► Director: Jesús M. Usunáriz (GRISO-University of Navarra, Spain)

► administrative assistant: Mariela Insúa (GRISO-University of Navarra, Spain)

► Ignacio Arellano (GRISO-University of Navarra, Spain)

► Carlos Mata Induráin (GRISO-University of Navarra, Spain)

Norddin Achiri( University of Sidi Mohamed Ben Abdellah, Morocco)

► Arbey Atehortúa (Universidad Tecnológica de Pereira, Colombia)

► Tapsir Ba (Université Cheikh Anta Diop, Senegal)

► Carlos Cabanillas (Universitetet i Tromsø, Norway)

► Bernat Castany Prado (University of Barcelona, Spain)

Pablo Chiuminatto( Pontificia Universidad Católica de Chile, Chile)

► Carolina Ferrer (Université du Québec à Montréal, Canada)

► Alejandro González Puche (Universidad del Valle, Colombia)

► Raïssa Kordic Riquelme (Universidad de Chile, Chile)

► Raúl Marrero-Fente (University of Minnesota, United States)

► Sabyasachi Mishra (VIT-Vellore University, India)

► Cristina Osswald (CITCEM - Universidade do Porto, Portugal)

► Emmanuel Marigno (Université Jean Monnet de Saint-Étienne, France)

► Hugo Hernán Ramírez Sierra (Universidad de los Andes, Colombia)

► Lygia Rodrigues Vianna Peres (Universidade Federal Fluminense, Brazil)

► Fernando Rodríguez Mansilla (Hobart and William Smith Colleges, United States)

► Oana Sambrian (Romanian Academy-Craiova, Romania)

Carlos Mata Induráin, Ariel Núñez Sepúlveda and Miren Usunáriz Iribertegui (eds.), "Multum legendum". conference proceedings del XII congress Internacional Jóvenes Investigadores del Siglo de Oro (JISO 2022), Pamplona, Publications Service of the University of Navarra, 2023. 

BIADIG Collection (Library Services Áurea Digital), 71 / GRISO Digital Publications.

ISBN: 978-84-8081-780-6

The 48 papers collected in the present volume constitute the conference proceedings of the XII International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2022), which was held at modality hybrid (face-to-face in Pamplona and virtual) on December 1-2, 2022, organized by the group of research Siglo de Oro (GRISO) of the University of Navarra, at partnership with the Institute of programs of study Auriseculares (IDEA). The meeting, which was attended by 78 young researchers from 12 countries (namely Argentina, Brazil, Chile, France, Germany, Italy, Mexico, Peru, Romania, Spain, United Kingdom, United States and United Kingdom), was structured around 25 paper sessions, dedicated to "Calderón and Rojas Zorrilla", "History and Society", "Saints and Sinners", "Lope de Vega", "Quevedo and his Reception", "Poetics and Poetry", "Cervantes and Quevedo", "Golden Women Writers", "Lope de Vega, Quevedo and Góngora", "Treatises and polemics", "Reception of the Golden Age and comparative literature", "Cervantes' Exemplary Novels and their reception", "Tirso de Molina and Calderón de la Barca", "History, historiography and society", "Art", "American themes", "Conventual writing", three tables on "Theater" plus another on "Dramatic characters" and four sessions "Of various lessons". As was the case in previous years, there are three main features to be highlighted in this congress JISO 2022: the international character of its participants; the interdisciplinary approach of meeting; and, of course, the high quality of the papers presented, which the curious reader can enjoy in these conference proceedings, whose degree scroll, Multum legendum, comes from Pliny the Younger: "Multum legen-dum, sed non multa".

Carlos Mata Induráin, Full Professor accredited in Literature, is researcher and Academic Secretary of group of research Siglo de Oro (GRISO) of the University of Navarra, Secretary of the Institute of programs of study Auriseculares (IDEA) and Secretary of the association of Cervantistas. He is also correspondent in Spain of the Bolivian Academy of the Spanish language . His lines of research focus on the Spanish literature of the Golden Age (burlesque comedy, Calderón, Cervantes and quixotic recreations, plays about the Arauco War, etc.). He is the author of the literature blog "Ínsula Barañaria".

Ariel Núñez Sepúlveda is graduate and Master's Degree in language and Hispanic literature from the University of Chile. He is currently PhD student at the GRISO of the University of Navarra thanks to a scholarship of the National Agency of research and development of the Government of Chile (ANID). Her doctoral work consists of a critical edition of the play Andrómeda y Perseo, by Pedro Calderón de la Barca. She has participated in several international conferences and has published articles on baroque art and literature, focusing her attention on the theater of the Golden Age and the narrative of Cervantes. He has also completed a research stay at the Università degli Studi di Roma-La Sapienza.

