Academic staff
Professor of the subject framework philosophical and cultural curator, Museolab and director of TFM. D. in Art History from the Universidad San Pablo-CEU, Master in Business Administration from the Nebrija Business School, degree in Geography and History from the Universidad Complutense (specialization program Art History) and graduate in Philosophy from the University of Navarra. She is currently director of the Master's Degree in programs of study Curator and professor of Art Theory at the University of Navarra. She has directed for ten years the Master's Degree in Art Market at the University Nebrija, and has been professor of Aesthetics and Art Theory at the department of Fine Arts at the same University.
He has conducted courses and seminars at the Instituto Superior de Arte, Álvaro Durán Arte and business, San Pablo CEU University in Madrid, University of Jaén, University of Aguascalientes in Mexico and the University of Cuenca in Ecuador, among others.
Previously, she worked professionally in the field of cultural management at the Félix Granda Foundation in Madrid, where she was director between 1998 and 2000. In the field of book publishing, she has worked as publisher attachment in Tanais arquitectura and Documenta artes visuales, and has collaborated with publishing house JC libros de cine.
His research has dealt with the mediation and reception of the work of art, focusing on the work of the American artist William Congdon. In 2006 she published the book An American painter in Italy. William Congdon (1912-1998), as well as several articles. He has been a member of several groups of research, such as the group of programs of study Transversal in Contemporary Creation of the Nebrija University, where he has worked on the Art System line, or the Chair of Contemporary Art of the University of Navarra. He currently collaborates with the group of research Emotional culture and identity - CEMID of the Institute of Social Sciences of the University of Navarra and works in relation to the aesthetics of light and photography.
Maria Aguilera
She is the director work the Master's Degree work
Curator of private and corporate collections: Advisor to the Ernesto Poma Family Collection, one of the most important private collections of Latin American art, with locations in Florida, Colorado, and Madrid. She is responsible for cataloging works and maintaining the database, as well as for content development and overseeing publishing house a series of books on the collection. She served as curator of the Bergé Collection (2006–2024), a corporate collection of international contemporary art with locations in Madrid and La Rioja, overseeing management , restoration, cataloging, database maintenance, registration, transportation, installation, exhibitions, loans, insurance, appraisals, institutional relations, and corporate social responsibility. She has been a Board member of IACCCA (The International Association of Corporate Collections of Contemporary Art) (2012–2024), where she served as international coordinator of the Task Groups and organized three international symposia (Stedelijk Museum, Amsterdam 2016: Corporate Collections and Museums. Synergies and New Perspectives on Collaboration; PalaisPopulaire-Deutsche Bank, Berlin 2018: Art Commissions & Art in Public Spaces; and CaixaForum, Madrid 2021: Art in the Time of Ecological Disruption, the latter accompanied by the publication of a book for which she also served as editor). She served as an advisor to the José Ramón Prieto Collection (2014–2021), for which she produced the Catalog , catalog entries, critical texts, and essays.
She also works as a freelance editor and publishing house coordinator publishing house exhibition catalogs and art books for numerous museums and cultural institutions. Over the past twenty years, she has edited and coordinated more than one hundred exhibition catalogs for MoMA, the Museo Nacional del Prado, The Metropolitan Museum, La Casa Encendida, Fundación Mapfre, the National Library of Spain, Fundación Telefónica, Museo Patio Herreriano, Fundación La Caixa, Círculo de Bellas Artes, the State Society for Cultural Commemorations, Acción Cultural Española, Fundación María Cristina Masaveu Peterson, C-Photo, Ivorypress, Ediciones El Viso, Tf Editores, and La Fábrica publishing house others. For several consecutive years, she has taught courses on the editing of art catalogs in the Master's Degree publishing house design publishing house Istituto Europeo di Design in Madrid.
Previously, she served publishing house coordinator publishing house Thyssen-Bornemisza Museum, where she was responsible for coordinating and producing catalogs for temporary exhibitions, catalogs raisonnés, guides to the permanent collection, educational guides, periodicals, promotional materials, and more, providing support to all Departments museum. She has worked at MACCSI (Sofía Imber Museum of Contemporary Art in Caracas) in the development department research development department , and received two training fellowships: one awarded by the Community of Madrid at the Carlos de Amberes Foundation (2001) and another awarded by the Complutense University in the department the Thyssen-Bornemisza Museum.
She holds a bachelor’s degree in Art History from the Complutense University of Madrid and specialized in museology and contemporary art at Ca’ Foscari University of Venice. She furthered her training numerous university courses at the University of Valladolid and the School of Architecture Seville, as well as summer courses at San Lorenzo de El Escorial organized by the Complutense University and seminars at Ca’ Foscari University of Venice.
Professor of the subject Art and Space. Architect doctor. Professor of design Projects at the School of Architecture at the University of Navarra. Member of the research group "Applied Creativity". He was team member of the research group "Territories of Architecture" to study the relationship between architecture and contemporary art collecting practices in the Middle East. Developed a research stay at the GSAPP of Columbia University in New York where he was curator, designer and producer of the exhibition "Architecture or Revolution". He also curated the exhibition "Remains of regional identities" at the Instituto Cervantes in New York. In 2013 he was assistant curator to Chus Martinez at El Museo del Barrio in New York. He was team member of research for the exhibition "Collecting" at Studio-XX .
Eneas Bernal
Curator and cultural manager, his internship focuses on how to connect art and society. In the Master's Degree in programs of study of Curatorship at the University of Navarra, he collaborates in the subject Audiences and Participation, where he explores the possible dialogues between audiences and curatorship.
She has worked until 2024 as coordinator of Exhibitions and Projects at MUSAC, Museo de Arte Contemporáneo de Castilla y León, where she coordinated the great sample of the V anniversary dedicated to Latin America, Modelos Para Armar. She founded and led for 7 years the Convocatoria laboratory 987, a collaborative platform to support artistic creation, whose curatorial principles were based on listening to the territory and its communities. Along these lines, she developed the Patio MUSAC program, which turned a museum space into a reference point for music and the living arts in León. In addition, he co-curated the podcast Ciudades Pospandemia, focused on the relationship between health and ways of inhabiting, and co-directed the annual Curso de Cultura Contemporánea, a program educational whose approach focused on the transformative potential of artistic creation.
In 2018, he participated in the 33rd São Paulo Biennial, Afinidades Afectivas, collaborating in the creation of Autoescola Insular, an innovative program of mediation and care practices. Between 2008 and 2012, he co-directed and was the publisher of the curatorial project Lugares de Tránsito for AECID, which combined artistic residencies and contemporary creation in Latin America and the USA.
graduate with a degree in Art History from the University of Seville and a Master's Degree in Museography and Exhibitions from the Complutense University of Madrid, her approach was transformed through a scholarship of management Cultural AECID at the Embassy of Spain in Venezuela, which allowed her to deepen in cultural cooperation. She is currently pursuing a doctorate at the University of León, where she is researching how curatorial practices can strengthen the relationship between museums and communities.
Cristina Lucas
Cristina Lucas (Úbeda, 1973)
Professor of the subject The curator and the artist.
Spanish artist recognized for her critical research on systems of power, accumulation and surveillance in the framework of globalization. Her work addresses the relationship between globality, merchandise and control, incorporating an incisive look at the economic, social and political Structures that shape the present. In his most recent research, he has delved into the report and ecology as areas of resistance to the extractivist and destructive logics of capitalism, articulating a visual reflection that combines conceptual rigor and poetic sensibility.
Trained at the Universidad Complutense de Madrid (1992-1998) and with a Master's Degree in Fine Arts from the University of California, Irvine (1999-2000), Lucas has developed his international career through residencies in core topic institutions such as the ISCP in New York, the Rijksakademie van Beeldende Kunsten in Amsterdam or the Cité des Arts in Paris. His work has been presented individually in museums of reference letter as the MUDAM in Luxembourg, the CAAC in Seville, El Carrillo Gil in Mexico City, the Helga de Alvear Museum in Cáceres and the Kranenburgh Museum in Bergen, as well as participating in recent important group exhibitions in institutions such as CaixaForum, TBA21, gres art 671 Bergamo or the Art Sonje Center in Seoul.
His internship combines research, commitment and a lucid reading of the contemporary world, situating art as a critical tool and a space for active thought.
Raquel Cascales is professor of the subject Philosophical keys of contemporary culture. She holds a degree in Philosophy and a Master's Degree in Philosophical research from the University of Navarra (2012). She received the Extraordinary doctorate award for her thesis La Philosophy de Arthur Danto ante la profecía hegeliana del fin del arte (2016). Since that year he joined the faculty of the University of Navarra, although he has also taught and lectured in Germany (2017), Guatemala (2018) and the United States (2022).
