anthropophagy (ritual or as a consequence of famine) in colonial Chile, we analyze the episode of Arauco domado by Lope de Vega in which the funny soldier Rebolledo saves himself from being eaten by the Araucanians thanks to his ingenuity, inventing that he has a disease called "escapatoria".
Magazine:
REVUE ROMANE
ISSN:
0035-3906
Year:
2021
Vol:
56
N°:
1
Pp:
76 - 95
José Joaquín Benegasi y Luján (1707¿1770) is a post-baroque writer inclined towards jocoseria literature whose theatrical production (a burlesque comedy and five short plays) follows the dramatic models of the Golden Age. In this work, after offering some brief notes on his critical fortune, an annotated edition of his intermezzo dance El ingenio apurado is provided.
Magazine:
ATALANTA
ISSN:
2340-1176
Year:
2021
Vol:
9
N°:
2
Pp:
57 - 87
In this paper five constructive paradigms located in the burlesque comedy La venida del duque de Guisa con su armada a Castelamar are analyzed: the grotesque feast, the ridiculous hearing, the parodic defiance and counter-defiance, the ridiculous omen and the laughable military harangue. All five are structures frequently repeated in the carnival genre of the Golden Age burlesque comedy.
Magazine:
HYPOGRAPH
ISSN:
2328-1308
Year:
2021
Vol:
9
N°:
2
Pp:
213 - 236
Luis de Mur y Navarro (1598-1650), a lawyer born in Tudela (Navarre), is the author of two treatises on the art of government, Triunfos de la esclavitud, virtudes de Moisen y dureza de Faraon (1640) and Tiberio ilustrado con morales y politicos discursos (1645), which place him in the stream of Spanish tacitist thought. From the point of view of expression, both works stand out for their aphoristic style. Various topics are addressed in its pages: the prince and his virtues, privacy and the valid, ambassadors, war and peace, sedition, etc. In this paper, after recalling the author's biographical data, a commentary on the first of his two works is offered.
Magazine:
BOLETIN DE FILOLOGIA
ISSN:
0718-9303
Year:
2021
Vol:
Annex 3
N°:
2
Pp:
669 - 683
Magazine:
HYPOGRAPH
ISSN:
2328-1308
Year:
2020
Vol:
8
N°:
1
Pp:
9 - 10
Magazine:
EHUMANISTA
ISSN:
1540-5877
Year:
2020
Vol:
8 (eHumanist/Cervantes)
Ppgs:
100 - 114
Magazine:
HYPOGRAPH
ISSN:
2328-1308
Year:
2020
Vol:
8
N°:
1
Pp:
673 - 676
Magazine:
RILCE. JOURNAL OF HISPANIC PHILOLOGY
ISSN:
0213-2370
Year:
2020
Vol:
36
N°:
1
Pp:
134 - 159
Magazine:
HYPOGRAPH
ISSN:
2328-1308
Year:
2019
Vol:
7
N°:
1
Pp:
347 - 363
This paper analyzes Ruperta and Croriano's episode included in Persiles (III, 16-17), by Cervantes, which exposes a case of female violence that is finally cancelled by the reassuring force of love and beauty. The nature of the story is discussed -it belongs to the category of "marvelous plausible" (maravilloso verosimil); its narrative structure is reviewed, and finally some notes on mythological and literary sources are offered. Altogether, the episode is a wonderful example of Cervantes' storytelling mastery.
Magazine:
ANAGNORISIS
ISSN:
2013-6986
Year:
2019
N°:
20
Pp:
56 - 81
Magazine:
INSULA
ISSN:
0020-4536
Year:
2019
Vol:
74
N°:
873
Pp:
17 - 19
Magazine:
HYPOGRAPH
ISSN:
2328-1308
Year:
2019
Vol:
7
N°:
2
Pp:
9 - 10
Magazine:
NOTEBOOKS OF ILLUSTRATION AND ROMANTICISM
ISSN:
2173-0687
Year:
2019
N°:
25
Pp:
221 - 249
Magazine:
ROMANCE NOTES
ISSN:
0035-7995
Year:
2019
Vol:
59
N°:
2
Pp:
283 - 297
Magazine:
BERCEO
ISSN:
0210-8550
Year:
2019
N°:
177
Pp:
103 - 130
Magazine:
HYPOGRAPH
ISSN:
2328-1308
Year:
2018
Vol:
6
N°:
2
Pp:
639 - 655
Magazine:
INFINITUM
ISSN:
2595-9549
Year:
2018
Vol:
1
N°:
1
Pp:
144 - 165
Among Mariano Azuela's literary production, which encompasses works belonging to the most varied literary genres, his novel Los de abajo, which was published in 1915 in a Texan newspaper pamphlet, and as a book the following year, in 1916, is particularly noteworthy. However, success came somewhat later, in the 1920s, and today critics consider Los de abajo to be the beginning of the cycle of works known under the label of "novels of the Mexican Revolution", the most important work of the genre, along with Martín Luis Guzmán's El águila y la serpiente (1928). The novel, which incorporates the author's autobiographical experiences, offers us Azuela's vision of the Revolution, told from the perspective of "those from below", of Demetrio Macías (the peasant who became the leader of a party after the outrages committed against him and his family by the local cacique) and of all the men and women of the common people who made it happen. In this work I want to focus, in a special way, on the analysis of the character of Demetrio Macías, highly mythologised and symbolically identified with the process of the Revolution, from the hope of the first moments to the final disillusionment (underlined by the death of the caudillo and his entire party in the ambush of the canyon of Juchipila).