Miren Usunáriz Iribertegui, Master's Degree in Spanish and Latin American Literature at the University of Salamanca, has developed her doctoral thesis in the framework of the GRISO with a research focused on the use of mockery as a rhetorical, social and political weapon in polemics of the Golden Age. He has published articles and reviews in indexed journals on the influence of golden literature in contemporary authors or on controversial figures of the seventeenth century as José Pellicer. She has made two international stays at research at El high school in Mexico and at the University of Coimbra. She is currently a professor at the University of La Rioja. 

Javier Espejo Surós and Carlos Mata Induráin (eds.), Lienzos ficticios, fantasías oníricas. programs of study en torno a Los sueños de Quevedo, Pamplona, Publications Service de la Universidad de Navarra, 2023. 

BIADIG Collection (Library Services Áurea Digital), 70 / GRISO Digital Publications.

ISBN: 978-84-8081-755-4

This volume includes sixteen papers on Quevedo's Dreams, written with a diversity of approaches and methodologies. The first section, "Quevedo in his historical-cultural context", situates the author in his time, both in the historical-political (Usunáriz) and linguistic (Tabernero conference room), and offers other approaches to Quevedo as a humanist (Roncero) and to his Library Services (Pérez Cuenca), analyzes his relationship with Góngora (Carreira) and studies the devil and demonology at the time (Zamora Calvo). The following nine works are another nine "Approaches to Los sueños": the answer to how and why to read this work in our days (Navarro Durán), its complex textual panorama (Azaustre Galiana), issues related to literary genre and decorum (Fernández Mosquera), Quevedo's relationship with Luciano de Samósata (Gridoriadou), analyses related to caricature and satire of trades and states (García Valdés, Madroñal, Mata Induráin) or questions related to the iconography of Los sueños, whether the illustrations by Antonio Saura and Luis García-Ochoa (Marigno) or the drawings by Miguel Ourvantzoff (Espejo Surós). The volume closes with the section of "Methodology in Context", at position by Philippe Rabate, who provides valuable practical guidelines for French candidates of the Agrégation externe to approach the test dissertation with guarantees of success. Undoubtedly, these contributions cannot address all the issues raised by a work as complex as Los sueños, but they offer a sample of many of its most relevant aspects, which will also be useful for those interested in Quevedo and, in general, in the literature of our Golden Age.

Javier Espejo Surós holds a PhD in Hispanic Philology from the Universities of Lleida and Rennes 2 Haute Bretagne qualified to the functions of Senior Associate Professor. He has published editions and programs of study on the theater of the Golden Age, dialogue, sapiential literature and the history of mentalities and systems of representation in the golden age. She is researcher of the Centre d'études Supérieures de la Renaissance (Université de Tours-CNRS-UMR 7323). She currently teaches Spanish literature and civilization at the Université Catholique de l'Ouest (Angers).

Carlos Mata Induráin, Full Professor accredited in Literature, is researcher and Academic Secretary of group of research Siglo de Oro (GRISO) of the University of Navarra and Secretary of high school of programs of study Auriseculares (IDEA). He is also a correspondent in Spain of the Bolivian Academy of the language Spanish . His lines of research focus on the Spanish literature of the Golden Age (burlesque comedy, Calderón, Cervantes and quixotic recreations, plays about the Arauco War, etc.). He is the author of the literature blog "Ínsula Barañaria".

Carlos Mata Induráin, Ariel Núñez Sepúlveda and Miren Usunáriz Iribertegui (eds.), "Spero lucem". conference proceedings del XI congress Internacional Jóvenes Investigadores del Siglo de Oro (JISO 2021), Pamplona, Publications Service of the University of Navarra, 2022.

BIADIG Collection (Library Services Áurea Digital), 69 / GRISO Digital Publications.

ISBN: 978-84-8081-752-3

The 25 papers collected in the present volume constitute the conference proceedings of the XI International congress "Jóvenes Investigadores Siglo de Oro" (JISO2021), which was held in modality virtual, from Pamplona, on December 14-16, 2021, organized by the group de research Siglo de Oro (GRISO) of the University of Navarra, in partnership, as in previous editions, with the high school de programs of study Auriseculares (IDEA). The meeting was attended by 38 young researchers on the Golden Age from ten countries, namely Argentina, Brazil, Chile, Spain, the United States, Italy, Mexico, Peru, the United Kingdom and Romania. The congress was structured around thirteen paper sessions, dedicated to "History and scholarship", "Power and satire of power", "Pastoral novel and picaresque novel", "Theater (1)", "Theater (2)", Reception of the Golden Age (1)", "Reception of the Golden Age (2)", "Calderón de la Barca and Gracián", "Poetry", "Exemplary Novels of Cervantes", "Creative Women", "Quevedo" and "American Themes". As was the case in previous years, there are three main features to be highlighted in this congress JISO 2021: the international character of its participants; the interdisciplinary approach of meeting; and, of course, the high quality of the works presented. As editors of these conference proceedings -whose degree scroll, Spero lucem, refers ultimately written request to Job, 17, 2, which in the Vulgate reads: "Noctem verterunt indiem et rursum post tenebras spero lucem" 'They turned the night into day, after darkness I wait for the lightʼ or else 'They made me night for day, and the light is shortened before the darknessʼ-, we would like to show our gratitude to all the people and institutions that, in one way or another, contributed to the success of meeting.