She subsequently completed several specialization courses, including Anthropology and Art: Museums, Galleries and Globalisation at Goldsmiths University and 100 Design Projects at Central Saint Martins. She has been Visiting Scholar at The Warburg Institute (London, 2018) and Columbia University (New York, 2022). In 2018 she coordinated the seminar "Art & Aesthetics" at the Stour Space in London, as well as since 2017 she has coordinated the seminar "Confluences" at the Museum of the University of Navarra. His publications include The End of Art. Hegel and Danto face to face (University of Valencia, 2020), "Transfiguraciones estético-políticas. Una reflexión sobre Street Art y la obra de Banksy" (University of Valencia, 2020), "La perfomance es vida y, si no, no es nada" (Arte, individuo y sociedad, 2022) or "Interpreting AI-Generated Art: Arthur C. Danto's Perspective on Intention, Authorship, and Creative Traditions in the Age of Artificial Intelligence" (The Polish Journal of Aesthetics, 2023). He has also coordinated the collective works Arte y transformación social (Dykinson, 2023) and Cuidado con la estética. Reflexiones entre arte y vida (Dykinson, 2024).
He has participated in several research projects, such as Experiencia estética en la acción. Antoni Tàpies: a new perspective (2016-19) and Art and social transformation (2020-23). She has also been research manager of the line "Art, society and the sacred" within the research group Religion and Civil Society, Institute for Culture and Society (2021-2025). Nowadays she collaborates in the ICS in several groups and is part of the DISARQ project . Contributions from architecture to the theory, pedagogy and knowledge dissemination of Spanish design (1925-1975) (PID2023- 153253NA-I00). Since 2024 he is a member of the board of directors of the Spanish Society of Aesthetics and Theory of the Arts (SEyTA), as well as of the group of Aesthetics and Contemporary Art of the University of Navarra. His current research is oriented towards the aesthetics of the everyday and the aesthetics of care, fields in which he has participated and organized international conferences. In this line, she has coordinated the first monograph on the topic in Spanishyearbook Filosófico, 2025) and has published the article "Breaking Aesthetic Boundaries. Arthur Danto, Yuriko Saito, and the Challenge to Western Aesthetic Thought" (ESPES, 2025).
Professor of the subject History of exhibitions and director TFM. Senior Associate Professor of Art History. His pre and postdoctoral research focuses on the different spaces and systems of artistic training , traditional workshops, programs of study private, official academies and Schools of Fine Arts. Relevant in this sense is his doctoral thesis La búsqueda de una identidad. La escultura entre el gremio y la academia (1741-1833) Madrid, FUE, 2001; and his participation in the platform promoted by the Museo Nacional Reina Sofía La training del artista: research y capitalismo académico (2012-2013). In 2005 he enjoyed a scholarship of the Postdoctoral Fellowship Program in Spain and abroad of the Ministry of Science and Innovation. Between the years 2011-2015 she has been researcher of the project El speech de la Modernidad HAR2010-16277. These grants allowed him a year of academic mobility (UPC of Barcelona), and several stays of research (Istituto Universitario di Architettura di Venezia and Bibliotheca Hertziana of Rome, among others). He is the author of more than 30 scientific contributions on art and architecture from the eighteenth to the twentieth centuries, including'Of artists and historians. Cicognara, Ceán y el programa escultórico para el Museo del Prado' (2007), the exhibition Loewe años 60 cuestión de estilo ( 2008) or "La teaching del dibujo en la España moderna"(2015). His career professor is linked to the School of Architecture of the University of Navarra. He is currently coordinator of Degree at design of that center.
Professor of the subject Protocols of preventive conservation and director of TFM. Assistant Professor of Contemporary Art at the department of History, Art History and Geography at the University of Navarra, where she received her PhD with a work focused on the photography of José Ortiz Echagüe. She is Deputy Director of committee of Humanities and for sixteen years she was manager of management and research of the University of Navarra Photographic Fund, now the collection of the University of Navarra Museum. She launched the Diploma of programs of study Curatorial offered by the School of Philosophy and Letters, which she directed until June 2016. Her lines of research focus on iconography, Navarre heritage and the history of photography. She has been part of the team of the Catalog Monumental de Navarra, participating as an author in several of the published volumes. She has been principal researcher in the project: "The photographic genres in Spain throughout the nineteenth century: a vision of the image through the portrait", and has directed several projects of research and thesis doctoral projects related to photography and contemporary art. At the same time, he has curated several exhibitions related to his themes of research, the most recent entitled: A través de la cámara oscura: técnicas fotográficas en el entorno del carlismo (Through the camera obscura: photographic techniques in the environment of Carlism) which is hosted by the Museo del Carlismo (Museum of Carlism) in Estella. He has also given numerous lectures and courses on the conservation of photography, management of heritage collections and protocols for the conservation and dissemination of heritage works.
visiting professor at subject Museolab. graduate in Biology by the University of Navarra in 1989, PhD in 2009 by the same University, he made his doctoral thesis on Education in Museums. He has made stays at the University of Stockholm or at the Southern Methodist University to learn different educational methodologies. Adjunct Professor of the University of Navarra since 2007. Accredited as Associate Professor in 2017. He is the manager of the area Educational of the University of Navarra Museum since its inauguration in 2015. Author of more than 7 books on Education, he has published articles in journals such as file Español de Arteo Environmental Education Research. And recognized a sexennium of research.
Bea Espejo
Bea Espejo teaches the subject " research subject ."
She is an art critic and curator. She writes regularly for *Babelia*, the cultural supplement of *El País*, and teaches at Nebrija University, Escuela SUR, and in the Master's Degree Curatorial Studies at the University of Navarra. She is also a visual arts advisor for the “Program for the internationalization Spanish Culture” run by AC/E under the Ministry of Culture and a mentor at the Matadero Residency Center in Madrid. Among the accolades for her work , the 2017 award for Art Criticism work .
Her internship focuses on studying methodological approaches that reflect collectivity and partnership artistic creation, with the aim of reflecting on how history is narrated and how to find other (or new) narratives suited to our reality. A work on exploring the indirect, the unpredictable, the slow, and the imperceptible. Among her recent exhibitions are *Todos los conciertos, todas las noches, todo vacío* by Ana Laura Aláez at CA2M/Azkuna Zentroa, *Los blancos secretos* at the City of Culture in Santiago de Compostela, La danza mudanza by Fuentesal Arenillas at the CAAC in Seville, dime quién eres Yo by Luis Gordillo at the conference room 31 conference room of the Community of Madrid, and Ver para leer, exhibition Ignasi Aballí, at the Cervantes House Museum in Valladolid.
In 2022, she curated the Spanish Pavilion at the 59th Venice Biennale, featuring artist Ignasi Aballí and the project *. In 2026, she is presenting a comprehensive retrospective of artist Ester Partegàs work at CA2M and Es Baluard.
Dailey Fernandez teaches the subject Role of Art in the Political Community."
She holds a Ph.D. in Arts and Humanities the University of Navarra (2024), Master's Degree Curatorial Studies from the University of Navarra Museum (2019), and a Bachelor’s Degree in Art History from the University of Havana (2016). She is currently professor CIVICAN, the Space for Thought and Shared Culture of the Caja Navarra Foundation. She collaborates with the research for Art Spectatorship (MOAS) research project at Institute for Culture and Society ICS) at the University of Navarra and performs research attendance duties research framework her postdoctoral fellowship. As professor also worked at the University of the Arts of Cuba (ISA), where she taught courses such as “The 20th Century: Approaches from Sociology and Cultural Theory”; “Overview of Literature and the Arts”; and “Appreciation of the Visual Arts” (2016–2018). Since 2021, she has been a professor in Master's Degree programs of study Museum Curatorship programs of study the University of Navarra.
As an independent curator, she has collaborated on the project ESCUELA* by artist Miguel Braceli and on his exhibition as Resistance* at MoMA PS1, participating in the related initiative *Reading Club: Cartographies of Learning* (2025). She has curated the project online project Narrar para no olvidar (University of Navarra Museum, Pamplona, 2021); the project Se Permuta, created with Fine Arts students from the UPV (BilbaoArte, Bilbao, 2020); and the project filtro (Sarean, Bilbao, 2020). She was part of the curatorial team for the exhibition El Resto (University of Navarra Museum, Pamplona, 2020) and served as a curatorial assistant for the exhibition (BilbaoArte Foundation, 2019). In 2018, he directed the public project Sobre(vivencia), alongside curator and activist Claudia Genlui Hidalgo, as framework ISA Arts Festival in Havana.
In Havana, she worked as Art Studio Manager on the programs of study Cuban artists Alejandro Campins and Reynier Leyva Novo. She also worked in the area at Galleria Continua (2016–2018).