Magazine:
HYPOGRAPH
ISSN:
2328-1308
Year:
2018
Vol:
6
N°:
2
Pp:
9 - 10
Magazine:
HYPOGRAPH
ISSN:
2328-1308
This paper offers an approach to the main features and conventions of the burlesque comedy of the Spanish Golden Age, a corpus formed by about fifty parodic plays that were performed during Carnival and on St. John's Day as part of the court festivals celebrated in the Royal Palace or in the Buen Retiro palace complex. These two features (theatre of Carnival and courtier theatre) are the main key when analyzing these plays. The primary function of these pieces is to provoke laughter within the aulic audience - the king and his noblemen. To achieve this goal, authors of burlesque comedies use all of the resources at hand, including both scenic and verbal humor. The plays are marked by an absurd wit, and they bring on stage a carnivalesque world turned upside-down in which everything (including characters, plots, literary motifs, and dramatic conventions) is grotesquely parodied, brutally degraded, and made comical.
Magazine:
yearbook CALDERONIAN
ISSN:
1888-8046
Year:
2017
Vol:
Extra 2
Pgs:
47 - 72
In this work I intend to show how the figure of Pedro Calderón de la Barca is re¿ected in Patricio de la Escosura's comedy Don Pedro Calderón (written in 1866, premiered and published in 1867). In it we find the brilliant playwright turned into a being of ¿ction, a romantic dramatic character who constitutes an idealised incarnation of Spanish honour and faith.
WORDS core topic: Calderón de la Barca, Patricio de la Escosura, Don Pedro Calderón, Romanticism, literary recreations.
"Calderón, Romantic Theatre Character: Don Pedro Calderón (1867) by Patricio de la Escosura".
This paper shows the image of Pedro Calderón de la Barca as it is re¿ected in Don Pedro Calderón, a comedy by Patricio de la Escosura written in 1866, performed for the ¿rst time and published in 1867. In this play, the brilliant dramatist is turned into an ¿ctional, Romantic character that represents an idealized incarnation of Spanish honour and faith.
KEYWORDS: Calderón de la Barca, Patricio de la Escosura, Don Pedro Calderón, Romanticism, literary recreations.
Magazine:
INSULA
ISSN:
0020-4536
Year:
2017
N°:
843
Pp:
40 - 44
Magazine:
BULLETIN HISPANIQUE
ISSN:
0007-4640
Year:
2017
Vol:
119
N°:
1
Pp:
217 - 230
In the Spanish Golden Age, there are a lot of literary works recreating the figure of Bernardo del Carpio. This article analyses a lesser-known play by Lope de Liafio entitled "Bernardo del Carpio en Francia", in which Bernardo is presented carrying out numberless feats in Europe.
Magazine:
BULLETIN HISPANIQUE
ISSN:
0007-4640
Year:
2017
Vol:
119
N°:
1
Pp:
217 - 230
Magazine:
ALPHA (OSORNO)
ISSN:
0716-4254
Year:
2016
N°:
43
Pp:
219 - 231
This paper focuses on the relationship between Cervantes' Cart of Death episode (Don Quixote, II, 11) and the sacramental play entitled Las Cortes de la Muerte (The Parliament of Death), usually attributed to Lope de Vega. This play has received some attention by the critics because it is almost certainly the sacramental play mentioned in the second part of Don Quixote, when the knight-errant meets the actors belonging to the Angulo el Malo's company. After commenting on Cervantes' episode and the possible identification of the sacramental play mentioned there, the paper provides a dramatic and literary analysis of Las Cortes de la Muerte (The Parliament of Death), with comment about its structure and other details concerning its allegorical and symbolic constructions.
Magazine:
HISPANOFILA
ISSN:
0018-2206
Year:
2015
N°:
175
Pp:
141 - 156
Magazine:
REVISTA DE HISTORIA DA SOCIEDADE E DA CULTURA
ISSN:
1645-2259
Year:
2015
Vol:
15
Pgs:
147 - 170
Magazine:
ROMANCE NOTES
ISSN:
0035-7995
Year:
2015
Vol:
55
Pgs:
63 - 72
Magazine:
NOTEBOOKS OF ILLUSTRATION AND ROMANTICISM
ISSN:
1132-8304
Year:
2015
N°:
21
Págs:
7 - 9
Magazine:
HISPANOFILA
ISSN:
0018-2206
Year:
2014
N°:
171
Pp:
113 - 138
Magazine:
REVISTA CHILENA DE LITERATURA
ISSN:
0048-7651
Year:
2013
N°:
85
Págs:
203 - 227
Algunas hazañas de las muchas de don Garcia Hurtado de Mendoza, marqués de Cañete, a play written at partnership by nine wits headed by Luis de Belmonte Bermúdez, was performed and published in Madrid in 1622. It is a commissioned genealogical comedy that formed part of the propaganda campaign undertaken by the Hurtado de Mendoza family to give prestige to the figure of Don García Hurtado de Mendoza, fourth Marquis of Cañete, who as governor of Chile (1557-1561) had achieved notable advances in the pacification of the rebellious territory of Arauco, but whose merits were not recognised by Alonso de Ercilla in La Araucana. Above all, we study the image that the piece offers of the noble character in the context of his actions in the Arauco War, which generated an abundant corpus of literary works in the Golden Age.
Magazine:
BULLETIN OF THE COMEDIANTES
ISSN:
0007-5108
Year:
2013
Vol:
65
N°:
2
Pp:
115 - 128
Magazine:
INSULA
ISSN:
0020-4536
Year:
2013
N°:
802
Pp:
25 - 27
Magazine:
RILCE. JOURNAL OF HISPANIC PHILOLOGY
ISSN:
0213-2370
Year:
2013
Vol:
29
N°:
3
Pp:
669 - 688
Magazine:
LETTER WORKSHOP
ISSN:
0716-0798
Year:
2013
N°:
NE3
Págs:
153 - 170
Magazine:
EHUMANISTA
ISSN:
1540-5877
Year:
2012
Vol:
1
Pgs:
103 - 119
Magazine:
INTERNATIONAL JOURNAL OF THE programs of study BASQUES
ISSN:
0212-7016
Year:
2012
Vol:
57
N°:
1
Pp:
242 - 245
Magazine:
LETTER WORKSHOP
ISSN:
0716-0798
Year:
2012
N°:
Extra 1
Págs:
229-252
link DADUN:
http: //hdl.handle.net/10171/27397
The Arauco Wars inspired numerous literary works in the Golden Age and, in the specific genre of theatre, several comedies and an auto sacramental. Within this dramatic corpus, of particular note is Arauco domado¿, a comedy by Lope de Vega.