Carlos Mata Induráin, Full Professor accredited, is researcher and Academic Secretary of group of research Siglo de Oro (GRISO) of the University of Navarra and Secretary of high school of programs of study Auriseculares (IDEA). He is also a correspondent in Spain of the Bolivian Academy of the language Spanish . His lines of research focus on the Spanish literature of the Golden Age (burlesque comedy, Calderón, Cervantes and quixotic recreations, plays about the Arauco War, etc.). He is the author of the literature blog "Ínsula Barañaria".

Ariel Núñez Sepúlveda is graduate and Master's Degree in language and Hispanic literature from the University of Chile. He is currently PhD student at the GRISO of the University of Navarra thanks to a scholarship of the National Agency of research and development of the Government of Chile (ANID). Her doctoral work consists of a critical edition of the play Andrómeda y Perseo, by Pedro Calderón de la Barca. She has participated in several international conferences and has published articles on baroque art and literature, focusing her attention on the theater of the Golden Age and the narrative of Cervantes. He has recently completed a research stay at the Università degli Studi di Roma-La Sapienza.

Miren Usunáriz Iribertegui holds a PhD in Hispanic Philology from the University of Navarra, with a thesis , developed in the GRISO, focused on the use of mockery as a rhetorical, social and political weapon in polemics of the Golden Age. He has published articles and reviews in indexed journals on the influence of golden literature on contemporary authors, on polemical figures and debates of the golden period, such as José Pellicer or the controversy surrounding theatrical legality. She has made two international stays of research at El high school in Mexico and at the University of Coimbra. She currently works as a professor at the University of La Rioja. 

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El míralo todo en Castilla, en Nápoles y en Sicilia, study and edition by Luis Tadeo Valverde Molina, foreword by Alejandro García-Reidy, Pamplona, Publications Service of the University of Navarra, 2022.

BIADIG Collection (Library Services Áurea Digital), 68 / GRISO Digital Publications.

ISBN: 978-84-8081-749-3

This volume offers a critical edition of the anonymous comedy El míralo todo en Castilla, en Nápoles y en Sicilia, composed by schoolboys from Seville to be performed before Philip V of Spain and his courtiers -possibly in the Real Alcázar of Seville- during the five years in which the Royal Family settled the court in this city. In recognition of this political-social milestone of the first third of the 18th century, the preliminary study addresses the contextualization of the comedy in its spatio-temporal and dramatic-festive coordinates of the Sevillian Lustro Real (1729-1733). This is followed by a review of the editions of this comedy preserved in the most relevant catalogs of comedies for the historiography of Spanish dramaturgy, while detailing its material invoice , with the employment of catalog descriptions, of the three printed testimonies that have been used to make this modern edition. It also presents the metrical outline , the linguistic variants and the corresponding apparatus of textual variants.

Luis Tadeo Valverde Molina is researcher predoctoral at the University of Salamanca, where he completed the Master's Degree in Textual Heritage and Humanities Digitals (2020). He graduated in Linguistics and Literature from the Pontificia Universidad Católica del Perú (2017) and has been co-investigator of the group de research y Edición de Textos Coloniales Hispanoamericanos (GRIETCOH) of the same house of programs of study since 2018. He is currently working on the doctoral thesis entitled "Estudio y edición del teatro breve virreinal peruano de los siglos XVI al XVIII" in the doctoral program en Tradición Literaria, Cultura Escrita y Humanities Digitales.

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Ignacio Arellano, Cinco piezas de títulos de comedias. La fórmula satírica de asignaciones en lista, Pamplona, Publications Service de la Universidad de Navarra, 2022.

BIADIG Collection (Library Services Áurea Digital), 67 / GRISO Digital Publications.

ISBN: 978-84-8081-748-6

In the Golden Age, the success of the theater and the inclination for wit gave rise to a curious divertimento consisting of poems, fictitious letters and other formulas constructed on the basis of the ingenious application of comedy titles, a paradigm that has a satirical use in the field of clandestine literature of political protest. One of the modalities is the list of titles assigned to government characters or to certain circumstances of the moment. This brief volume gathers some of these samples, with the apparatus of notes that financial aid to understand the political allusions and to understand how this mechanism of clandestine criticism works. This publication is part of the activities of project "La burla como diversión y arma social en el Siglo de Oro (II). Political and clandestine poetry. Recovery of heritage and historical and cultural context" (ref. PID2020- 116009GB-I00), of the Ministry of Science and Innovation (MICINN) of the Government of Spain.