Her main areas of research the performing arts, film, artistic practices with social and political implications, participation as an aesthetic and social paradigm, and transnational artistic flows.
She is the author of the book *Confluences of the Senses: design in Cuban Cinema* (Ediciones ICAIC, Havana, 2018).
visiting professor at subject Communication and Financing. graduate in Economics in 1997 from the University of Navarra. He was Deputy Director at high school Retamar in Madrid and in 2007 he completed the Executive MBA at IESE Business School in Madrid. He has spent time in Princeton, Michigan and Shanghai. Currently, he is the director general director of the Museum of the University of Navarra, director general director of Institute for Culture and Society (ICS) and attachment at President of the University of Navarra.
Luis Garbayo
Estella-Lizarra (Navarre, Spain), May 15, 1956
PROFESSIONAL TRAJECTORY
In 2002, he co-founded Estudio KEN, a communications, design , and publishing house, with Rafael Esquíroz.
In 1991, he founded Estudio BEGA, design corporate identity firm, together with Ricardo Bermejo.
1982 He founded the printing services business LENTE S.A.
EDUCATIONAL PATH
2019–2026 Professor of “Publications” in the Master's Degree programs of study at the University of Navarra (Pamplona, Spain)
2014–2018 Professor of “Visual Identity” in the Master's Degree Political and Corporate Communication at the University of Navarra (Pamplona, Spain)
visiting professor the Master's Degree management at the Complutense Institute of Musical Sciences (ICCMU) of the Complutense University (Madrid, Spain)
visiting professor the technical school Architecture at the University of Navarra
visiting professor the Master's Degree design Packaging design for the Food and Wine Industry at the technical school design La Rioja (Logroño, Spain)
visiting professor the Navarre Public Library network (Pamplona, Spain)
2002–2013 Professor of “Visual Communication in Journalism” at the School Communication, University of Navarra (Spain)
1980 Course in Educational Adaptation, University of Valladolid
1978: licentiate degree Information Sciences from the Autonomous University of Barcelona
PROFESSIONAL SPECIALTIES
Corporate visual communication
design graphic and publishing house
Conceptualization, essay, editing and coordination publishing house of publications
Museography and exhibition curatorship
PROFESSIONAL TRAJECTORY
(MUSEOGRAPHY, DESIGN OF EXHIBITIONS AND CURATORSHIP)
2025 Curator and design the exhibition , a Giant in the TBO.” Casal Solleric, City of Palma de Mallorca
Exhibition design for the exhibition pintamonas.” Museum of Navarre, Pamplona.
Proofreading and copyediting of Catalog conference room texts conference room exhibition pintamonas.” Museum of Navarre, Pamplona.
2024 Curation and design the exhibition Coll.” Urgell Civic Center, Barcelona City Council.
Author of the book *Coll.: The Career of an Unusual Cartoonist*. rule publishing house, Barcelona.
2023 Curator and design the exhibition , the Genius of TBO.” Community of Madrid.
exhibition design exhibition Caro: Ink and Paper.” Palacio del Condestable, Pamplona City Hall.
2022 Curated and design exhibition Posters of José Luis Alesanco.” Ciudadela, Pamplona City Hall.
2021 Curated and design exhibition Years We Didn’t Dance.” Ciudadela, Pamplona City Hall.
2020 Curator and exhibition design exhibition I See, What Was.” Museum of Navarre, Pamplona.
2019 design the internal signage system for the Juan March Foundation. Madrid.
exhibition design exhibition or Transformation exhibition Carlism in Spanish Literature, 1876–1912.” Museum of Carlism, Estella-Lizarra, Navarre.
exhibition design exhibition Anoz.” PhotoEspaña, Royal Photographic Society, Madrid.
design from the exhibition "Lydia Anoz. Towards light and life". Museum of Navarra, Pamplona.
Curated and design the exhibition sin palabras.” conference room , City Hall of Donostia-San Sebastián.
2018 Exhibition design for project Art Is Contemporary.” Museum of Navarre, Pamplona.
Curator and design of the exhibition "Coll sin palabras". Palacio del Condestable, Pamplona City Hall.
exhibition design “The exhibition Anniversary of the Founding of high school Pamplona high school Law.” Palacio del Condestable, Pamplona.
exhibition design exhibition Anoz: The Golden Years.” Museum of Navarre, Pamplona.
2017 design for the exhibition : Original Graphic Works from the Pi-Fernandino Collection.” Ciudadela, Pamplona City Hall.
design thegroup Symposium. University of Navarra Museum, Pamplona.
2016 exhibition design exhibition Inflexión: The Presence of Women at the Museum of Navarra.” Museum of Navarra, Pamplona. (award )
Curated and design the exhibition Río.” Molino de San Andrés. Association of Municipalities of the Pamplona Region.
exhibition design exhibition into the Past.” Museum of Carlism, Estella-Lizarra, Navarre.
2015 Interior signage for the University of Navarra Museum. Pamplona. (award Silveraward )
design the exhibition : The Identity of Navarre.” Government of Navarre.
2014 design the Sarasate Live! Festival exhibition . Government of Navarre, Pablo Sarasate Symphony Orchestra of Navarre, Pamplona.
Visual identity design “Pamplona Negra: Crime on the Scene.” Baluarte Foundation and Filmoteca de Navarra, Pamplona.
design of the itinerant exhibition "Navarra intensa. Homage to Julio Caro Baroja (1914-1995)". Government of Navarra, Pamplona.
Curator and design of the exhibition "Navarra en la mirada de Julio Caro Baroja". Ethnological Museum of Navarre, Museum of Navarre, Government of Navarre. Pamplona.
Communication design the University of Navarra Museum, Pamplona.
design graphic of the exhibition "Committed to history". Museum of Carlism, Estella-Lizarra, Navarra.
2013 design coordination of the exhibition “Navarra: Family Album.” Government of Navarra. Pamplona.
design graphic of the exhibition "Soldados de plomo. The military miniature through the Carlist wars". Museum of Carlism, Estella-Lizarra, Navarra.
2012 exhibition design exhibition : A Living Stage of History.” Government of Navarra.
design congress “Architecture: The Common.” Architecture and Society Foundation, Madrid-Pamplona.
2011 design the exhibition “Navarra, from Home to Home.” department Institutional Relations, Government of Navarra.
design the exhibition architect Francisco Mangado in Madrid, Pamplona, and Berlin. Architecture and Society Foundation, Madrid-Pamplona.
2010 design congress “Architecture: More for Less.” Architecture and Society Foundation, Madrid–Pamplona.
2009 Curated, design produced the exhibition Hemingway in Julio goal , exhibition Palacio del Condestable. Government of Navarre and Pamplona City Council.
Curation, design, management production of the exhibition . Pamplona, Navarra.” Brussels, Berlin, and Warsaw. Instituto Cervantes, Government of Navarra, and Pamplona City Council.
Co-writer, with Empty (Madrid), of the proposal winner of the contest of the Museo del Encierro and the Sanfermines. Pamplona City Council.
2008 Curation, design execution of the Navarra Pavilion at the Zaragoza 2008 exhibition . Government of Navarra.
Curated and design exhibition “Pablo Sarasate. 1844–1908.” Palacio del Condestable, Pamplona City Hall.
design the corporate identity for the Museum of Carlism in Estella-Lizarra, Navarre. Government of Navarre.
2007 design the internal signage system for Baluarte, the Conference Center and Auditorium of Navarra, Pamplona.
design the exhibition Recycles Everything.” Pamplona Regional Council.
2005 design the events commemorating the “500th anniversary of the birth of Francis Xavier.” Government of Navarre, Javier, Navarre.
Anna Guasch
ANNA MARIA GUASCH is a professor of contemporary art history at the University of Barcelona and has also teaching the University of Seville and the Complutense University of Madrid.
work 2010, his research has focused on four areas: 1) Art, mobility, translation, and report in the global era; 2) Art, visuality, and interculturality; 3) Documentary practices; 4) Art, report file. These lines of inquiry have been developed in the academic sphere thanks to various projects secured and an active research work team work around them.
A section of curriculum is the training program training includes both the list of thesis and examined (seventeen between 2010 and 2020, with an average CUM LAUDE, A one P. Extraordinary), as well as the researcher training staff researcher PFI BES2014-068654, 2016-119), (APIF-U, 2016–2019), (PFU, 2017–2021), (FPI, 2018–2022). Notable postdoctoral grants received include: Ramón y Cajal Subprogram (2013–2018); Beatriu de Pinós (modality , 2010–2013); Juan de la Cierva Grant (2016–2022). Margarita de Salas Grant (2021–2023).
