Audiovisual Communication Final Projects Degree

This documentary is the tool Juan uses to get to know his older brother, Alberto, better. Alberto was adopted by Juan's parents when he was not yet born, and seems to suffer from something similar to an Autism Spectrum Disorder that, until today, has not been identified with certainty. These and other obstacles make it difficult for Juan to have a close relationship with his brother. In this learning process, Juan turns to the family file , his mother's voice, his sister and a tutor to try to find the formula to connect with Alberto. The short documentary portrays the real process by which Juan begins to learn to love his brother.

Director: Juan Pombo
Production: Mónica Mata
Cinematographer: Julio Tomás
Editing and sound: Pepe Moreu
Music: Juan Pombo

Dolores, a 23-year-old woman, faces a life full of frustrations. She works at a cafeteria she hates just to survive, and her strained relationship with her mother, along with the recent breakup with her ex-boyfriend, who left her for her best friend, have her lost in life. One night, after closing her work, she finds a poster for a stand-up comedy contest and puts it away without thinking. When she gets home, she receives a call from her mother, who quickly hangs up on her to continue watching her favorite show. The next day, her boss forces her to start before her shift, and she finds her ex-boyfriend and ex-best friend among the customers. Hurt and full of sarcasm, she can't help but blurt them out with biting remarks. This infuriates her boss, who fires her on the spot. Aimlessly, Dolores goes to a park, where a boy, after accidentally spilling coffee on her, suggests that she should be a comedian. Remembering the poster, she dares to enter the contest. There, surprised, she introduces herself as a comedian, while her mother, unknowingly, watches her on television, as if it were a twist of fate.

Director and screenwriter: Tatiana Bairac
Assistant director: Olga Olloqui
Producer: Jaime de Benito
Production assistant: Fausto Padilla
Director of photography: Aimar Górriz
Art director: Inés Castresana
Editing and sound: Ángela Manrique
Camera: Luis Mora
Music: Fabián Santiago
Costumedesign : Inés Castresana
Makeup & hair: Patricia Muñoz

In a world where virtual reality allows us to relive lost moments, Daydreams explores nostalgia, escapism and human connection. Through the story of Ben and Zoey, this short film reveals the power of dreams and the deepest desires that define us.

Director: Vincenzo Viacava
Production: Sofía Lopera
teaching assistant director: Inés Beltrán
Cinematographer: Marian López
Camera operator: Nicolás Pedroza
Script and editing: Irena Martínez
Art director: William Sánchez
Art and production assistant: Ignacio Cánovas del Castillo
Sound: Ana Gallo

Bego, a young woman about to finish high school, receives a strangely formal letter inviting her to a dinner party at her own home. At the appointed time, her future knocks at the door: Marta, her future boss; Vanessa, a future neighbor; and Lucas, a perfect husband, a prince charming. As if that were not enough, Pepa, a sort of mistress of ceremonies who guide Bego through this meeting, is at the head. However, the evening soon turns into a parade of alternatives.

Director: Isabel Adalid
Screenplay: Isabel Adalid and Oscar Briceño
Production: Oscar Briceño
teaching assistant director: Jimena Alonso
Cinematography / Color Editing: Anna Podhorska
Editing / Post-production: Diego Sebastián Medina
Art director / credit title design : Regina Vera
Sound: Edgar Andrés Sandoval
Original Music: Joaquín Medina, Inés de Pablo y Pablo Gonzalez

In a corner of the forest, a child plays and learns to whistle among trees and parrots. He grows up. One day he discovers the fire and runs home to tell his mother. But when he sees her frail, his excitement dies away, as if the air no longer has any taste. Without her knowing it, illness is looming over her home.

Mother, in a weak voice, takes him by the hand and, in front of the fire in the fireplace, tells him about a bush that burns without burning, that gives life instead of consuming. The child, with an anguished soul, curls up in his bed, convinced that he must find it, that bramble in the nearby forest. But as he dreams of being great, the fire ravages everything around him.