Ignacio Arellano is Full Professor of the University of Navarra, where he directs the group de research Siglo de Oro (GRISO), which develops a wide program of research that includes the critical edition of the autos of Calderón and Lope de Vega, the comedies of Calderón, the complete theater of Tirso de Molina and Bances Candamo or the publication of La Perinola. Revista de research quevediana and the yearbook Calderoniano.

Carlos Mata Induráin (ed.), Burla, burladores y burlados en Cervantes, Pamplona, Publications Service de la Universidad de Navarra, 2021.

BIADIG Collection (Library Services Áurea Digital), 66 / GRISO Digital Publications.

ISBN: 978-84-8081-714-1

The eight texts that make up this volume are result of the International congress "Burlas, burladores y burlados en Cervantes", organised by the group de research Siglo de Oro (GRISO) of the University of Navarra with the partnership of the high school of programs of study Auriseculares (IDEA), which was held, in virtual modality , on 17-18 December 2020. The contributions gathered here address, with different approaches and methodologies, various issues related to the trilogy announced in the degree scroll -burlas, burladores y burlados- in different sections of Cervantes' literary work such as Don Quixote ( Enrique Suárez Figaredo), the Novelas ejemplares (Paula Renata de Araújo), the poetry inserted in La Galatea ( Wen-Yuan Chang) and the theatre (Horacio José Almada Anderson and Ana Aparecida Teixeira de Souza), but also in some later Cervantes and Quixote recreations such as the Fin de fiesta para la comedia de don Quijote de la Mancha by Juan Vélez de Guevara (Carlos Mata Induráin), the eighteenth-century comedy Las bodas de Camacho by Antonio Valladares de Sotomayor (Santiago López Navia) or the cinematographic Quixotes by Manuel Gutiérrez Aragón (Emmanuel Marigno). These are, logically, partial and punctual approaches, but full of interest, which exemplify the importance of the category of mockery in the vast body of Cervantes' production.

Carlos Mata Induráin, Senior Associate Professor accredited, is researcher and Academic Secretary of group of research Siglo de Oro (GRISO) of the University of Navarra and Secretary of high school of programs of study Auriseculares (IDEA). He is also a correspondent in Spain of the Bolivian Academy of the language Spanish . His lines of research focus on the Spanish literature of the Golden Age (burlesque comedy, Calderón, Cervantes and quixotic recreations, plays about the Arauco War, etc.). He is the author of the literature blog "Ínsula Barañaria".

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Carlos Mata Induráin and Miren Usunáriz Iribertegui (eds.), "Labor improbus". conference proceedings del X congress Internacional Jóvenes Investigadores del Siglo de Oro (JISO 2020), Pamplona, Publications Service of the University of Navarra, 2021.

BIADIG Collection (Library Services Áurea Digital), 65 / GRISO Digital Publications.

ISBN: 978-84-8081-713-4

The 23 papers collected in the present volume constitute the conference proceedings of the X International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2020), which was held in modality virtual, from Pamplona, on 14-16 December 2020, organised by the group de research Siglo de Oro (GRISO) of the University of Navarra, in partnership, as in previous editions, with the high school of programs of study Auriseculares (IDEA). The meeting, which was attended by 30 young researchers on the Golden Age from five countries, namely Spain, the United States, France, Italy and Peru, was structured around nine sessions of papers, devoted to "Art and trade", "Indian themes (1)", "Quevedo (1)", "Quevedo (2)", "Polemics and treatises", "16th century", "Theatre", "Indian themes (2)" and "De varia lección". As was the case in previous years' calls for papers, there are three main features that should be highlighted in this congress JISO 2020: the international character of its participants; the interdisciplinary approach of meeting; and, of course, the high quality of the works presented, which the curious reader can enjoy in these conference proceedings, whose degree scroll, Labor improbus, refers to some verses by Virgil: "Labor omnia vicit improbus et duris urgens in rebus egestas" (Georgics, I, 145-146).

Carlos Mata Induráin, Senior Associate Professor accredited, is researcher and Academic Secretary of group of research Siglo de Oro (GRISO) of the University of Navarra and Secretary of high school of programs of study Auriseculares (IDEA). He is also a correspondent in Spain of the Bolivian Academy of the language Spanish . His lines of research focus on the Spanish literature of the Golden Age (burlesque comedy, Calderón, Cervantes and quixotic recreations, plays about the Arauco War, etc.). He is the author of the literature blog "Ínsula Barañaria".

thesis Miren Usunáriz Iribertegui, Master's Degree in Spanish and Latin American Literature at the University of Salamanca, is working on her doctoral thesis at framework del GRISO with a research focused on the use of mockery as a rhetorical, social and political weapon in Golden Age polemics. He has published articles and reviews in indexed journals on the influence of Golden Age literature on contemporary authors and on polemical figures of the 17th century such as José Pellicer. He has made two international stays at research at El high school in Mexico and at the University of Coimbra.