In the section , she has served as Principal Investigator (PI) on threeresearch and development project : Critical Cartography of Art and Visuality in the Global Era: New Methodologies, Concepts, and Analytical Approaches, Parts I, II, and III (HAR2010-17403) (HAR2013-43122P) (HAR2016-75100P) www.artglobalizationinterculturality.com. She is currently Principal Investigator (PI) of group research group research , Globalization, Interculturality (AGI/ART), SGR2017-2021 (2017SGR577) Agaur, Government of Catalonia. group in 2023 by the Agency for the Management of University and Research Grants. (AGAUR)
She has been invited to participate in numerous international conferences, courses, and seminars in Latin America (Colombia, Chile, Mexico) and Europe. She has been a Visiting Fellow at the American universities of Princeton, Yale, Columbia (New York), San Diego, and Harvard, as well as at the School of the Art Institute of Chicago, and a guest at the Getty Research Institute in Los Angeles. She has served as director of numerous national and international conferences, seminars, and symposia, as detailed on the project website.
In terms of publications, he has produced an extensive body of work, including titles such as *The Last Art of the 20th Century: From Post-Minimalism to Multiculturalism: 1968–1995* (2000, 17 editions), *Art and file(2011), Art in the Age of Globalization. 1989–2015 (2016), The Codes of the Global (2018), The Turns of the Global (2019), and Drifts: Essays on Art and Thought (2021)
In the editorial section , she serves as editor-in-chief of the online journal *Revista de programs of study y Arte Contemporáneo* (SSN2013-8652), a scholarly journal indexed in CARHUS Plus+2018, ERIHPlus, and Latindex. See: http://revistes.ub.edu/index.php/REGAC/issue/view/2082/showToc. Since 2000, she has directed the Akal/Contemporary Art series (Madrid), with a total of 40 titles published, and since 2018, she has directed the Contemporary Global Culture series with books in English (published by the University of Barcelona). She served as chair of the Humanities/Art Humanities Panel of area assessment area from 2014 to 2019.
WEBSITES: ACADEMIA: //annaguasch.academia.edu; staff ; AGI: https://artglobalizationinterculturality.com/es/; Global Art Archive (GAA): https://globalartarchive.com
Part C. MOST SIGNIFICANT ACHIEVEMENTS (listed by category)
C.1. Publications (in reverse chronological order)
C1.1) Books
Guasch, A.M. and Ramírez-Blanco, J. (Eds.). Isms of the 21st Century: Texts for Understanding Contemporary Art. Madrid: Alianza Forma, 2025. ISBN 979-13-7009-110-1. 451 pages.
Guasch, A.M. Art and Archive: Genealogy and Contemporaneity (1920–2010). Barcelona: University of Barcelona Press / VIGEO, 2024. ISBN: 978-84-1050-071-6
1. Guasch, A.M., *Derivas: Critical Essays on Art and Thought*, Madrid: Akal/Arte Contemporáneo, 2021. ISBN 978-84-460-5092-6. 270 pages.
2. Guasch, A.M., The Turns of the Global. Barcelona: University of Barcelona Press, 2019. ISBN: 978-84-9168-340-7. 208 pages.
3. Guasch, A.M., Art and Ideology in the Basque Country, 1940–1980: A Sociological model Analyzing Contemporary internship . Madrid: Akal, 2018. ISBN: 978-84-460-4715-5. 384 pages.
4. Guasch, A.M., The Codes of the Global in the Twenty-first Century. Barcelona: University of Barcelona, 2018. ISBN: 978-84-9168-034-5. 142 pages.
5. Guasch, A.M., Art in the Age of Globalization: 1989–2015. Madrid: Alianza Forma, 2016. ISBN: 978-84-206-294-5. 470 pages.
6. Guasch, A. M., *La crítica discrepante: Interviews on Art and Contemporary Thought, 2000–2011*, Madrid: Chair, 2012. ISBN: 978-84-376-3066-3. 223 pages.
7. Guasch, A.M., Art and file : Typologies, Genealogies, and Discontinuities, Madrid: Akal, 2011. ISBN 978-84-460-2539-9. 395 pages.
8. Guasch, A.M., Visual Autobiographies, Madrid: Siruela, 2010. ISBN: 978-84-9841-255-0. 95 pages.
a.1.2) Articles and book chapters
9. Guasch, A.M., “A New Ecology of Knowledges: Modes of Abyssal Thinking” (CL), in J. Harris (ed.), The Routledge Handbook of Contemporary Art in Global Asia, New York, Routledge, 2023. Pp. 261–281. ISBN: 978-1-032-25851-5 (hardcover). DOI: 10.4324/9781003285298.
10. Guasch, A.M., and Jimenez del Val, N., “Indigenism(s)/Indigeneity: Towards a Visual Sovereignty” (A), Journal of programs of study and Contemporary Art, vol. 7, no. 1, 2020. ISSN: 2013-8652, pp. 1–12.
11. Guasch, A.M., “Cosmopolitanism and Global Contemporary Art” (CL), Modesta di Paola (ed.), Cosmopolitics and Biopolitics: Ethics and Aesthetics, Barcelona: University of Barcelona Press, 2018. ISBN: 978-84-9168-069-7. pp. 25–37.
12. Guasch, Anna Maria, “Overview of Global Territorialities: From Empire to Anti-Globalization” (CL), R. Pinilla (ed.), Critical Cartography of Art and Visuality in the Global Age II. Newcastle: Cambridge Scholars Publishing, 2018. ISBN: (10):X. pp. 3–21.
13. Guasch, A.M., “A Genealogy of the Global in Art Exhibitions: The Gap between Westkunst and the Global Contemporary” (A), EU-topías. Journal of Interculturality, Communication, and programs of study . University of Valencia, vol. 14, ISSN 2174-8454, Summer–Fall 2017, pp. 5–23.
14. Guasch, A. M., Jiménez del Val, N., “The Semantic Codes of the Global Contemporary” (CL), in Critical Cartography of Art and Visuality in the Global Age, Cambridge Scholars Publishing, 2014. ISBN (13): 978-1-4438-6041-3. pp. 3–19.
C.2. Projects
1. Principal Investigator (PI). project research and development HAR2016-75100P Critical Cartography of Art and Visuality in the Global Era: New Methodologies, Concepts, and Analytical Approaches – CCAV / Art, Part III. Ministry of Economics Competitiveness (MINECO). 2017–2019. €53,000
2. Principal Investigator (PI) GRC ( research group ). 2017 SGR-577. Art, Globalization, Interculturality (AGI/ART III). Government of Catalonia, 2017–2021. €38,400
3, Principal Investigator (PI).research and development project . HAR2013-43122P. Critical Cartography of Art and Visuality in the Global Era, New Methodologies, Concepts, and Analytical Approaches – CCAV / Art, Part II. Ministry of Economics Competitiveness (MINECO), 2014–2016. €36,000
4. Principal Investigator (PI). GRC ( research group ). 2014 SGR-1050. Art, Globalization, Interculturality (AGI/ART). Government of Catalonia, 2014–2016. €18,000.
5. Principal Investigator (PI). project research and development. HAR2010-17403. Critical Cartography of Art and Visuality in the Global Era: New Methodologies, Concepts, and Analytical Approaches – CCAV / Art, Part I. (MICINN) 2014–2016. €32,000
6. Member of group research and Globalization research group . 2005–2016. National Institute of Art History (INHA), Paris.
C.3. Participation in scientific conferences: (selection from the past three years as a guest speaker or keynote speaker)
1stcongress , Images, Gaze, Dispositives. University of Palermo. March 16, 2017.
2. congress on Archives, Citizenship, and Interculturalism, file of the Nation, Mexico City (Mexico), November 29, 2017.
3. congress : Art After the End of the World. Palacio de Bellas Artes, Mexico City (Mexico), October 31, 2018.
4th congress on Contemporary Art. University of Caldas, Manizales (Colombia). November 2, 2020.
5. X congress on Art and Humanities: The Influence of Art on 21st-Century Society, Autonomous University of Querétaro (Mexico). November 6, 2020
C.4. Participation in assessment tasks:
1. Chair of the Humanities/Art Humanities Panel within area faculty assessment area faculty AQU (Agency for the Quality of the University System of Catalonia). Term of office: 2014–2019.
2. Reviewer of applications for Humanities/Art Humanities Panel within faculty assessment area . Agency for the Quality of the University System of Catalonia. Date of appointment: 2020–
C. 5. Editorial Boards
1. Director of the Akal/Contemporary Art Collection, Madrid. Start date: 2000 to present. issue books published by national and international authors: 44.