Directed and produced by: María Lucía Suárez Barbery
Production company: Ana Sofía Rodríguez Sutil
Production director: María Lucía Suárez Barbery
Cinematography: Ana Sofía Rodríguez Sutil
Stop motion art: Erick Rafael Montes Molina
Art and digital animation: Esther Aríztegui Rivas
Editing: Emilio Lizarraga Mendive
Music and sound design : Louis Antonio Tan Rabat

Sonya. A Russian woman, unmarried, in her fifties... She works in a small theater where, over the years, she has come to feel like the owner, even though she only cleans the storeroom. A visit from her daughter forces her to face the reality in front of her: her little life is nothing but emptiness. She fills her house with objects, has an affair with the porter, behaves like a teenager? Everything points to a tragedy, but no. 

Director: Claudia Chau Perales
Production company: Jocelyn Holguín Hernández
Director of photography: Nicolás Abete Olóriz
Sound and music: Zaira Lizarazu Azcona
Art director: Uxue Dafauce García
Editing: Lya Balarín
Production assistant: Leyre Lázcoz Cerdán
Assistant director: June Aparicio Navarro
Camera #1: Miguel Arguibide
Camera #2: Nicolás Abete Olóriz
Pole: Iratxo Soto

After the death of her best friend, Alice feels lost. One night she enters a rave that drags her into an unexpected experience, where memories, music and the inexplicable force her to confront what she has avoided for so long.

Management: Valeria Sandoval
Script: Valeria Sandoval y Nicole Stankov
Production: Nicole Stankov
Assistant director: Joshua Quintana
Production assistant: Brenda Mamani
Art director: Izabella Sibaja
Art assistants: Brenda Mamani, Almudena Valgañón
Cinematographer: Arturo Segura
Photography assistant: Almudena Valgañón
Camera operator: Aaron Acrich
Editing: Laura Mejías
sounddesign : Mingyan Chen

Martin, an 8-year-old boy, shrouded in the shadow of loneliness and maternal neglect, finds a forgotten object among the remains of the past: an old instant camera.

What begins as a simple finding becomes the catalyst for a day that will mark his life forever. After a series of unexpected encounters, Martin embarks on an intimate journey, where each photograph brings him a little closer to himself.

In his attempt to bring the camera back to life, he unwittingly begins to piece together something even more fragile: his own inner world.

Director: Silvia Arozamena Venegas
Written by: Silvia Arozamena Venegas and Davinia Alfonsin Muñiz
Production: Davinia Alfonsin Muñiz
teaching assistant of direction: Beatriz del Frago Iriarte
Cinematographer: Patricia Sarasa Burguete
Art director: Rubén Rodrigo García
Editing, VFX and Script: Meilin Hu
Sound Almudena: Calle Peralta
Camera operator: Asier Astrain Cía
Music: Beñat Contín Cueli
Makeup and hair: Amaya Garcia e Irune Iraizoz

Ander Goenaga is a 19-year-old boy from Errentería who was born with a disability that especially affects the extremities of his body. Without
However, this fact has not prevented him from being proclaimed European champion of adapted surfing, as well as a fourth place in the world championship held in California. His close connection with the sea, a place where he paradoxically feels safe, is what has sustained him through a life full of difficulties.

Director: Juan Larrañaga
Production: Martín J. Fuentes
Writer: Juan Larrañaga, Juan Andrés, Guillermo Lobato
Cinematography: Guillermo Lobato
Editing: Juan Andrés
design Sound: Alejandro Boned
Water Camera: Ramón García

Alicia, a young girl traveling with her friends to the desert, gets lost one night. There she meets Sencillo, an old man who has gone mad and believes he lives in the Wild West. A series of setbacks forces them to stay together and when Sencillo agrees to take her back to society, they embark on a journey through a quixotic reinterpretation of the western, in which both will leave their mark on the other.