Magazine:
NUEVA REVISTA DEL PACIFICO
ISSN:
0716-6346
Year:
2012
N°:
56-57
Pp:
79 - 98
Magazine:
COLLOQUIA. LETTERS
ISSN:
0010-1451
Year:
2011
N°:
178 (Supplement)
Pp:
87 - 98
Magazine:
yearbook calderonian
ISSN:
1888-8046
Year:
2011
N°:
4
Págs:
241 - 261
Magazine:
ALPHA (OSORNO)
ISSN:
0716-4254
Year:
2011
N°:
33
Págs:
171 - 186
This work analyses how in the auto sacramental of La Araucana, attributed to Lope de Vega, the allegorical subject of the Arauco War is addressed in core topic .
Magazine:
RILCE. JOURNAL OF HISPANIC PHILOLOGY
ISSN:
0213-2370
Year:
2011
Vol:
27
N°:
1
Pp:
119 - 143
Magazine:
REVISTA CHILENA DE LITERATURA
ISSN:
0048-7651
Year:
2011
N°:
78
Págs:
91 - 111
The 'Descripción de las grandezas de la ciudad de Santiago de Chile', one of the few texts in the corpus of satirical-burlesque poetry of colonial Chile, whose authorship is disputed, has had some recent editions that are not satisfactory.
Magazine:
ANALES CERVANTINOS
ISSN:
0569-9878
Year:
2011
N°:
43
Págs:
91 - 115
link DADUN:
http: //hdl.handle.net/10171/23680
This article analyses a narrative recreation of Don Quixote from the mid-20th century, Don Quixote in the Améscoas, by Martín Larráyoz Zarranz, who takes Don Quixote and Sancho Panza to the lands of Navarre.
Magazine:
yearbook CALDERONIAN
ISSN:
1888-8046
Year:
2010
Vol:
3
Ppgs:
259 - 274
link DADUN:
http: //hdl.handle.net/10171/28011
No hay cosa como callar' is a Calderonian comedy that has been described on several occasions as a masterpiece, but which to date has not been widely read at bibliography . In this work, after reviewing the Don Juanesque consideration of his character and considering the generic ascription of the play (comedy of cloak and dagger or serious drama), I study the rhetoric of the prevailing silence over the action and the characters, especially that of Leonor.
Books
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2021
publishing house:
Publications Service University of Navarra
Year:
2021
Place of Edition:
Pamplona
publishing house:
Publications Service, University of Navarra
Year:
2021
The 23 papers collected in the present volume constitute the conference proceedings of the X International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2020), which was held in modality virtual, from Pamplona, on 14-16 December 2020, organised by the group de research Siglo de Oro (GRISO) of the University of Navarra, in partnership, as in previous editions, with the high school de programs of study Auriseculares (IDEA).
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2020
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2020
Place of Edition:
New York
publishing house:
high school of programs of study Auriseculares (IDEA)
Year:
2020
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2020
Place of Edition:
Kassel
publishing house:
Reichenberger
Year:
2020
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2020
Place of Edition:
New York
publishing house:
high school of programs of study Auriseculares (IDEA)
Year:
2019
Place of Edition:
New York
publishing house:
high school of programs of study Auriseculares (IDEA)
Year:
2019
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2019
Place of Edition:
New York
publishing house:
high school of programs of study Aurisecular (IDEA)
Year:
2018
Place of Edition:
Vigo
publishing house:
publishing house Academy of Hispanism
Year:
2018
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2018
The thirty-one papers collected in the present volume constitute the conference proceedings of the VII International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2017), which was held on 14-15 December 2017 in Pamplona (Navarra), organised by the group de research Siglo de Oro (GRISO) of the University of Navarra. The meeting was structured around ten sessions of papers, dedicated to "Lope de Vega", "Calderón", Cervantes' "Novelas ejemplares", "Teatro", "Prosa y poesía", "Mitos y personajes míticos" and "Recepción", plus another three "De varia lección". As was the case in previous years, three things stand out in congress JISO 2017: the international character of its participants; the interdisciplinary approach of meeting; and, of course, the high quality of the works presented, which the curious reader can enjoy in these conference proceedings, whose degree scroll, Docendo discimus, the motto of several universities around the world, ultimately refers written request to Seneca in one of his letters to Lucilius: "homines, dum docent, discunt" (Epistulae morales, I, 7, 8).
Place of Edition:
Binges
publishing house:
Orbis Tertius
Year:
2017
Cervantes four centuries later : nouveaux objets, nouvelles approches s'inscrit dans un contexte scientifique de forte activité de la recherche cervantine, suscitée notamment par les quatre cent ans de la publication des Nouvelles exemplaires (2013), de la seconde partie du Don Quichotte de la Manche (2015), de la disparition de Michel de Cervantès (2016) et de la publication des Travaux de Persille et Sigismonde (2017). Our intention here is to bring to international research on Cervantès a point of view that we expect to be innovative, both from a critical, methodological and theoretical point of view, and from the point of view of the objects of study. This research brings together the reflections of thirty international researchers (Colombia, Spain, United States, France and Peru) who propose different approaches to Cervantes' work from dramatic, iconical, poetic and Romanesque perspectives. It is in a transdisciplinary framework that the most diverse theories are here applied to the work of Michel de Cervantès, from the philological approach to post-modern theories, passing through the mythocritical or néo-structuralist framework.