Javier Espejo Surós and Carlos Mata Induráin (eds.), Trazas, ingenio y gracia. programs of study sobre María de Zayas y sus "Novelas amorosas y ejemplares", Pamplona, Publications Service de la Universidad de Navarra, 2021.

BIADIG Collection (Library Services Áurea Digital), 64 / GRISO Digital Publications.

ISBN: 978-84-8081-694-6

The fascination with María de Zayas, which summoned her to the French competitive examinations(Agrégation externe), is not new. It dates back to the mid-17th century, when partial or complete translations of her works into French began to proliferate, both attributed to the author and unnamed, perhaps concealed by her status as a woman. Also constant through the centuries is the need, always explicit in any of the editions or programs of study dedicated to her production, to vindicate her talent. The reader will find here a total of twenty-two contributions ready to unravel the prudence in drawing, the wit in pretending and the grace in saying - to use the words of Alonso de Castillo Solórzano - of one of the most singular voices of the European Baroque. This volume offers some necessary orientations for a true understanding and knowledge of the historical, linguistic, cultural and literary context in which the honest and entertaining saraos were composed and of most of the questions still disputed at purpose of the author's known production, both novelistic and dramatic, as well as a set of methodological orientations about the dreaded exercise of the dissertation. These electronic pages thus constitute a solid tool for the critical interpretation of the fundamental aspects of Zayas's work.

Javier Espejo Surós holds a PhD in Hispanic Philology from the Universities of Lleida and Rennes 2 Haute Bretagne qualified to the functions of Senior Associate Professor. He has published editions and programs of study on the theater of the Golden Age, dialogue, sapiential literature and the history of mentalities and systems of representation in the golden age. She is researcher of the Centre d'études Supérieures de la Renaissance (Université de Tours-CNRS-UMR 7323) and of the team "Primer Teatro Clásico Español: Plataforma para la research textual y escénica del Teatro Español del XVI (1496-1542)" (UCM-high school del Teatro). She currently teaches Spanish literature and civilization at the Université Catholique de l'Ouest (Angers).

Carlos Mata Induráin, Senior Associate Professor accredited, is researcher and Academic Secretary of group of research Siglo de Oro (GRISO) of the University of Navarra and Secretary of high school of programs of study Auriseculares (IDEA). He is also a correspondent in Spain of the Bolivian Academy of the language Spanish . His lines of research focus on the Spanish literature of the Golden Age (burlesque comedy, Calderón, Cervantes and quixotic recreations, plays about the Arauco War, etc.). He is the author of the literature blog "Ínsula Barañaria".

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Ignacio Arellano, Mariela Insúa and Carmela Pérez-Salazar (eds.), Antología de la literatura burlesca del Siglo de Oro. El "otro" como blanco satírico y burlesco, Pamplona, Publications Service de la Universidad de Navarra, 2020.

BIADIG Collection (Library Services Áurea Digital), 63 / GRISO Digital Publications.

ISBN: 978-84-8081-695-3

The gaze that each person directs towards "the other" is always ambiguous: curious, friendly at times, but almost always cautious, fearful, and therefore aggressive. The other is an unknown territory, and this quality is always a risk. A defensive reaction, often translated into an attack, is therefore frequent. One of the weapons - it is not necessary to go as far as physical conflict, although it will happen on occasion - is words. Against others - for there are many others defined by numerous aspects, anyone who is alien to the observer - there is mockery, invective, caricature, insult, jocular description, belittling. In this volume of the Antología de la literatura burlesca del Siglo de Oro (project FFI2017-82532-P, Identidades y alteridades. La burla como diversión y arma social en la literatura y cultura del Siglo de Oro, funded by the Ministry of Science, Innovation and Universities of the Government of Spain) offers a collection of texts that mark the figure of the other and bring the mockery of the more or less archetypal issuer corresponding to a seventeenth-century Spaniard. The selected compositions are grouped into six sections: the other as a political enemy, the other of race and religion, the marginalised other, the cultural and literary other, the geographical other and the deformed other.

Ignacio Arellano is Full Professor of the University of Navarra, where he directs the group de research Siglo de Oro (GRISO), which develops a wide program of research that includes the critical edition of the autos of Calderón and Lope de Vega, the complete theater of Tirso de Molina and Bances Candamo or the publication of La Perinola. Revista de research quevediana and the yearbook Calderoniano.

Mariela Insúa is a researcher and administrative assistant of group de research Siglo de Oro (GRISO) at the University of Navarra and editor of Hipogrifo. Revista de literatura y cultura del Siglo de Oro. A specialist in the work of the Mexican Fernández de Lizardi, she has also published works on the Golden Age, especially on 17th century Spanish-Portuguese theatre.