Direction: Alejandro Camarero and Iratxo Soto
Production: Samantha Coltro
Assistant Director: Carolina Abadía
Production assistant: Nahia Sánchez
design Sound: Sergio Nagore
Director of Photography: Maddi Salazar
publisherCinematographer: Xabier Zabala
Art Director: Ángela Cortés

In a world where the withdrawal of children is something normal, Alba, a 14-year-old girl, is abandoned by her father at a gas station in the middle of nowhere. She tries to ask for financial aid but her efforts are in vain, so she sets out on her way with the illusion of returning home. Halfway along the road he meets Hugo, a 9-year-old boy who has just been abandoned as well. Together they try to return home, but suddenly, Hugo is kidnapped by a group of men in uniform who take him away in a van. Alba sets out to find him and arrives in a dirty, neglected, inhospitable city.
and arrives in a dirty, unkempt, inhospitable city with hurried people. She is again ignored and is captured by a man in the same uniform as before.
She is taken to an office where she is met by a administrative assistant and a waiting conference room full of children. She is searched and given a uniform. Finally a man a uniformed man calls her name out loudly and surrendered and tired, she follows him into a room.

Directed by Adriana Ruiz Leon
Production: Aitana García-Egea
Script: Adriana Ruiz León and Aitana García-Egea
Cinematography: Paula García
Art director: Aitana Usurbil
design Sound: Emiliano de la Barrera
Editing: Iker Pérez
VFX: Iker Pérez
Music: Sergio Nagore, Roberto Inglés, Iker Pérez
Costumes: Aitana Usurbil
Makeup and Hairstyling: Aitana Usurbil and Veronica Argüello
Assistant Director: Caterina Ferrera
Script: Iker Pérez
Production Assistant: Veronica Argüello

Uxue is an intrepid explorer who returns home after finding a great treasure. However, her return turns into a desperate degree program when she discovers that she is being hunted. Lost in a dense forest, Uxue is forced to face her fears as she struggles to find her way.
struggles to find her way. Or at least that's the story she tells her sister, Nina, who takes refuge under the safe sheets of her room.

Directed by: Leyre Cazalla and Lucía Arana
Production: Stephanie Isabelle Velásquez
Script: Leyre Cazalla and Lucía Arana
Assistant Director: Lucía Arana
Cinematographer: Alejandro Asiron
Art director: Daniela Dongo-Soria
design Sound designer: Sara Aldaba
Editing and script: Carolina Álvarez
Camera: Juan Barrera
Original music: Iñaki Llarena and Sergio Nagore
teaching assistant Sound: Emilio Lizarraga
Makeup and Hair: Patricia Muñoz
teaching assistant Production: Silvia Domínguez
teaching assistant Script: Estela Gascón
Runner, Gaffer and Making Off: Ángela Manrique
administrative assistant Production: Fátima Enríquez

A place with stairs, but that leads to walls. A place with lots of space, but no one fights for it. And a place with many owners, but so empty that one is reluctant to enter.

Director: Sofía Tomás
Production: Elena Orbe
Cinematography: Sara Lovera
Editing: Jorge Celaya
design Sound designer: Beñat Contín

Alba and Diana's mother-daughter relationship is broken, each one leading her own life. Alba goes home in two months, and Diana decides to make up for lost time by taking a getaway to a special place. The trip is bumpy, but it's those moments that really bring them together. In turn, Alba takes advantage of status to give her mother a chance and confess a secret. 

Direction: María Berisa Grande and Patricia Asensio Ecay
Production company: Anna Janer García
Script: María Berisa Grande and Patricia Asensio Ecay
Assistant director: Patricia Asensio Ecay
Cinematography: Carmen Ruiz de Temiño
Art director: Elisa Mcgrath Solla
design Sound designer: Javier Inchusta Pérez de Zabala
Editing and script: Itsaso Elizalde Pérez-Salazar
Camera: Ainara Ezponda
Original music: Roberto Inglés
Makeup and Hairstyling: Claudia Viteri Díez, Nahia Sanchez and María Benhlal
Costumes: Elisa Mcgrath Solla
teaching assistant Production Designer: Manuel Janer García, Miguel Janer Boet, Manuel Rosser 

An introverted man who oscillates between reality and imagination wanders through a photography gallery where he draws the art he sees. As he walks through the gallery, the man finds refuge in the works of art. 