Place of Edition:
New York
publishing house:
high school of programs of study Aurisecular (IDEA)
Year:
2017
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2017
link DADUN:
http: //hdl.handle.net/10171/43585
Los agravios satisfechos del Desengaño y la Muerte, colloquium moral on the occasion of the canonisation of St. Francis Borgia, is an anonymous work (sometimes wrongly attributed to Luis de Fuenmayor) which has an allegorical structure similar to that of the autos sacramentales, insofar as the characters involved, along with Death and Disenchantment alluded to in degree scroll, are the Church, the World, Humility, the Devil, Pleasure, as well as St. Francis Borgia and the Society of Jesus itself. The literary quality of this play is not A, but it is very interesting in the context of Jesuit hagiographic theatre, and specifically that dedicated to St. Francis Borgia. Throughout colloquium there is an abundance of clichés related to disillusionment and vanitas, since what is dramatised here is the transformation of the Duke of Gandía after noticing in the decomposed corpse of the Empress Isabella of Portugal, the wife of Charles V (who died in 1539), the expiry of all human beauty. After this shock to his conscience, and after the death of his wife Leonor de Castro, which occurred years later, in March 1546, Francisco de Borja y Aragón decided to abandon all riches, honours and worldly finery to enter the Society of Jesus.
Place of Edition:
New York
publishing house:
high school of programs of study Aurisecular (IDEA)
Year:
2017
This volume brings together thirteen pieces that form part of the corpus of courtly and sacramental loas of the Golden Age, which is perhaps the least known of the genre. They are works that manifest, at various levels and dimensions, concerns related to the topic of authority and power, which are offered here in reliable and conveniently annotated texts. Brief commentaries (on the authors and their context, data of representation, plot outlines, metrics, etc.) accompany the editions, which have been written by various specialists (Ignacio Arellano, J. Enrique Duarte, Judith Farré Vidal, Carlos Mata Induráin, Tonina Paba, José A. Rodríguez Garrido, Enrique Rull, Leonardo Sancho, Ana Suárez Miramón and Martina Vinatea). First the peninsular loas are collected (Rojas Villandrando, Calderón de la Barca, Bances Candamo and Zamora), followed by one from Sardinia (Delitala and Castelví) and, finally, the American loas are added (Sor Juana, Llamosas and Peralta Barnuevo).
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2017
The twenty-two papers collected in this volume constitute the conference proceedings of the VI International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2016), which was held on 19-21 December 2016 in Pamplona (Navarra), organised by the group de research Siglo de Oro (GRISO) of the University of Navarra. The meeting was structured around nine sessions of papers: two devoted to "Cervantes", another two to "Theatre" and two other round tables on "Prose", "American themes", "Characters", "History and historiography" and "De varia lección". approach As was the case in previous years, three things stand out at congress JISO 2016: the international character of its participants; the interdisciplinary nature of the meeting; and, of course, the high quality of the works presented, as can be seen in these conference proceedings, whose degree scroll, Posside sapientiam, refers to Proverbia, 16, 16, in the Sacra Vulgata Bible: "posside sapientiam, quia auro melior est, et adquire prudentiam, quia pretiosior est argento".
Place of Edition:
New York
publishing house:
high school of programs of study Auriseculares (IDEA)
Year:
2016
Place of Edition:
Pamplona
publishing house:
Ediciones Universidad de Navarra (EUNSA)
Year:
2016
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2016
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2015
Place of Edition:
Pamplona
publishing house:
Ediciones Universidad de Navarra (EUNSA)
Year:
2015
This volume is part of the wide-ranging project "Recreaciones quijotescas y cervantinas" (RQC) developed by the group de research Siglo de Oro (GRISO) of the University of Navarra. Twenty-one works are collected here that deal with different aspects related to the recreations of Quixotes and Cervantes in poetry and essay. From different methodological perspectives¿ echoes, traces, themes and characters with a quixotic or Cervantes flavour are analysed in a wide variety of Hispanic and universal literature. Thus, Cervantes¿ reminiscences or influences in 19th century Spanish novelists, in Azorín, in Unamuno, in León Felipe and in Juan Ramón Jiménez, or in different authors and areas of contemporary poetry are discussed. In other territories and languages, we have contributions on Cervantes' relationship with writers, thinkers and artists such as Andrew Marvell, Heinrich Heine, Thomas Mann, Carlos Drummond de Andrade, Paul Celan, François Maréchal and Walter Benjamin, and on Cervantes' recreations in other geographical and cultural spaces: Italy, the Netherlands, Greece, Russia and Chile. This book delves into the study of the rich, complex and suggestive territory of Quixote and Cervantes' recreations, on this occasion in the field of poetry and poetry. essay
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2015
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2015
The fifteen papers collected in the present volume constitute the conference proceedings of the IV International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2014), which was held on 28 and 29 July 2014, in Olite and Pamplona (Navarra), organised by the group de research Siglo de Oro of the University of Navarra. The congress was structured around seven sessions: three devoted to "Theatre", one to "Prose", one to "Poetry, Rhetoric and Lexicon", another with the topic "Literature, power and justice" and one more on "Painting", all of which are now represented in the publication of the results. approach As was the case in previous years' calls for papers, there are three main features that should be highlighted in congress JISO 2014: the international character of the participants; the interdisciplinary nature of meeting, which addressed a variety of topics related to literature, rhetoric, linguistics, history, law, art, religiosity, culture and society, etc.And, of course, the high quality of the papers presented, whose authors are claiming - some of them already have - the venia docendi, i.e. permission to teach and transmit to others their knowledge in the subjects that constitute their respective specialities.