2. Editor-in-Chief of the scientific journal included in the RCUB journals: REGAC/Journal of programs of study and Contemporary Art. Electronic ISSN: 2013-8652. 9 vols. (2013–2025). http://revistes.ub.edu/index.php/REGAC/index. Indexed and data (MIAR): ISSN: 2013-8652. It is in Latindex (Catalog) or in an assessment repository assessment CARHUS Plus +2018, ERIHPlus, LATINDEX, Catalog .0 (2002–2017). Seniority = 6 years (start date: 2013). Persistence: log10(6) = +0.8. ICDS = 3.3.
3. Since 2018, he has directed the English-language book series within the Contemporary Global Culture collection published by Ediciones de la Universitat de Barcelona. Notable titles include *Cosmopolitics and Biopolitics: Ethics and Aesthetics in Contemporary Art* (ed. Modesta di Paola) (2018), *Mutating Ecologies in Contemporary Art* (ed. Christian Alonso) (2019), *The Turns of the Global* (Anna Maria Guasch, 2019), and *Art and Archive. Genealogy and Contemporaneity (1920–2010) (Anna Maria Guasch, 2024).
C. 6. Member of International Committees:
1. team member research project “Uses of the Past” for the project HERA project (2015–2016). http://heranet.info/hera-jrp-documents-1.
2. committee at Work committee . Circulating Critical Practices. Lisbon, Copenhagen, Barcelona
C.6. Director of International Conferences.
Director of 24 international conferences and an equal number of seminars and symposia (see: https://artglobalizationinterculturality.com/activities/)
C.7 Participation in training activities
1. professor the doctoral program and Culture: History, Anthropology, Arts, and Heritage,” Department of Art History and Theory, Section of Modern and Contemporary Art History, at the University of Barcelona. 2000–
2. Director of doctorate seminars doctorate by the research group (Art, Globalization, Interculturality) within the framework doctoral program and Culture: History, Anthropology, Art, and Heritage” at the University of Barcelona. 2000–
3. Faculty member in programs of study Master's Degree programs of study Curatorial Studies programs of study the University of Navarra. 2019–https://www.unav.edu/web/master-in-curatorial-studies/profesores
4. Director of the training program training On Mediation/Platform on Curatorship & Research (2013–2023), a platform that emerged from the need to explore the relationship between academia and curatorial practices, with an emphasis on the concept of “mediation”: https://onmediationplatform.com.
5. Director of the research sub-line: file contemporary artistic practices”project linked to theresearch and development project for which I have served as Principal Investigator since 2010: “Critical Cartography of Visuality in the Global Era: Methodologies, Concepts, and Analytical Approaches” (I, II, III) The project on theoretical contributions regarding the notion of file, and, in particular, the use of file various contemporary artists. Upcoming events: file Conflict. Archives and the Techno-Aesthetics of Datafication (University of Barcelona, March 8, 2023) and conference Work and Document conference , in partnership ARXIU/AM. University of Barcelona, October 2023.
Beatriz Herráez
Director of the Museum of Contemporary Art of the Basque Country. Artium Museoa. Art historian, she has curated numerous exhibitions, among others, those dedicated to Alejandro Cesarco, Anna Daucikova, Jutta Koether, Katinka Bock, June Crespo, Moyra Davey, María Luisa Fernández, Susan Hiller, Gema Intxausti, Erlea Maneros Zabala, Xabier Salaberria, Néstor Sanmiguel Diest or Julia Spínola, among others, organized in institutions such as the Museo de Arte Contemporáneo del País Vasco (Vitoria-Gasteiz), framework (Vigo), MUSAC (León), Centro de Arte Dos de Mayo (Móstoles), castillocorrales (Paris), Sculpture Center (New York), or the Museo Nacional Centro de Arte Reina Sofía MNCARS (Madrid). At MNCARS he was part of the curatorial team manager of the presentation of the museum's Collection between 2013 and 2016.
He is a member of committee advisor of Museums of Euskadi and member of committee advisor of the Museum of Fine Arts of Bilbao.
Lola Iglesias
Lola Iglesias is an art historian currently completing a internship that combines cultural communication and contemporary art curation.
Professor of the subject "Communication subject " in the Master's Degree Curatorial Studies at the University of Navarra.
She is co-director of Nuevos públicos, and through its area she has collaborated with key institutions in the fields of culture and contemporary creation in Spain, such as the Helga de Alvear Museum (2026), the CA2M Museum of the Community of Madrid (2023–2025); TBA21 (2020–2022); Creative Europe–Spanish Ministry of Culture (2018–2020), and ARCOmadrid (2017–2022), among others, designing and implementing online and offline communication strategies.
At the same time, she carries out her curatorial work on projects such as *Afecto al Color* (network de Madridnetwork , 2026); *Sara García un. Vaso de agua salada* and *Carmen la Griega. Llévame donde haya Vida* (Pérez de la Riva Cultural Center, Las Rozas, in 2024 and 2025); meeting the Object. Contemporary Sculpture (network of Madridnetwork , 2024); Tito Pérez Mora. After Before (Ortega Marañón Foundation, 2023) and Sofía Idoia. Controversus (Clara Campoamor Cultural Center, Madrid, 2023), all through Nuevos públicos. Independently, she has curated A Conversation Sensitive to Power as part of the Mutaciones 2021–Community of Madrid program. This is in addition to her previous experience coordinating exhibitions by renowned international artists such as Kendell Geers, Tania Bruguera, Francis Alÿs, and Rivane Neuenschwander.
In 2023, she received a grant from the Ministry of Culture to promote Spanish contemporary art as framework her research .
She holds a bachelor's degree in Art History from the University of Santiago de Compostela, as well as a degree scroll Education (Complutense University of Madrid), Master's Degree in the Art Market (Nebrija University), and Master's Degree programs of study and Equality Policies (University of Vigo).
visiting professor at subject Museolab. She belongs to the team of the Museo Universidad de Navarra since 2016, she is currently assistant to José Manuel Garrido, director artistic of performing arts and music of the same, and is in charge of the production and programming of the Theater. She also belongs to the committee of direction of the Museum. She has developed her professional degree program of management of cultural and artistic services in the direction of culture and Education of the City Council of Pamplona (2007 - 2015), in the design of the project of management and the direction of the programming of the cultural center Civican of Fundación Caja Navarra (2002 - 2007), and in the coordination of the network of cultural centers Civivox of Pamplona (1996 - 2001).
Professor at subject Museolab. Curator of the Museo Universidad de Navarra and manager of its department of Collection and Exhibitions. graduate in Geography and History by the Universidad Autónoma de Madrid (1996) and PhD in Philosophy and Letters by the Universidad de Navarra (2004), he completed the specialized course of Museology at the Universidad San Pablo-CEU de Madrid (1997), and the postgraduate course management, Preservation and Dissemination of Photographic Archives at the Universidad Autónoma de Barcelona (2014). He is accredited as Senior Associate Professor by the National Agency for Assessment of Quality and Accreditation since 2015. He is Adjunct Professor of the department of History, Art History and Geography at the University of Navarra, Deputy Director of the Chair of Heritage and Navarrese Art at that university, and professor of Art History at the associated center of the UNED of Pamplona. His priority lines of research have focused on the areas that have marked his career: silver and jewelry, conservation and cataloging of heritage, photography and contemporary art. In this regard, he has curated several exhibitions, has been part of the team of elaboration of catalogs of movable goods in Navarra and Gipuzkoa, has written several monographs, numerous chapters in books and articles in specialized magazines, and has participated as speaker in congresses and lectures on photography, decorative arts and heritage.
Gerardo Mosquera
Curator, critic, art historian, and freelance writer. Member of committee advisor of several international magazines. He was co-founder of the Havana Biennial (1984-1989), curator of the New Museum of Contemporary Art, New York (1995-2007), and artistic director of PhotoEspaña, Madrid (2011-2013). He has curated numerous biennials and international exhibitions. Among the most recent: Hot Spot. Caring for a Burning World, 2022, Galleria Nazionale d'Arte Moderna e Contemporanea, Rome; Guanghzhou Image Triennial, 2021; Useless. Machines for Thinking, Dreaming, and Seeing, The Bronx Museum of the Arts, New York, 2019; Life. Gervasio Sánchez, various venues in Spain and Central America, 2016-2022; 21st Paiz Art Biennial, Guatemala 2018; Adiós Utopia. Dreams and Deceptions in Cuban Art since 1950, Museum of Fine Arts of Houston, and Walker Art Center, Minneapolis, 2017; 3rd Today's Documents 2016, Beijing. Author of numerous texts and books published in different countries and languages, among his latest books: L'art à l'ère de la globalisation, Centre Pompidou, Paris, 2022 (participant); A Companion to Modern and Contemporary Latin American and Latino/a Art, Wiley Blackwell, Hoboken, 2021 (participant); Arte desde América Latina (y otros pulsos globales), Ediciones Chair, Madrid, 2020. He has lectured on five continents. Recipient of the scholarship Guggenheim, New York, 1990.