DirectorRaúl Villegas
Production company: Leyre Sanz
Script: Raúl Villegas and Leyre Sanz
teaching assistant director: Fernando Olmedo
teaching assistant Production: Isabel Mesa
Art director: Carla Gallegos
teaching assistant art director: Isabel Mesa
Director Cinematographer: Nicolás Alegrett
Camera operator: Jon Benito
Sound: Santiago Millán
Music: Marion A. Henry
Script and editing: Sofía Bairamis

The Sweet, The Sour & The Bitter Ice Cream Theory

While waiting to order ice cream, Beth guesses what flavor the people in front of her are going to choose. That's when Tyler, the boy waiting behind her, joins her game in an apparent flirtation: he too believes that a person's favorite flavor of ice cream reveals a lot about them.

Director/ Writer: Carmen María Sevilla
Producer/Screenwriter: Victoria Ruíz
teaching assistant director/producer: Mar Vicente
Director art director: Natalia Noriega
Director cinematographer: Sara Fernández
Sound: Valentina Talamas
Camera Operator: Vinko Marich
publisher/ Script: Maria Collado
teaching assistant cinematographer: Pablo Beorlegui
teaching assistant sound: Mario Oroz
teaching assistant make-up: Oskia Lisazo
Soundtrack composer: Iago Navarrete

I am a Genius

Pablo, a charming but bitter young man, lives sunk and with no desire for anything, until one day Higinio, his imaginary childhood friend, shows up at his door and says he is coming to help him. However, both have different concepts of what it means financial aid, and what in principle was a plan to conquer a girl ends up being a reason for discussion. Both will learn from their mistakes and will become closer and, finally, the problems will be solved thanks to Higinio's ingenuity.

Direction and Script: Irene García
Production: Arantza Gauthier
Ai. Director: Gabriela Lagos
Cinematography: Tamara Garcés
Ay. of Photography: Carmen Ruiz de Temiño, Cristian Aparicio
Camera Operator: Juan Camilo Ramírez Moreno
Sound Direction: Juan Luis Velázquez
Art Director: Joan Luca Pernalete
Script and editing: Andrea Alegría

(R)eye for (R)eye

Caridad has won a washing machine in a raffle at her hairdresser's. Her daughter Helena thinks that this gadget, as she likes to call it, will only bring more expenses. Her daughter Helena thinks that this piece of equipment, as she likes to call it, will only bring more expenses. However, all the neighbors will find a way to make it profitable. But, as it never rains to everyone's liking, envy will surface and Paloma will do everything possible to sink their business. (R)ojo por (R)ojo is a comedy of manners set in Spain in the late 60s.

Director and screenwriter: Lucía Aparici
Producer and screenwriter: Irene San Martín
Director Cinematographer: David Martínez
Art director: Leyre Petri
teaching assistant production and art: Jimena Clemente
teaching assistant DOP/camera operator: María Delgado
Sound: Alba Salas
Script and editing: Estela Gascón

Off the page

Phil is devastated after news from the doctor that his wife, Ana, will die in a few hours. However, things change when he realizes he is the main character of a novel that is being written. Phil will start an odyssey to get off the page and find the author in order to convince him not to kill Ana, but the author will write every obstacle his imagination can create to stop him.
him.

Directors: Diego Gomez and Joan Oliver
Producer: Armando Briquet
Assistant Director: Martina Lovo
Production Assistant: Taila Taillefer
Art Director: Camila Estrada
Photography Director: David Ayerra "Dayso"
Sound design: Mario Oroz
Camera Operator: Julian Grochowicz
Script and publisher: Diego Gomez and Joan Oliver
Hair and makeup designer: Camila Estrada
Art assistant: Samantha Coltro

Orain

Orain is a high school of Education special. Sara is a documentary filmmaker. Orain cares about the day to day life of children. Sara worries about the future of her professional degree program . They have nothing in common... Until Sara is asked to make, in one day, a documentary about Orain. Her boss asks her to tell a moving story about disability. Sara goes to high school with Jorge, her trusted photographer director . They need to make the work as good as possible. They need perfect, emotional images. They need to fulfill the deadline... But their attempts are thwarted by the chaos of the five children they interview. These trigger a series of crazy situations that bring Sara to the brink of a nervous breakdown. Through financial aid of the five boys, Sara learns the importance of living in the present. 