Carmela Pérez-Salazar is Professor of Spanish language and member of the group de research Siglo de Oro (GRISO) at the University of Navarra. Her current interest researcher focuses on the historical grammar of Spanish and, specifically, on the incorporation of the analysis of speech and pragmatics into the diachronic study of language. As a member of various research projects, his most recent publications have dealt with the analysis of phraseological units in diachrony and the pragmalinguistic study of literary and non-literary sources from the Golden Age.

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Carlos Mata Induráin, Antología de la literatura burlesca del Siglo de Oro. Repertorio de notas de las comedias burlescas, Pamplona, Publications Service de la Universidad de Navarra, 2020.

BIADIG Collection (Library Services Áurea Digital), 62 / GRISO Digital Publications.

ISBN: 978-84-8081-693-9.

In the framework of the Antología de la literatura burlesca del Siglo de Oro ( project FFI2017-82532-P, Identidades y alteridades. La burla como diversión y arma social en la literatura y cultura del Siglo de Oro, funded by the Ministry of Science, Innovation and Universities of the Spanish Government), the present volume offers a repertoire provisional of notes on burlesque comedies. It includes the notes corresponding to 23 of the burlesque plays already published in the framework of the general project of the group de research Siglo de Oro (GRISO) of the University of Navarra. Despite this partial nature, the abundant material collected here may prove useful for the annotation of comic texts and for locating parallel passages. The curious reader will see that many jokes and puns are repeated from one burlesque comedy to another, and that these resources are shared with other literary modalities such as satirical-burlesque poetry, the entremés or the mojiganga, among others.

Carlos Mata Induráin, Senior Associate Professor accredited, is researcher and Academic Secretary of group of research Siglo de Oro (GRISO) of the University of Navarra. He is also Secretary of high school of programs of study Auriseculares (IDEA, Madrid / New York). His main lines of research are currently focused on the Spanish literature of the Golden Age: burlesque comedy, Calderón's autos sacramentales, Cervantes and the quixotic and Cervantine recreations, plays about the Arauco war, etc. In all these areas he has published several monographs and articles in scientific journals of the specialization program, and has also been publisher of numerous literary works. He maintains the literature blog graduate "Ínsula Barañaria".

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Carlos Mata Induráin (coord.), Antología de la literatura burlesca del Siglo de Oro. Volume 8. Comedias burlescas, Pamplona, Publications Service de la Universidad de Navarra, 2020.

BIADIG Collection (Library Services Áurea Digital), 61 / GRISO Digital Publications.

ISBN: 978-84-8081-692-2.

In the framework of the Antología de la literatura burlesca del Siglo de Oro (project FFI2017-82532-P, Identidades y alteridades. La burla como diversión y arma social en la literatura y cultura del Siglo de Oro, funded by the Ministry of Science, Innovation and Universities of the Government of Spain), the present volume offers the edition of six burlesque comedies: La más constante mujer (ed. by Alberto Rodríguez Rípodas), Los condes de Carrión ( ed. by Carlos F. Cabanillas Cárdenas), Entremés de Durandarte y Belerma (ed. by Valentina Nider), El más impropio verdugo ( ed. by Elena Di Pinto), El hidalgo de la Mancha (ed. by Carlos Mata Induráin) and Llámenla como quisieren (ed. by Carlos Mata Induráin). These pieces are significant in the corpus under analysis, as well as in their compositional Structures and their parodic mechanisms. By reading them, we can see how the burlesque comedies of the Golden Age turn upside down all the schemes in force in the Comedia nueva, to the point of giving rise to a completely degraded universe. This degradation affects dramatic conventions, lyrical motifs and character construction alike. The breakdown of decorum is total in these plays, as well as the inversion of serious values: love, honour, nobility, the bravery of the knights, the beauty of the ladies..., everything is put to shame. In short, the burlesque comedy sample shows us the other, ridiculous and carnivalesque side of the tapestry of serious theatre.

Carlos Mata Induráin, Senior Associate Professor accredited, is researcher and Academic Secretary of group of research Siglo de Oro (GRISO) of the University of Navarra. He is also Secretary of high school of programs of study Auriseculares (IDEA, Madrid / New York). His main lines of research are currently focused on the Spanish literature of the Golden Age: burlesque comedy, Calderón's autos sacramentales, Cervantes and the quixotic and Cervantine recreations, plays about the Arauco war, etc. In all these areas he has published several monographs and articles in scientific journals of the specialization program, and has also been publisher of numerous literary works. He maintains the literature blog graduate "Ínsula Barañaria".