Gloria Moure
Gloria Moure teaches the subject Curator and the Artist"
Gloria Moure lives and works in Barcelona. She holds a bachelor’s degree in Art History from the School Philosophy History at the University of Barcelona and a Ph.D. in Art History from the School Fine Arts at the University of Barcelona. Around 1978, she began working as an independent curator. In 1984, she organized the Marcel Duchamp retrospective (Fundació Miró, Barcelona; la Caixa, Madrid; and the Ludwig Museum, Cologne).
Between 1989 and 1995 she was Director of the Fundació Espai Poblenou in Barcelona, where exhibitions of renowned artists such as Bruce Nauman, John Cage, Mario Merz, Sigmar Polke and Rodney Graham, among others, were held. She initiated the program of the Centro Galego de Arte Contemporánea (CGAC, Santiago de Compostela), where she was Director from 1994 to 1998. There she contributed to the international recognition of the center through retrospective exhibitions of Vito Acconci, Félix González-Torres, Giovanni Anselmo, Medardo Rosso, Ana Mendieta and Marcel Broodthaers, among others.
He was a member of the committee advisor to the management of the Museo Nacional Centro de Arte Reina Sofía in Madrid (MNCARS) between 1993 and 1997.
In 1992, on the occasion of the Olympic Games, she organized a project public art installations in Barcelona featuring works by James Turrell, Jaume Plensa, Ulrich Rückriem, Lothar Baumgarten, Mario Merz, Juan Muñoz, Rebeca Horn, and Jannis Kounellis. She is the author of numerous books, including: Marcel Duchamp, Ediciones Polígrafa, 1988; Thames and Hudson, 1988; Tapies Objetos del Tiempo, Ediciones Polígrafa, 1994; Cercle d’Art, 1994; Vito Acconci: Writings, Works, Projects, Ediciones Polígrafa, 2001(editions Spanish and English) Gordon Matta-Clark’s Works and Writings, Ediciones Polígrafa, 2006 (editions in Spanish and English); Sigmar Polke, Ediciones Polígrafa, 2014 (editions Spanish, English, and German); Marcel Broodthaers: Collected Writings, Ediciones Polígrafa, 2013 (English edition). Gordon Matta-Clark: Crossing Resistance, Ediciones Caniche, 2025.
She was an associate editor at Ediciones Polígrafa, where she directed the “Colección 20/21,” a series of monographs dedicated to reference letter contemporary artists. Selected titles: Cristina Iglesias (2002); Robert Wilson (2003); An Art of Limina: Gary Hill’s Works and Writings (2009); Jeff Wall (2007); Dan Graham’s Works and Writings (2009); Michael Snow (2015).
His most recent exhibition , titled *On The Road*, took place at the Palacio de Gelmírez and the Church of Santo Domingo de Bonaval (Santiago de Compostela, 2014), featuring 35 renowned international artists. In 2015, he organized the retrospective Michael Snow: Sequences at La Virreina Centre de la Imatge in Barcelona, and in 2016 he curated a retrospective dedicated to the British artist Anthony McCall at the Gaspar Foundation in Barcelona. In 2018, he curated the major sample of Medardo Rosso for the MSK in Ghent. Recent exhibitions: Medardo Rosso (September 19, 2023–January 8, 2024, at the Fundación Mapfre in Madrid); Retrospective of Giovani Anselmo (February 8–May 16, 2024, at the Guggenheim Museum Bilbao; MAXXI National Museum, Rome, June 19–October 20, 2024); exhibition Polke/Goya exhibition (November 25, 2024–March 15, 2025 at the Prado Museum, Madrid).
Coming soon: Stan Douglas Retrospective (October 14, 2026 – January 10, 2027, Jeu de Paume, Paris)
Marlene Dumas Retrospective: Sleeping with the Enemy (April 27 / September 20, 2027)
Pepa Octavio de Toledo
Professor of the subject Financing Plan.
Graduated in Information Sciences at the University of Navarra and trained in communication at the Université de l'Ouest, she has worked in communication and development Departments in large companies in France, such as Hi- Média, where she was manager of European projects, and in Spain, such as Prisa Revistas, where she was Deputy Director of Marketing. In 2009 she started working at the Madrid City Council, first as external relations and communication manager of La noche en blanco, then as development and communication manager of the contemporary art center Matadero Madrid and in 2014 also of Medialab-Prado. At the end of 2015 she became position of the sponsorship department and the Friends Program of the Museo Nacional Thyssen-Bornemisza and since the beginning of 2022 she is Director of the Citizen Art axis at the Daniel and Nina Carasso Foundation.
She is a project designer, manager and cultural mediator in the context of contemporary arts. She develops and accompanies contemporary artistic projects at national and international level. She has a degree in Humanities with the specialization of programs of study artistic and programs of study Anglo - North American by the University of Navarra and Master's Degree of Art Market - University of Nebrija. She has lived in several cities where she has developed, managed and undertaken several artistic projects of cultural mediation at national and international level. London (2002-2007), working at the Science Museum as a mediator. She also collaborated with independent artistic platforms in the city.
Madrid (2007-2013), where he co-founded PENSART: contemporary art projects office. Highlights: Tentaciones, Mapear Madrid, Is this Spain?, Lab Latino, Art Clinic, Intransit, Espacio Trapezio...
Quito (2013-2018) was coordinator of Educational Programs at MetQuito; curator of Panorámica; professor of Art History at Universidad de las Américas; cultural manager at Fundación CRISFE and Gescultura; juror for the Ministry of Cultural and Heritage Ecuador; and conducted portfolio workshops and cultural survival strategies in Quito, Guayaquil, Ibarra and Ambato (CACLAB, award Mariago Aguilera, Casa de la Cultura Ambato, ITAE ...).
Since 2019 she lives in Pamplona where she is coordinator of the Master's Degree of programs of study Curatorial of the University of Navarra. And she continues to collaborate with different initiatives in the local context.
She has been a professor from 2020 to 2022 in the Master's Degree in management Cultural and Cultural Policies at the Universidad Andina Simón Bolívar - Quito. In parallel, she is co-curator of the art publication La Gran Colombia (2017-) , she is a juror for Apexart - NYC (2011-2023) and is a member of Maslow Industries (2019 -
Tania Pardo
Professor at subject El comisario y el artista. Graduate in Art History from the Universidad Autónoma de Madrid. She is currently Deputy Director of CA2M, Centro de Arte Dos de Mayo and Plastic Arts Advisor of the Ministry of Culture and Tourism of the Community of Madrid. She has been manager of Exhibitions at La Casa Encendida between 2015 and 2019 and has been part of the team at MUSAC, Museo de Arte Contemporáneo de Castilla y León since 2003 where she has been curator and manager of Programming of the space laboratory 987 (2005-2010) as well as Exhibitions Coordinator. She was also Project Director of the Fundación Santander 2016 (2009-2010). As for work professor has been professor of Art History at the Complutense University of Madrid (2014-2019) and is currently part of the team professor in the Master's Degree in programs of study Curatorial at the University of Navarra.
As an independent curator she has developed different projects among which stand out: DOMÉSTICO'08 where she carried out the project Uno más uno, multitud (December 2008- January 2009); BELLO PÚBLICO at Matadero Madrid framed within the Festival PhotoEspaña 2011; Sin heroísmos, por favor (Iván Argote; Teresa Solar Abboud; Sara Ramo) at CA2M, Centro de Arte Dos de Mayo (March 2012) or 145 Tizas a project by Maider López at La Nave 16 of MataderoMadrid (2016). She also co-directs the conference de Estudio Arte Contemporáneo Español (Fundación Helga de Alvear / La Casa Encendida and Museo Unión FENOSA) (2012-2014). She has been the guest curator of the program EN CASA at La Casa Encendida (2011-2012). Curator at ARCO 2013 in the ARCOMadrid Collect On Line program at partnership with Paddle8-New York. She has curated the exhibition Variation. The obsessive as a form of landscape in the Arco Foundation Collection at the Centro de Arte de Alcobendas (February 2014). In partnership with the School of Fine Arts of the UCM she organizes the call and exhibition Summer Salon (July 2014). After two years of work in network curatorial presents Retando a la Suerte, a sample on the collective NOPHOTO presented in Tabacalera, Madrid (Ministry of Culture, July 2014) and at the Centre D'art la Panera in Lleida (2015). She curates the sample of the artist Sergio Belinchón at the Invaliden Gallery in Berlin (September 2014) and is manager of the project portfolio viewing CAFÉ DOSSIER organized by the Ministry of Culture (2013 and 2014). Together with Sergio Rubira she curates the sample Pasado, Presente, Futuro del XV
award of Plastic Arts UCM (February 2015) and co-directs the course Curating the Present at La Casa Encendida from 2013-2018. He is a founding member of the fanzine collective Leo Pardo together with Elisa and Miguel Pardo. At La Casa Encendida he has curated the collective sample El curso natural de las cosas (2016); the individual by Antonio Ballester Moreno: ¡Vivan los campos libres de España! (2017) and El hecho alegre. A popular mechanics of the senses (2019). He has directed the mediation program Chimenea, at La Casa Encendida (2017-2019), as well as different courses and workshops on curating.
