Previous Editions

I was asleep

Malena is going to finish degree program and she doesn't know what she wants. Her frequent episodes of asthma mean that her parents are always looking after her, often too much. After a severe crisis, they take her to the beach for a weekend to recover. While the need to decide about the future is pressing, Malena is driven by curiosity. She searches for a cove, talks to the owner of the gîte, follows a line of ants... Malena finds something beyond what she knows and decides to give it a try.

Supervisors: Álvaro González and Uxue Peña

Leadership: Kevin Rodrigo
Script: Hugo López and Kevin Rodrigo
Production company: Hugo López Sarasa
Director of Photography: Mikel González
teaching assistant of photography: Almudena Rodríguez
Art director: Gabriela Paños
Original music and sound: Marcos Ausejo
Script and editing: Daniela Ontaneda
teaching assistant Director: Cynthia Expósito

When it stops ringing

A music box is able to bring the dead back. This sounds like a dream, but turns into a nightmare when it stops playing.

Supervisors: Álvaro González and Patricia Diego

Art Direction/Direction: María Fernández and Aitana Santamaría
Script: María Fernández, Aitana Santamaría and César Pérez de Lazárraga
Production company: Silvia García Domínguez
Director of photography: Tamara Garcés
Camera operator and teaching assistant photography: Patricia Ramos
Editing and script: Pelayo Arroyo
design sound and original music: Jaime Bayo
Visual effects: Israel Fornés
design of wardrobe: María Fernández, Aitana Santamaría and Sara Osta
teaching assistant Director: César Pérez de Lazárraga
teaching assistant of production: Estela Gascón
teaching assistant sound designer: David Martínez García

Robles

Robles is worn out. He forgets things, gets lost easily and has a bad temper. When at a funeral all the attendees corner him to pay their condolences, he runs away. He has to get out of there. He has to leave the church, the noise and the mourning behind. He puts the pedal to the metal in his Citroën Saxo and starts to follow the only road he remembers.

Supervisors: Álvaro González and Uxue Peña

Director: Daniel de Luis
Script: Daniel de Luis and Alejandro López
Production: Alejandro López
Director of photography: Paula Garraza
Art direction and wardrobe: Adolfo Moreno
Editing and VFX: Gonzalo Araujo
Music: Nerea Merino and Berta Gorena
Sound: Mikel Ibilcieta
teaching assistant of production: Javier Araujo
teaching assistant of photography: William Eddleston
teaching assistant Director: Magdalena Janik

The end of the night

On the third anniversary of the death of his best friend, Antonio meets his group at a cafeteria to commemorate his death. They never made peace and he is burdened with remorse. During the night Antonio gets drunk and sees Felipe leaving the cafeteria. He decides to follow him, embarking on a nocturnal odyssey through the different bars of the city in search of his friend.

Supervisors: Álvaro González and Patricia Diego

Address: María Gómez Costa
Script: Luis Angarita and María Gómez Costa
Production company: Miren Uriarte Crespo
Director of photography: Luis Angarita
Camera operator: Imanol Iraizoz
Art director: Nuria Aisa Salinas
Editing and script: Alejandro Garrido
Sound: Iñigo Cintas
teaching assistant of direction: Laura Michelle Guerrero
teaching assistant of production: Andrés Gómez Carreras
teaching assistant of photography: Rosa Bernal Pinzón
teaching assistant sound designer: Patricia García Ramos

Star menu

Can a menu reflect the life of a person? Menu of Stars" offers an unforgettable gastronomic adventure. The life of a star is reviewed through a fabulous menu, divided into first course, second course and dessert, representing the past, present and future of the famous person respectively.

Supervisors: Enrique Guerrero and Álvaro González

Director: Iñaki Goñi
Production company: Jon Anaut
Realisation: Daniel Vitallé
teaching assistant Director and director: María Fernanda Quirós
Director of photography: Richard Montero and Pablo Beorlegui
teaching assistant photography: Emily Paladines and Pablo Beorlegui
Cameramen: Pablo Beorlegui, Emily Paladines and Richard Montero
Drone control: Imanol Iraizoz
Art director: Andrea Villar
Sound: Igor Martínez
teaching assistant sound: Lucía Rodrigo
Editing: José Navalón, Rubén Aguadero, Jon Anaut, Iñaki Goñi and Daniel Vitallé

Link

A fortuitous meeting . That's how I met Maria. Her closeness and trust made her story and our story stick in my mind. Now I am embarking on a journey through report, because of what she told me. Her words make me return unexpectedly to a place, a space where nothing is the same anymore, where memories invade it completely. The reflection that he is not there.

Supervisors: Efren Cuevas and Oskar Alegria

Director: Lucía Silvestre
Production company: Marina González
Director of photography: Alejandra Maiel
Editing: María Moreno
Sound: Estela Isabel Cousillas
Original music: Elías Alegría

Vigil

A sensory journey through the thoughts, fears and dreams of director in the face of the awareness of death.

Supervisors: Efrén Cuevas and Marga Gutiérrez

Direction and script: Pablo Villar
Production company: Valentina Troccoli
Director of photography: Valvanera Cejudo
Editing: Rodrigo Gimeno
Sound: Miguel Ángel Urío

911

In the midst of a massive car crash, the dispatch center at Delaware County sounds the alarm as time is against them. All responders are called to immediate action to assess the car pile up. Diane must wake up from her daze and answer to the panicked calls. She must remain calm but an unexpected staff call may waver her sense of duty.