Place of Publication:
New York
publishing house:
high school of programs of study Aurisecular (IDEA)
Year:
2014
Place of Edition:
Craiova
publishing house:
Editura Sitech
Year:
2014
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2014
This volume brings together some thirty contributions that were presented at the III International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2013) which, organised by the group de research Siglo de Oro (GRISO) of the University of Navarra, took place in Pamplona on 31 July and 1 August 2013. This select handful of works on a variety of subjects, contributed by young critics from the most disparate backgrounds, allow us to take a closer look at the directions in which their new work projects are heading in the field of the Golden Age, which shows that the Philology and other related disciplines are alive and have continuity over time. If the conference proceedings of the two previous congresses, JISO 2011 and JISO 2012, were presented under the labels of Scripta manent and Festina lente, respectively, on this occasion they are based on one of the lessons that Horace gives his friend Lolius from a dialogue on the return of Ulysses from Troy: "Dimidium facti, qui coepit, habet: sapere aude, / incipe" (Epistles, II). Quite rightly, this 'dare to know' (or 'dare to think', as it is also translated) is an apt motto for the university teaching and, in general, for the approach to all forms of knowledge. Perhaps it is even more apt for those who are in the early stages of their journey along the paths of literary criticism.
Place of Edition:
Pamplona
publishing house:
EUNSA
Year:
2013
This book brings together fifteen contributions that correspond to two different¿although sometimes related¿territories of Golden Age dramaturgy: burlesque comedy and short plays. The works related to the short theatre include approaches to a particular loa and its palace recasting at the end of the 17th century, to the Entremés de los rufianes by González de Eslava, to the entremeses inserted in some comedias lopescas and to the jácaras by Quevedo, or they analyse the theatrical controversy towards the end of the 18th century, the costume of the figuron in entremeses and comedias or the motif of the jaque defending his daifa. The eight contributions on burlesque comedy examine questions such as its staging, the metatheatrical play present in these plays, their critical scope, the relationship between burlesque entremés and burlesque comedy, the parodic rewriting of serious models, plus burlesque self-rewriting and versification, or focus attention on a specific play such as Cada cual con su cada cual.
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2013
The book gathers eleven papers that were read at the International congress "Culturas y escrituras entre siglos (del XVI al XXI): Epochs of Transition", organised by the UFR Lettres et Sciences Humaines of the Université de La Réunion, the Centre de programs of study de la Literatura española de Entre Siglos (siglos XVII-XVIII) [CELES XVII-XVIII] of the Université de Poitiers, the group PROTEO of the Universidad de Burgos and the group de research Siglo de Oro (GRISO) of the Universidad de Navarra, which was held in Saint-Denis (France), Université de La Réunion, on 22 and 23 September 2011. The meeting, of a markedly interdisciplinary nature, also had an international projection B , with the participation of specialists from Spain, France, Portugal and Italy. The lectures dealt from different perspectives with literary production - and artistic production in general - at the turn of the century, with a particular focus on Spanish Golden Age theatre during the transition periods.
Place of Edition:
Kassel
publishing house:
Reichenberger
Year:
2013
La siembra del Señor was first published, with the degree scroll of Los obreros del Señor and attributed to Rojas Zorrilla, in the volume Autos sacramentales con cuatro comedias nuevas, y sus loas y entremeses (Madrid, María de Quiñones, 1655). However, Calderón's authorship is unquestionable: Calderón's own testimony in including it in the list to the Duke of Veragua, as well as the internal analysis of the text, with its complex allegorical development , its stylistic-literary invoice , the clear concomitances of sources and even textual concomitances with other autos calderonianos (especially the rewriting of El día mayor de los días), etc., are arguments that sufficiently accredit it. The date of composition must be before 1655, but we have not preserved data of its exact date of essay nor of its possible performance. The general allegorical structure of the Auto Sacramental is based on the parable of the labourers in the vineyard (Matthew 20:1-16) and, to a lesser extent, on the parable of the unfaithful vinedressers, but also, in some specific details, on the parable of the sower, the parable of the seed and the tares and the parable of the talents. The starting point is the parable of the labourers sent by the Father of families to the vineyard (inheritance, in the car), all of whom will receive the same pay even though they have joined the work at different times of the day.
Place of Edition:
Pamplona
publishing house:
University of Navarra Editions (EUNSA)
Year:
2013
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2013
If the conference proceedings of the first congress, JISO 2011, were presented under the label Scripta manent, to show the desire for permanence in writing of the research presented orally, the current ones come out under Festina lente ("Hurry slowly"). The motto of this volume is an oxymoron that Suetonius (Parallel Lives) attributes to Augustus and which may well be valid as committee for any young man researcher: `work calmly so that the result will be good¿, or, in another sense, `take advantage of your initiative and your spirits but, be careful, do not be too hasty¿. We believe that there are few better mottos than this when it comes to describing a body of work by young scholars, some of whom are starting their careers in the world of academia, some more than others. Finally, it is worth remembering that "Festina lente" was also the motto of Aldo Manuzio, whose trademark was an intertwined anchor and dolphin. Several of the contributions focus on the dramaturgy of the Golden Age; and, thus, we can find here reflections on the figure of the gracioso, the reflection of the valido in Tirso de Molina's plays or the variety of conversational discursive markers in Lopesque plays. But, given the multidisciplinarity of this meeting, one can also enjoy reading programs of study which analyses, for example, the influence of Italian architecture on the Peninsula or which sheds light on the development of mercantile calculation in the fifteenth century.
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2012
The only text that has been transmitted to us is published: Comedia nueva El Alcides de la Mancha y famoso don Quijote, de un ingenio de esta corte, with licence, in Madrid, at the Imprenta del Mercurio, by Josef de Orga, year 1750. The usual editorial criteria of the GRISO are followed and a non-exhaustive but ample annotation is offered to help a better understanding of the comedy, one more of the many that recreate Cervantes' immortal character, equated here with Alcides (Heracles / Hercules).
Place of Edition:
Pamplona
publishing house:
Government of Navarra, department of Culture, Tourism and Institutional Relations.