She has published in several specialized media, and has been a regular contributor to the
Babelia culture supplement of El País as an art critic, writes in catalogs for exhibition, teaches courses and seminars on Contemporary Art and is a member of prominent juries of awards and competitions related to Contemporary Art.
Gabriel Pérez-Barreiro
Gabriel Pérez-Barreiro is a curator and art historian. He was director and chief curator of the Colección Patricia Phelps de Cisneros (2008-2018) and is advisor senior at present. Curator of the 33rd São Paulo Biennial (2018) and of the Brazilian representation of the 58th Venice Biennale (2019). From 2002 to 2008 he was curator of Latin American art at the Blanton Museum of Art at the University of Texas at Austin. In 2007 he was general curator of the 6th Mercosur Biennial in Porto Alegre, Brazil. He holds a PhD in art history and theory from the University of Essex (UK), and an MA in art history with programs of study Latin American from the University of Aberdeen. From 2000 to 2002 he was director of visual arts at The Americas Society in New York. He was also coordinator of exhibitions at Casa de América, Madrid. From 1993 to 1998 he was founding curator of the University of Essex Collection of Latin American Art. His exhibition "The Geometry of Hope" was recognized as the best national exhibition by the US chapter of association International Art Critics (AICA). She has published several books and articles on Latin American art history and has lectured at several universities. She is a member of the collective ESTAR(SER), the Esthetic Society for Transcendental & Applied Realization.
Marta Rincón Areitio
Professor of the subject Planning and management of curatorial and artistic projects.
She is an art historian, cultural manager and expert in contemporary art. A graduate of UAM, with postgraduate degrees in museology and cultural management , she is an associate researcher at Escuela SUR and has been a visiting researcher at UNAM in Mexico and Brown University in Rhode Island (USA).
Since the beginning of her degree program she has worked in international cultural projects from different private (RMS, business of which she was a founding partner) and public organizations such as SEACEX where she created and directed a department for the promotion of contemporary art and Acción Cultural Española as manager of Visual Arts, Architecture and design. From this platform she continues to promote international projects with special attention to residency program programs, a fact that has earned her the recent appointment as patron of the Spanish Academy in Rome.
Jury of contests and regular speaker at national and international meetings, he also teaches at universities such as the University of Navarra, IE University, San Pablo CEU University, Complutense University, among others.
Raquel Rivera
Raquel Rivera is a professor of theframework and Institutionalframework subject .
Raquel Rivera is an expert in cultural law, a consultant, a manager, a violinist, and professor. She holds a Doctorate in Law (UNED), Master's Degree Cultural Law (UNED/UC3M), degree scroll Bachelor’s degree scroll in Law (UNED), and degree scroll a Senior Violin Instructor. She is currently Director of the Real Teatro de Retiro (Fundación Teatro Real; Madrid) and administrative assistant the Gabeiras Foundation for Law and Culture. She is a professor and tutor at UNED Madrid and a professor in the Master's Degree programs of study at the University of Navarra Museum (UNAV), in the Master's Degree Cultural Law at UC3M/UNED, and in the Master's Degree program at UC3M. She is the director and founder of the Spanish-German Sound Art Festival FASE (Berlin/Madrid, 2011–2018), and served as artistic curator for the festival’s first four editions.
From 2018 to 2023, she served as General Manager the Madrid Regional Orchestra and Choir Foundation. She has been a member of committee Madrid Regional Government committee , a member ofadvisor committee advisor the Castile and León Orchestra, and a member of the board of the association of Symphony Orchestras, among other advisory bodies.
TRAINING
Doctor of Law (UNED): A laude by unanimous decision. degree scroll: “The State of Culture and Sound Art: instructions -Philosophical instructions and Legal Reflections.” Director: Dr. Jesús Prieto de Pedro (Full Professor Administrative Law UNED). Date of defense: May 28, 2021. A laude by unanimous decision. accredited specialization award .
Master's Degree research Law (UNED-UC3M). 2016. award Academic Excellence from committee UNED committee , 2016 (BICI No. 39/Annex I, dated July 19, 2016).
degree scroll Advanced Violin Performance. Seville Conservatory. 2002
Bachelor of Laws from the UNED. 2003
certificate aptitude . UCM.
PUBLICATIONS
I. BOOKS
Raquel Rivera Fernández (ed.), José Ángel Valente: report (with texts by Antonio Gamoneda, Mauricio Sotelo, Claudio Rodríguez Fer, and others). Provincial Council of Ourense, Ourense 2013. ISBN 978-8469581841
Raquel Rivera Fernández (ed.), *Aurality and Environment*. Publishing Services the Ministry of Education , and Sport (Government of Spain), Madrid 2017. ISBN: 978-84-8181-681-5.
II. ARTICLES AND BOOK CHAPTERS
management Cultural Rights as a Priority in Cultural management , management in *Una Más Una*: Irene Aláez, Belén Gil, and Macarena Pérez (eds.), *Culture for Life: A Critical and Pluralistic Study of Culture*. Madrid: Daniel and Nina Carasso Foundation, Salamanca, 2022.
“The Cultural State and Cultural Rights,” in B. Barreiro (ed.), *New Perspectives on International Law and Human Rights*, Buenos Aires: Teseopress, 2018. ISBN 978-84-09-00333-4.
“FASE Berlin: Legal and Administrative Foundations and History of the Organization of an Annual Spanish-German Sound Art Event.” In: Espacios Sonoros 2016: The City as a Place for Experimentation, Creation, and research . Madrid: J.L. Carles, A. Núñez, M.L. Luceño (publisher) 2017, pp. 334–346. ISBN 978-84-617-9814-8.
“Notes on the Reception of the Concept of ‘Cultural Property’ in the Spanish Historical Heritage Act,” *Cultural Heritage and Law* 19 (2015), pp. 289–314. ISSN 1138-3704.
“Notes on the Spanish Premiere of Vanitas by Salvatore Sciarrino” (co-authored with Tomás Muñoz), Montorio. notebook Works by the Royal Academy of Spain in Rome (2002–2003), pp. 86–95.
RESEARCH
I. Academic and research Positions
administrative assistant essay journal *Cuadernos de Derecho de la essay *, Interuniversity Institute for Cultural Communication (UC3M/UNED), since October 2013. Director: Marcos Vaquer Caballería.
Member of committee of La Cultivada, a publishing house in cultural law,publishing house/.
administrative assistant the Interuniversity Institute for Cultural Communication (UC3M/UNED), 2013–2016. Director: Jesús Prieto de Pedro and Marcos Vaquer Caballería.
Coordinator of Portal on Cultural Law, Interuniversity Institute for Cultural Communication (UC3M/UNED), from 2013 to 2018. http://www.derechodelacultura.org
Editor of the Gabeiras & Asociados law firm blog.
TEACHING
teaching :
1. Adjunct professor in the Master's Degree Cultural Law at UC3M/UNED.
2. Adjunct professor in Master's Degree programs of study , coordinator offramework and Institutionalframework ” module (University of Navarra Museum/University of Navarra) since 2022.
3. Adjunct professor in the university’s Master's Degree in International management and Social Innovation (Complutense University of Madrid). Since 2020.
4. Adjunct professor in Master's Degree Music Industry and programs of study (MIMES) programs of study at Carlos III University in Madrid. Since 2016.
5. Instructor at the UNED Affiliated Center in Madrid. Since October 2012. Courses (UNED Senior):
-Cultural History: An Auditory Perspective (C.A. Gregorio Marañón) since 2012.
-Literary gatherings (C.A. Gregorio Marañón) since 2012.
-Cultural History: An Auditory Perspective (C.A. Pozuelo) 2012–2017.
-Literary discussions (C.A. Pozuelo) 2012–2017.
teaching :
1. Violin teacher civil service examination the Musikschule Berlin (Reinickendorf) following civil service examination . Berlin Public Music School. full-time. Since October 2010 (on leave of absence).
2. Instructor at the XXI Presjovem International Music School (Córdoba). part-time. 2011–2012.
3. Professor civil service examination the Professional Conservatory of Music (Santiago de Compostela), appointed through civil service examination . full-time. 2006–2008.