Written by Ainara Oto and Juan Goyache
Directed by: Ainara Oto
Producer: Lucía Rodrigo
Cinematography: Juan Goyache
Art director: Susana Ferrer
Editing: Elena Laguna Elena Laguna
design Sound director: Elisa Fernánde
Assistant director: Manuela Hernández
Camera operator: Mario Lameiro

I leave it whenever I want

Jose is trying to quit smoking. However, the life of a mugger he leads with his brother Raul doesn't make it easy for him. Especially when one of his hits goes wrong.

Production company: Juan Voltas
Director: Miguel Ángel Iribarren
Screenplay: Miguel Ángel Iribarren y Juan Voltas
Cinematography: Miguel Arguibide
Art director: Miriam Márquez
design Wardrobe, makeup and hair: Miriam Márquez
Sound: Javier Cano and David Aguerri
Script and editing: Pablo Beorlegui
teaching assistant direction: Eugenio Heredia
teaching assistant production and art: David Aguerri
teaching assistant photography and camera: Javi Zorrilla
Production assistant: Sara Munárriz
Hairdresser: Guillermo Ayerdi
Makeup FX: Katia Chivite and Delia Ayensa

The red book

Alicia, Cobo, Joel and Adara, four young university students, go to spend a weekend at a house in the mountains. One night they decide to play the red book, a kind of Ouija board, but with more elaborate answers. However, the only thing they manage to do is to awaken a spirit that wanders around the place full of guilt. Only by joining forces will they be able to close the game and put an end to the madness they themselves have unleashed.

Director: Alexander Aguilar Ropero
Written by Alexander Aguilar Ropero and Ander Santamaría Canento
Production: Ander Santamaría Canento
Cinematographer: Patricia Larumbe Oneca
Assistant Cinematographer and Camera Operator: Lorea Arrillaga García
Art director: Nerea Marchal García
Script and editing: María Azpiri Aguirre
design Sound and original music: Mario Oroz Arraiza
Visual effects: Patricia Larumbe Oneca and Mario Oroz Arraiza
design wardrobe: Nerea Marchal García
design make-up and hairdresser: Nerea Marchal García
Assistant director: Mireya Iturmendi Fernández
Production assistant: María Azpiri Aguirre

Beraza House

Salvador is the chef and owner of the haute cuisine restaurant Casa Beraza. He is a traditional cook, meticulous in the preparation of his dishes. Raul is a young cook who accompanies Salvador at Casa Beraza. He is a revolutionary cook who introduces modernist methods in his recipes to create risky dishes. Both will have to overcome their differences to face the visit of a culinary magazine in a night with a most extravagant clientele.

Director: Josu Goñi Yoldi
Production: Loreto Del Pozo Fernández and Fernando Zandio Orcoyen
Cinematography: Gabriela Castellares Tello
Art Director: María Antonia Velásquez
teaching assistant Art Director: Loreto Del Pozo Fernández
Makeup and Hairstyling: Shannon Evelynn Oro Dunne
Camera Operator: Clara Lacosta Arpide
teaching assistant Camera and Cinematographer: Anatoly Terekhin Komendrovskiy
Editing and script: Jon García Olabarri
Sound: Elías Alegría Azcona
Original Music: J.A. Badillo
teaching assistant Director: Maite Serna Valdés
teaching assistant Production: Jon García Olabarri
Assistant Director and teaching assistant Script: Leyre Cazalla Ruíz
teaching assistant of Sound: Fernando Olmedo López-Frías
Gaffer: Miguel Arguibide Cia