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Carlos F. Cabanillas Cárdenas, Arnulfo Herrera, Fernando Rodríguez Mansilla and Martina Vinatea (eds.), Antología de la literatura burlesca del Siglo de Oro. Burla y sátira en los virreinatos de Indias. Una antología provisional, Pamplona, Publications Service de la Universidad de Navarra, 2020.

BIADIG Collection (Library Services Áurea Digital), 60 / GRISO Digital Publications.

 ISBN: 978-84-8081-688-5.

In this Anthology of the burlesque literature of the Golden Age, undertaken in the framework of the project Identidades y alteridades. La burla como diversión y arma social en la literatura y cultura del Siglo de Oro (FFI2017-82532-P, MICINN/AEI/FEDER, UE), we could not miss the materials that we can call indianos. The Hispanic cultural and literary universe is one, with as many sectorially characteristic elements as you like, but it is continuous. There is no excuse for ignoring the literature that is written or refers to the Indies. Considering it as a territory in confrontation with the Peninsula and as an enemy, as a generalised subversive weapon, may obey certain modern ideological positions, but it does not respect the texts, the tradition or the context of production. The present volume is an attempt to disseminate some outstanding compositions and authors. It does not claim to be exhaustive or even to provide a systematic basic overview, but rather to show some representative texts in the sphere of the two great viceroyalties. For Peru, the poems of Caviedes and Ciego de la Merced and the prose texts taken from the chronicles of the Indies are a limited but significant example. For New Spain, the poetic anthology - in which there is no lack of Structures of academic literature or clerical debates - is supplemented by a version of the famous scatological opuscule by Caviedes dedicated to the last eye, a manifestation of the validity of a model like that of Don Francisco, which is also very perceptible in a poet like Caviedes.

Carlos F. Cabanillas Cárdenas, graduate from the Pontificia Universidad Católica del Perú and PhD from the University of Navarra, currently works as a professor and researcher at the Norwegian Arctic University in Tromsø. His fields of study are the literature of the Golden Age and, in particular, the work of the poet Juan del Valle y Caviedes, whose work he has edited and published several articles.

Arnulfo Herrera has been a professor of Spanish literature of the Golden Age at the National Autonomous University of Mexico since 1978. He is attached to high school de Investigaciones Estéticas, where he works on Mexican literature.

Fernando Rodríguez Mansilla is Senior Associate Professor at Hobart and William Smith Colleges (Geneva, New York). He is the author of the books Picaresca femenina de Alonso de Castillo Solórzano ( 2012) and El Inca Garcilaso en su Siglo de Oro (2019). In addition, he has published works on Cervantes, Quevedo, the picaresque novel, Lope de Vega, María de Zayas and colonial literature.

Martina Vinatea, PhD in Philology Hispanic and History, is Senior Lecturer at the Universidad del Pacífico (Peru) and Co-Director of the Centro de programs of study Indianos (CEI) / project programs of study Indianos (PEI). She is currently researching women's convent poetry and poetry of viceregal Peru.

Carlos Mata Induráin and Miren Usunáriz Iribertegui (eds.), "Melior auro". conference proceedings del IX congress Internacional Jóvenes Investigadores Siglo de Oro (JISO 2019), Pamplona, Publications Service of the University of Navarra, 2020.

BIADIG Collection (Library Services Áurea Digital), 59 / GRISO Digital Publications. ISBN: 978-84-8081-685-4

The twenty-four papers collected in the present volume constitute the conference proceedings of the IX International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2019), which was held on 16-17 December 2019 in Pamplona (Navarra), organised by the group de research Siglo de Oro (GRISO) of the University of Navarra. The meeting was structured around twelve sessions of papers, dedicated to "Poetry", "Women and the female world", "Historical themes", "Cervantes", "Theatre", "Cooking arts and other treatises", "Narrative", "Quevedo", "Reception of the Golden Age (1)", "Reception of the Golden Age (2)", "Relations of events and literary polemics" and "De varia lección". As was the case in previous years' calls for papers, there are three main features that should be highlighted in this congress JISO 2019: the international character of its participants; the interdisciplinary approach of the meeting; and, of course, the high quality of the works presented, which the curious reader can enjoy in these conference proceedings, whose degree scroll, Melior auro, abbreviates the Latin maxim "Sapientia melior auro est" 'Wisdom is better (worth more) than gold'.

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Ignacio Arellano and Mariela Insúa (eds.), Antología de la literatura burlesca del Siglo de Oro. Volume 6. Comedias "de burlas", Pamplona, Publications Service de la Universidad de Navarra, 2020.

BIADIG Collection (Library Services Áurea Digital), 58 / GRISO Digital Publications. ISBN: 978-84-8081-686-1.