4. Teacher at the Municipal School of Music in San Sebastián de los Reyes (Madrid). full-time. 2004–2006.
PROFESSIONAL EXPERIENCE IN CULTURAL LAW AND management
Director of the Real Teatro de Retiro (Teatro Real), since May 2024.
Organizer of discussion for the 2023 national legislative elections, “Culture at the Heart of discussion ,” featuring Jaime de los Santos (PP), Manuela Villa (PSOE), Getsemaní San Marcos (SUMAR), and Joaquín Robles (Vox), moderated by journalist Juan Cruz. Organized by the Gabeiras Foundation and the Círculo de Bellas Artes de Madrid, July 2023.
General Manager the Madrid Regional Orchestra and Choir Foundation (December 2018–February 2023).
Curator of the exhibition and Environment” (Tabacalera Promoción del Arte), organized by the Ministry of Education , and Sport (Government of Spain) in partnership the Spanish-German festival FASE. Madrid, 2017–February 2018.
Director and founder of the Spanish-German sound art festival FASE since 2010: www.fasefest.org.
Director of the Spanish-German Sound Art Festival “FASE 2017 Berlin.” December 2017, Berlin. Curated by Brandon LaBelle.
Curator of the exhibition (ly) sounds* at Espacio Valverde by Alex Arteaga. Espacio Valverde, Madrid, June 2017.
Director of the Spanish-German Sound Art Festival “FASE 2016 Berlin.” Curated by Alex Arteaga.
Curator of the exhibition Environments. Tabacalera* by artist Alex Arteaga (Tabacalera Promoción del Arte), organized by the Ministry of Education , and Sport (Government of Spain) in partnership “FASE.” Madrid, 2015–February 2016.
Director of the Spanish-German Sound Art Festival “FASE 2015 Berlin”.
Director of the Spanish-German Sound Art Festival “FASE 2014 Berlin”.
Director of the Spanish-German Sound Art Festival “FASE 2013 Berlin,” sponsorship the Spanish Embassy in Germany, the Cervantes Institute in Berlin, the Italian Cultural Institute, and other public and private institutions in Spain and Germany.
Director of the Spanish-German Sound Art Festival “FASE 2012 Berlin,” sponsorship the Spanish Embassy in Germany, the Cervantes Institute in Berlin, the Goethe-Institut, the Italian Cultural Institute, the Mexican Embassy in Germany, and other public and private institutions in Spain and Germany.
Curator of the “FASE 2012 Madrid” section of the 2nd Spanish-German Contemporary workshop , sponsorship Goethe-Institut and the Círculo de Bellas Artes.
Director of the Spanish-German Sound Art Festival “FASE 2011 Berlin,” sponsorship the Spanish Embassy in Germany, AECID, the Regional Government of Galicia, the Cervantes Institute, and other public and private institutions in Spain and Germany.
Music coordinator for the section “Valente ou a erótica do baleiro” as part of the “Galicia, ceo das Letras” series at the City of Culture in Santiago de Compostela (coordinator Claudio Rodríguez Fer), with support from the Xunta de Galicia and the Chair Ángel Valente” Chair (University of Santiago de Compostela). April 2011.
Artistic Director of the Spanish-German Youth Opera Festival “BRÜCKE 2010,” sponsorship the Spanish Embassy in Germany, the Ministry of Culture, and the Cervantes Institute, May 12–15, 2011 (http://brucke2010.blogspot.com), with the support of the University of Potsdam, the Spanish Embassy in Berlin, Humboldt University of Berlin, the Cervantes Institute, Literaturwerkstatt, Kulturbüro Sophien, and other public and private institutions in Spain and Germany.
Artistic director of the commemorative event “Albeniz. Die musikalische Erfindung Spaniens” / “Albeniz. La invención musical de España,” roundtable musicologist Walter Clark (University of California, Riverside) and writer José María Ridao. Otto-Braun-Saal. Ibero-American Institute. Berlin, May 28, 2010. With the support of the Preussischer Kulturbesitz Foundation (Prussian Cultural Heritage), the Cervantes Institute, the Spanish Embassy in Germany, and the Caixagalicia Foundation.
Coordinator of congress Valente congress . report , featuring, among others, Antonio Gamoneda (2006award ), Mauricio Sotelo (composer, award Music award ), Claudio Rodríguez Fer (director the Chair ), Luís García Jambrina (University of Salamanca), Domingo Sánchez-Mesa (Full Professor of Granada), Ernesto Estrella (Yale University), etc.With the support of the Provincial Council of Ourense, the City Council of Ourense, the University of Vigo, the University of Santiago, and Galaxia
Sergio Rubira
Professor of the History subject Curating subject
Director of the TEA Tenerife Espacio de las Artes museum since 2024. He taught Art History at the Complutense University of Madrid for sixteen years (2008–2024). He has served as coordinator Master's Degree Contemporary Art History and Visual Culture at the UAM, UCM, and the Reina Sofía Museum. He has served on committee the Museum of Contemporary Art in Madrid, theadvisor committee advisor MUSAC (León), and the Program for the internationalization Spanish Culture (PICE, Acción Cultural Exterior). As an independent curator, he has organized exhibitions such as Bilduma HAU Collection. Elemental Movements, at Artium, Vitoria; Metamorphosis of Being, at the Círculo de Bellas Artes, Madrid; and the solo exhibition by Cristina Lucas, Round Trip, at the Andalusian Center for Contemporary Art, Seville. He has been a contributor to El Cultural of El País. He served as Deputy Director Collections and Exhibitions at the Institut Valenciá d’Art Modern (IVAM) in Valencia, where he curated *Orientalisms*; *1989: The End of the 20th Century*; *Turbulent Times*; *Space, subject Form: Julio González and the Avant-Gardes*; and *Spain: Artistic Avant-Garde and Social Reality, 1976*, among others. He has served asattachment director attachment all the magazines of group . He has co-directed the training programs of the Community of Madrid and the DIDCC program of the CA2M, and has beendirector the conference the Estudio de la Imagen of the Community of Madrid and the course Curating the Present at La Casa Encendida. He has curated exhibitions at: ARCO, Artium, DA2, the Galician Center for Contemporary Art (CGAC), the 2 de Mayo Art Center (CA2M), La Panera, Temporary Gallery, and the Santa Mònica Art Center, among others. He has contributed to numerous publications by institutions such as MUDAM, Luxembourg; Centre Pompidou-Metz; the Venice Biennale; PS1-MoMA, New York; Tranzit, Prague; and FRAC Bourgogne, Dijon, among others.
Professor of area of Theory and History of the Education in the School of Education and Psychology of the University of Navarra. I focus my research and teaching in Education aesthetic, artistic and patrimonial, being my specialization program the Education in plastic, visual and audiovisual arts, with a broad approach that covers both the school environment and heritage, museums and cultural leisure. I coordinate since its foundation in 2013 the group of research VOICES, Voices of Innovation and Creativity in the Education and Society, in which I direct the project AME: Arts, Museums and Education. Key factors of the meaningful experience with the work of art in the child and youth population that visit museums or art centers. I am a member of the Sociedad Iberoamericana de Pedagogía Social (SIPS), the International Center for Home Education Research (ICHER) and network The Arts in Society Research Network, and I have collaborated as a visiting scholar at Cambridge University, Durham University, Catholic University of Milan, Catholic University of the West and University of Piura.
Carlos Urroz
Cultural manager, professor and advisor of foundations, specialized in its institutional link, partnership public-private and focus audiences and content to obtain the desired impact on society through culture and research.
He has been until March 2023 director executive of TBA21 (Thyssen Bornemisza Art Contemporary) -Foundation created by Francesca Thyssen-Bornemisza for the production, exhibition and collection of works by contemporary artists related to social and environmental issues-, he is a lawyer advisor of companies (ICADE E-1 Universidad Pontificia Comillas), training which he has completed with courses at New York and Harvard Universities. He has been director of the ARCOmadrid fair from 2011 to 2019. In 2005 she created and directed until 2011 Urroz Proyectos, business aimed at devising and implementing projects in the field of cultural organization and communication, from where she collaborated with the Loewe Foundation, Biennial of the Canary Islands, SEACEX (state society for cultural action abroad) or Region of Murcia. He combined this responsibility with other positions in institutions such as advisor of plastic arts of the Community of Madrid and member of the committee of programming of the ICO Foundation. Between 1998 and 2006 she was director of the Helga de Alvear Gallery, where she worked with important international artists, as well as with the Helga de Alvear collection, germ of the current art center of the same name located in the city of Cáceres. Previously, she worked for four editions as director attachment of ARCO, under the direction of Rosina Gómez-Baeza.