Year:
2012
Place of Edition:
Madrid
publishing house:
Editex
Year:
2012
Place of Edition:
Madrid
publishing house:
Iberoamericana - Vervuert
Year:
2012
This book is an important contribution to the cross-cultural dialogue that shapes the accumulation of histories that unite the two cities, emblematic of both Christian and Jewish traditions.
Place of Edition:
Pamplona
publishing house:
Ediciones Universidad de Navarra (EUNSA)
Year:
2012
Place of Edition:
Pamplona
publishing house:
Government of Navarra, department of Culture, Tourism and Institutional Relations.
Year:
2012
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2012
This volume brings together a series of papers presented at the International congress "Lope de Vega. Elíjase el topic: comedia, literatura, historia, arte, emblemática", directed by Dr. Peres and held at the Universidade Federal Fluminense (Niterói, Rio de Janeiro, Brazil) on 27-28 August 2009. The results of that meeting were published in cederrón, at position of high school Cervantes de Rio de Janeiro and the Universidade Federal Fluminense at partnership with GRISO-Universidad de Navarra. Now, with the possibilities offered by new technologies, it has seemed appropriate to recover it, transforming it into an online publication, which is included in the GRISO Digital Publications collection, which will undoubtedly allow an even wider dissemination of those contributions. The volume is now presented under a new degree scroll: Lope de Vega desde el Brasil. En el cuarto centenario del "Arte nuevo" (1609-2009), which suggests the valuable contribution of Brazilian researchers¿along with some from other geographical origins¿to the study of Spanish theatre of the Golden Age, and more specifically to the analysis of the Lope de Vega corpus.
Place of Edition:
Pamplona
publishing house:
Ediciones Universidad de Navarra (EUNSA)
Year:
2012
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra S.A.
Year:
2012
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2011
The volume brings together a total of 34 papers that were presented at the aforementioned congress, organised by the group de research Siglo de Oro (GRISO) and held on 3 August 2011 at the University of Navarra. The contributions analyse very diverse aspects of various subjects (art, literature, history and society, science and religiosity¿), always in the context of the Baroque period or its echoes and later influences. Its publication therefore aims to offer a state of the question, as partial as it may be, of the paths along which the new generations of researchers interested in the rich golden universe are moving. The conference proceedings total 458 pages of 'young' Philology , but of very good scientific quality.
Place of Edition:
Madrid
publishing house:
Iberoamericana - Vervuert
Year:
2011
Place of Edition:
Pamplona
publishing house:
Rilce
Year:
2011
Place of Edition:
Madrid
publishing house:
Iberoamericana - Vervuert
Year:
2011
Collects the programs of study presented at the "congress International 'Ay Mísero de Mí' El Cautiverio en la Literatura del Nuevo Mundo: de las Crónicas de Indias a la Época Moderna" held at the Pontificia Universidad Católica de Chile in 2009.
Place of Edition:
Madrid
publishing house:
Homolegens
Year:
2011
Place of Edition:
Madrid
publishing house:
Editex
Year:
2010
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra S.A.
Year:
2010
link DADUN:
http: //hdl.handle.net/10171/15361
Place of Edition:
Pamplona
publishing house:
Ediciones Universidad de Navarra (EUNSA)
Year:
2010
Most of the papers in this volume originate from the three international conferences on topic "Literature and Society" organised to date by the group de research Siglo de Oro (GRISO) of the University of Navarra, partnership with other universities. The first was held in 2007, the second in 2008 and the third in 2009.
Book chapters
Book:
De mi patria y de mí mismo salgo. conference proceedings del X congress Internacional de la association de Cervantistas (Madrid, September 3-7, 2018).
Place of Edition:
Alcalá de Henares
publishing house:
publishing house University of Alcalá / high school University of research "Miguel de Cervantes".
Year:
2022
Págs:
255 - 273
Book:
La imagen visual de Navarra y sus gentes: de la Edad average a los albores del siglo XX.
Place of Edition:
Pamplona (Navarra)
publishing house:
Publications Service of the University of Navarra ; Fuentes Dutor Foundation
Year:
2022
Págs:
477 - 483
Book:
Burlas, burladores y burlados en Cervantes.
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2021
Págs:
113 - 139
Book:
Inspiration and Pretext II. New programs of study on Cervantes, his work and his reception.
Place of Edition:
Madrid / Frankfurt am Main
publishing house:
Iberoamericana / Vervuert
Year:
2021
Págs:
11 - 14
ISBN:
978-84-9192-226-1 (Iberoamericana) / 978-96869-181-7 (Vervuert) / 978-96869-182-4 (e-Book).
Book:
Ecology and environment in Hispanic literature and culture.
Place of Edition:
New York
publishing house:
high school of programs of study Auriseculares (IDEA)
Year:
2021
Ppgs:
27 - 46
Book:
Trazas, ingenio y gracia. programs of study on María de Zayas and her "Novelas amorosas y ejemplares".
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2021
Págs:
7 - 10
Book:
congress National Cervantino "Querote, 2021". Quero (Toledo)
Place of Edition:
Cuenca
publishing house:
Editions of the University of Castilla-La Mancha
Year:
2021
Págs:
53 - 69
Book:
Iberian networks and women writers in the cultural sphere of the Early Modern Age.
Place of Edition:
Madrid
publishing house:
Iberoamericana / Vervuert
Year:
2021
Ppgs:
401 - 427
Book:
Confluências Transatlânticas. Narrativa Contemporânea Ibérica e Ibero-Americana.
Place of Edition:
Campinas (São Paulo)
publishing house:
Mercado de Letras
Year:
2021
Págs:
313 - 336
Book:
Saints, powerful and sinners: representation and reality of women between the 16th and 19th centuries.