Advisors: Pablo Castrillo & Ainara Porrón

Writer and Director: Annika Cozar
Producer: Ricardo Sánchez Fernández del Castillo
Cinematography: Pablo Romero
Art director: Gabriella Bulgari
publisherChencheng Wang
Music and Sound: Juan Arias Álvarez
DP Assistant: Seve Arcenas
Assistant director and Production Assistant: Alba Ilarde

Sunflowers

For years, Amy has been deceiving men. She uses different dating apps to find flirts and, from agreement with their profiles, she transforms her personality and appearance to become the "perfect girl" for each one of them. Amy lives in a plastic world where men are disposable and love is a game with very specific rules: 1. Only use dating apps. 2. Lie whenever possible. 3. NEVER go on second dates. However, her life is turned upside down when she meets her worst nightmare on quotation : a tactful, sensitive guy who is willing to start a stable relationship. From that moment on, meeting Amy's conception of love will begin to crumble. Will Amy be able to stick to her rules? Or, on the contrary, will she allow her whole system to crumble?

Director and co-writer:  Laura Leamus

Producer and composer:  Enrique Unzu

Co-writer and teaching assistant production:  Elena de Miguel

teaching assistant address:  Alejandro Goñi

Director of art:  Maria Calvo

Director photo:  Óscar Ilundain

publisher and script:  José Diego Poggio

Camera:  Raúl Jordán

Sound:  María Brotons

A fifty

It is night time. It is freezing cold. You can hear the wind blowing in the leaves of the trees. No, this is not the fourth part of the Baztan trilogy. You're not going to find crazy old women and mysterious murders, are you? It's all a mystery that will only be revealed at the end... Carla wakes up handcuffed in a forest, but she can't see anything. Her kidnappers want her to face up to the mistakes of the past. What did Carla do? Is she really guilty?

Director and scriptwriter:  Óscar Sánchez Areso

Scriptwriter:  Maria Brotons Almandoz

teaching assistant address:  Cristina Urriza Iricibar

teaching assistant of production:  Beatriz Martínez Larragueta

Soundman:  Daniel Bécares Romero

publisher and script:  Jabier Lizoain Lizarraga

Director of art:  Óscar Beunza Mayorga

Director of photography:  Natalia Pérez Oroz

Producer:  Maria Villoria Gómara

Adeu siau

When you are a child you are told that when you die you go to heaven or hell. But there is an intermediate level where you can put your soul in order: Purgatory. Alba dies at the age of 18 and finds herself lost in the middle of her own wake. No one can see or hear her. No one except Simon. Who will guide her on the path of her mistakes towards possible repentance. Repentance? Alba? Will she muster the will to climb the stairs and seek her redemption?

Scriptwriter and director:  Blanca Magre

teaching assistant and publisher:  Fernando Linzoáin

Scriptwriter and producer:  Carolina Orozco

teaching assistant of production:  Kinga Dymowska

Director of photography:  Maria Anglada

Camera:  Jesus Salinas

Director of art:  Ander Quintana

Sound designer:  Santiago Lorenzana

Frontline

Frontline is a documentary film about the testimony of a group group of newly graduated nurses whose first contact encounter with the professional world is the first wave of Covid.

Director and director of photography:  Santiago López

Producer:  Meritxell Mateu

teaching assistant address:  Isabella Delgado

Sound and music:  Rodolfo Chang

Edition:  Omar Carrillo

Onscreen

Jorge works for Consolidated Life, one of the largest insurance companies in the world. He lives alone, he doesn't need much. He is content with a couple of Netflix and Spotify subscriptions. His life is unremarkable and uneventful. But everything changes with the premiere of a new TV series: On Screen. To his surprise, the programme replicates his day-to-day life to the millimetre. Every step, every gesture, every conversation is copied in the series. Jorge is just another bee in the corporate honeycomb. He thinks he is the apple of his boss's eye, but he is nothing more than employee 864. "There is no one like you", he repeats day after day. Seeing her life replicated in a TV series will shatter her convictions and, above all, call into question the question of her identity.

Address:  Borja Hernández Máñez

Production:  Saioa Larrasoaña Oneca

teaching assistant address:  Santiago Jiménez Ayala

Director of photography:  James Doorly Sued

Camera:  Bohdana Romániv

Art direction:  Catherine Ruibal Moreno

Sound:  Sergio Zarranz Calvo

Edition:  Amaia Legarreta Gámez

The guardian of beauty

At a time when people go to museums to show the world how "interesting" they are, even the guardians of the centres lose interest in their surroundings. But sometimes all it takes is a different look that shows another point of view.

Director and scriptwriter:  Miguel Cusí

Producer:  Dani López

teaching assistant address:  Javier Estenaga

teaching assistant production and art director:  Beatriz Guerra and  Maria Grzeskowiak

Director of photography:  Miguel Clavería

Sound: Álvaro Lacorte

Editor and script:  Maria Encío

Camera:  Ana Sofía Piña

Navarra, Reyno Flamenco

Pamplona is not only about San Fermín. Flamenco is more than present in this city, and our goal is to show it. Starting with Sabicas, passing through the flamenco schools, and ending with the festival, Flamenco on Fire, Navarra, Reyno Flamenco rediscovers that the flamenco tradition in Pamplona is more alive than ever.

Direction and editing:  David del Brío

Director photography and editing:  Andrés Pérez

Sound:  Pablo Alcalde

Producer:  Álvaro Pérez Miró