Place of Edition:
New York
publishing house:
high school of programs of study Aurisecular (IDEA)
Year:
2021
Ppgs:
321 - 350
Book:
Antología de la Literatura burlesca del Siglo de Oro. Volume 8, Burlesque comedies
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2020
Ppgs:
467 - 616
Book:
Anthology of the burlesque literature of the Golden Age. Volume 8, Burlesque comedies
publishing house:
Publications Service University of Navarra
Year:
2020
Ppgs:
617 - 696
Book:
"A dos luces, a dos visos". Calderón and the sacramental genre in the Golden Age
Place of Edition:
Kassel
publishing house:
Reichenberger
Year:
2020
Pgs:
141 - 178
Book:
Anthology of the burlesque literature of the Golden Age. Volume 8, Burlesque comedies
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2020
Ppgs:
467 - 616
Book:
Anthology of the burlesque literature of the Golden Age. Volume 8, Burlesque comedies
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2020
Ppgs:
617 - 696
Book:
Teatro breve do Século de Ouro
Place of Edition:
São Paulo
publishing house:
Editora Perspectiva
Year:
2020
Págs:
265 - 276
Book:
language, culture, speech. programs of study offered to Prof. Manuel Casado
Place of Edition:
Pamplona
publishing house:
Ediciones Universidad de Navarra (EUNSA)
Year:
2019
Ppgs:
1229 - 1250
Book:
Los trabajos de Cervantes. XIII colloquium International of the association of Cervantistas
Place of Edition:
Cuenca
publishing house:
Editions of the University of Castilla-La Mancha
Year:
2019
Ppgs:
221 - 229
Book:
Nómina cervantina. Siglo XX, 2
Place of Edition:
Kassel
publishing house:
Reichenberger
Year:
2019
Pgs:
149 - 180
Book:
Crime and death in the theater of the Spanish Golden Age.
Place of Edition:
Madrid
publishing house:
Visor Libros
Year:
2019
Ppgs:
107 - 133
Book:
The hour of the assassins: black chronicle of the Golden Age.
Place of Edition:
New York
publishing house:
high school of programs of study Aurisecular (IDEA)
Year:
2018
Ppgs:
59-95
Book:
'Doctos libros juntos'. Tribute to Professor Ignacio Arellano Ayuso
Place of Edition:
Madrid
publishing house:
Iberoamericana - Vervuert
Year:
2018
Ppgs:
369 - 387
Book:
La poésie d'exil en Europe aux XVIe et XVIIe siècles.
Place of Edition:
New York
publishing house:
high school of programs of study Aurisecular (IDEA)
Year:
2018
Ppgs:
61 - 113
Book:
Towards Modernity. The construction of a new literary theoretical order between Baroque and Neoclassicism.
Place of Edition:
Vigo
publishing house:
publishing house Academy of Hispanism
Year:
2018
Ppgs:
13 - 19
Book:
The pen is the language of the soul: conference proceedings of the IX congress International association of Cervantistas (São Paulo, June 29 to July 3, 2015).
Place of Edition:
Alcalá de Henares
publishing house:
Publications Service University of Alcalá
Year:
2018
Ppgs:
919 - 920
Book:
'Estos festejos de Alcides'. Loas sacramentales y cortesanas del Siglo de Oro.
Place of Edition:
New York
publishing house:
high school of programs of study Auriseculares (IDEA)
Year:
2017
Ppgs:
111 - 152
Book:
Cervantes' Numen revives in Felipe Alarcón Echenique.
Place of Edition:
Cáceres
publishing house:
high school de Lenguas Modernas of the University of Extremadura
Year:
2017
Pp:
s. p.
Book:
Don Quixote. Abridged version adapted to the Spanish of America.
Place of Edition:
Santiago de Chile
publishing house:
Ediciones Universidad Católica de Chile
Year:
2017
Págs:
15 - 18
Book:
Nómina cervantina. 20th Century
Place of Edition:
Kassel
publishing house:
Reichenberger
Year:
2016
Pgs:
276 - 294
Book:
Models of life and culture in Navarre (16th and 17th centuries). Anthology of texts
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2016
Ppgs:
93 - 362
Book:
The culture of blood in the Golden Age. Between Literature and History
Place of Edition:
Madrid
publishing house:
Sílex
Year:
2016
Ppgs:
325 - 348
Book:
Models of life and culture in early modern Navarre.
Place of Edition:
New York
publishing house:
Institute of programs of study Aurisecular (IDEA)
Year:
2016
Ppgs:
117 - 250
Book:
Quixotic and Cervantine recreations in poetry and the essay
Place of Edition:
Pamplona
publishing house:
Ediciones Universidad de Navarra (EUNSA)
Year:
2015
Págs:
137 - 156
Book:
Routes of Don Quixote through Europe (17th and 18th centuries). Towards a bibliography
Place of Edition:
Kassel
publishing house:
Reichenberger
Year:
2015
Pgs:
VII - IX
Carlos Mata Induráin, "Desbrozando el camino de las recreaciones quijotescas para una nueva y más completa recepción del Quijote", in Agapita Jurado Santos, Recorridos del Quijote por Europa (siglos XVII y XVIII). Towards a bibliography, Kassel, Edition Reichenberger, 2015, pp. VII-IX. ISBN: 978-3-944244-38-9.
Book:
Spanish readings (from Jorge Manrique to José Ricardo Morales).
Place of Edition:
Valparaiso
publishing house:
publishing house Puntángeles / University of Playa Ancha
Year:
2015
Págs:
9 - 24
Book:
The heritage of Spanish classical theater: current events and perspectives: homage to Francisco Ruiz Ramón.
Place of Edition:
Valladolid
publishing house:
University of Valladolid
Year:
2015
Págs:
501 - 509
Book:
Steam Writings
Place of Edition:
Madrid
publishing house:
Incipit
Year:
2015
Ppgs:
11 - 14
Book:
Morocco in Cervantes. Anthology of texts
Place of Edition:
Tetuan
publishing house:
Patio de Monipodio
Year:
2015
Págs:
11 - 14
Book:
Judaism and crypto-Judaism in Spanish comedy: XXXV conference de Teatro Clásico, Almagro, July 5, 6 and 7, 2012.
Place of Edition:
Cuenca
publishing house:
Editions of the University of Castilla-La Mancha
Year:
2014
Págs:
105 - 124
Book:
Comentarios a Cervantes: conference proceedings selectas del VIII congress Internacional de la association de Cervantistas, Oviedo, June 11-15, 2012.
Place of Edition:
Madrid
publishing house:
María Cristina Masaveu Peterson Foundation
Year:
2014
Ppgs:
288 - 299
Book:
Poésie de cour et de circonstance, théâtre historique. La mise en vers de l'événement dans les mondes hispanique et européen XVIe-XVIIIe siècles.
Place of Edition:
Paris
publishing house:
L'Harmattan
Year:
2014
Ppgs:
63 - 91
Book:
Svatý František Xaverský a jezuitská kultura v eských zemích
Place of Edition:
Olomuc
publishing house:
Univerzita Palackého v Olomouci
Year:
2014
Ppgs:
137 - 146
Book:
Quixotic and Cervantine recreations in narrative.
Place of Edition:
Pamplona
publishing house:
EUNSA
Year:
2013
Págs:
167 - 184
Book:
Ingenuity, theology and drama in Calderón's autos sacramentales.
Place of Edition:
Kassel
publishing house:
Edition Reichenberger
Year:
2012
Pgs:
55-75
Book:
Por seso e por maestría. Homage to Professor Carmen Saralegui
Place of Edition:
Pamplona
publishing house:
Ediciones Universidad de Navarra (EUNSA)
Year:
2012
Págs:
387 - 408
Book:
Siniestro Caravinagre
Place of Edition:
Pamplona
publishing house:
Eunate
Year:
2012
Págs:
7 - 8
Book:
Bishop Martínez Compañón: life and work of an enlightened Navarrese in America.
Place of Edition:
Pamplona
publishing house:
Government of Navarra, department of Culture, Tourism and Institutional Relations.
Year:
2012
Págs:
397-420
Book:
Jerusalem and Toledo. Stories of two cities
Place of Edition:
Madrid
publishing house:
Iberoamericana - Vervuert
Year:
2012
Ppgs:
215 - 232
Book:
Lope de Vega from Brazil. On the fourth centenary of the 'Arte nuevo' (1609-2009)
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2012
Págs:
103 - 137
Book:
St Francis Xavier and the Jesuit Missionary Enterprise. Assimilations between Cultures / San Francisco Javier y la business misionera jesuita. Assimilations between Cultures
Place of Edition:
Pamplona
publishing house:
Publications Service University of Navarra
Year:
2012
Págs:
125 - 144
Book:
Captivity in New World literature.
Place of Edition:
Frankfurt am Main
publishing house:
Vervuert / Iberoamericana
Year:
2011
Ppgs:
169 - 194
Book:
Visiones y revisiones cervantinas: conference proceedings selected from the VII congress Internacional de la association de Cervantistas
Place of Edition:
Alcalá de Henares
publishing house:
Centro de programs of study Cervantinos
Year:
2011
Págs:
579-589
Book:
Comedias burlescas del Siglo de Oro (Burlesque comedies of the Golden Age).
Place of Edition:
Madrid
publishing house:
Iberoamericana - Vervuert
Year:
2011
Ppgs:
27 - 187
Book:
Compostella Aurea: conference proceedings of the VIII congress of the AISO: Santiago de Compostela, July 7-11, 2008.
Place of Edition:
Santiago de Compostela
publishing house:
Universidade de Santiago de Compostela
Year:
2011
Págs:
1223-1232
link DADUN:
http: //hdl.handle.net/10171/23704
Book:
notebook de versos. Anthology 1985-2010
Place of Edition:
Madrid
publishing house:
Incipit
Year:
2010
Págs:
13 - 39
Book:
Cruzando fronteras: Miguel Delibes, entre lo local y lo universal: conference proceedings del congress Internacional celebrado en Valladolid del 16 al 18 de octubre de 2007.
Place of Edition:
Valladolid
publishing house:
Secretariat of Publications of the University of Valladolid.
Year:
2010
Págs:
285 - 294
Book:
Texts without borders: literature and society.
Place of Edition:
Pamplona
publishing house:
Ediciones digitales del GRISO
Year:
2010
Págs:
133 - 152
Book:
Texts without borders: literature and society.
Place of Edition:
Pamplona
publishing house:
Ediciones Universidad de Navarra (EUNSA)
Year:
2010
Págs:
283 - 300
Book:
Texts without borders: literature and society.
Place of Edition:
Pamplona
publishing house:
Ediciones Universidad de Navarra (EUNSA)
Year:
2010
Págs:
247 - 262
Book:
The Bible in the literature of the Golden Age.
Place of Edition:
Madrid
publishing house:
Iberoamericana - Vervuert
Year:
2010
Págs:
339 - 355
Book:
Imágenes: el Carlismo en las artes: III conference de Estudio del Carlismo, 23-25 September 2009: conference proceedings
Place of Edition:
Pamplona
publishing house:
Institución Príncipe de Viana
Year:
2010
Págs:
161 - 207
link DADUN:
http: //hdl.handle.net/10171/23690
Book:
Texts without borders: literature and society.
Place of Edition:
Pamplona
publishing house:
Ediciones Universidad de Navarra (EUNSA)
Year:
2010
Págs:
263 - 282
Book:
congress International "Lope de Vega. Elíjase el topic: comedy, literature, history, art, emblematic"
Place of Edition:
Rio de Janeiro
publishing house:
high school Cervantes
Year:
2010
Págs:
64 - 84
link DADUN:
http: //hdl.handle.net/10171/23692