This sixth volume of the Antología de la literatura burlesca del Siglo de Oro, undertaken in the framework of project Identidades y alteridades. La burla como diversión y arma social en la literatura y cultura del Siglo de Oro (FFI2017-82532-P, MICINN/AEI/FEDER, UE), is devoted to Comedias "de burlas". This volume brings together four significant plays in which degree scroll includes the term and concept of mockery, although we have tried to ensure that they reflect different modalities. There are other comedias "de burlas" in the Golden Age (not to be confused with the comedias burlescas or comedias de disparates, which have their own volume in this general anthology), but these four are sufficiently representative: Ricardo de Turia's (La burladora burlada), which responds to an early and somewhat confused model between comedy with ancient influences, palatine features and other cloak and dagger features, and whose plot reveals a certain imperfection in the construction of a somewhat premature plot; Lope de Vega's Las burlas veras, a good example of a somewhat farcical palatine comedy and a kind of essay for a more complex work with greater artistic flights such as El perro del hortelano (The dog of the gardener); El burlador de Sevilla, a play with a more serious tone, a masterpiece attributed to Tirso de Molina and which could not be missing in this anthology of mockeries; and finally, No hay burlas con el amor, a marvellous comedy of cloak and dagger by Calderón, a magnificent example of a playful genre with certain figurative overtones in the cultured latiniparla and the commonplace gallant.

Ignacio Arellano is Full Professor of the University of Navarra, where he directs the group de research Siglo de Oro (GRISO), which develops a wide program of research that includes the critical edition of the autos of Calderón and Lope de Vega, the complete theater of Tirso de Molina and Bances Candamo or the publication of La Perinola. Revista de research quevediana and the yearbook Calderoniano.

Mariela Insúa is a researcher and administrative assistant of group de research Siglo de Oro (GRISO) at the University of Navarra and editor of Hipogrifo. Revista de literatura y cultura del Siglo de Oro. A specialist in the work of the Mexican Fernández de Lizardi, she has also published works on the Golden Age, especially on 17th century Spanish-Portuguese theatre.

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Victoriano Roncero López (ed.), Antología de la literatura burlesca del Siglo de Oro. Volume 5. Burlas picarescas, Pamplona, Publications Service de la Universidad de Navarra, 2020.

BIADIG Collection (Library Services Áurea Digital), 57 / GRISO Digital Publications. ISBN: 978-84-8081-678-6.

This fifth volume of the Antología de la literatura burlesca del Siglo de Oro, undertaken in the framework of project Identidades y alteridades. La burla como diversión y arma social en la literatura y cultura del Siglo de Oro (FFI2017-82532-P, MICINN/AEI/FEDER, EU), is devoted to Burlas picarescas. The Spanish picaresque novel continues the humour of the buffoonish literature initiated in Spain in the 15th century by poets such as Villasandino or Antón de Montoro, and continued in the early 16th century by the prose work of Villalobos or Don Francés de Zúñiga. From Lazarillo de Tormes onwards, the new genre appropriated the subject carnivalesque and demystifying humour of the literature of jesters to personify it in the rogue and his graces and misfortunes. In this volume we have attempted to present a wide-ranging anthology of mockery in various picaresque texts, some of which are well known: Lazarillo de Tormes, Guzmán de Alfarache and El Buscón; others are less widely read, but which contain amusing episodes of a comicality typical of European carnivals and courts: El Guitón Onofre, La pícara Justina, La segunda parte del Lazarillo by Juan de Luna, Teresa de Manzanares and El high school program Trapaza, by Castillo Solórzano, Lazarillo de Manzanares by Cortés de Tolosa, La desordenada codicia de los bienes ajenos by Carlos García, and, finally, the novel that closes the volume and the genre of the picaresque-bufonesque novel, the Estebanillo González.

Victoriano Roncero López is Full Professor of Spanish literature in the Department of Hispanic Languages and Literature at Stony Brook University (USA). He is director of IDEA, Hipogrifo, member of GRISO and the Centro para la Edición de los Clásicos Españoles. He has published books on Quevedo's Humanism, his historiographic concept and on humor in the picaresque novel. He has edited an anthology of Castilian cancioneril poetry (with Brian Dutton), the poetry of Fernando de Herrera, an anthology of satirical burlesque poetry of the 16th and 17th centuries (with Ignacio Arellano), Quevedo's muse Clío (with Ignacio Arellano); Quevedo's El Buscón , El tribunal de la justa venganza, Tirso de Molina's La fingida Arcadia, Calderón's El saber del mal y el bien, as well as autos sacramentales by Lope de Vega (La privanza del hombre) and Calderón (El primer blasón del Austria and El lirio y el azucena).

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Celsa Carmen García Valdés (ed.), Antología de la literatura burlesca del Siglo de Oro. Volume 4. Entremeses de burlas, Pamplona, Publications Service de la Universidad de Navarra, 2020. 

BIADIG Collection (Library Services Áurea Digital), 56 / GRISO Digital Publications. ISBN: 978-84-8081-677-9.

In the framework of the project Identidades y alteridades. La burla como diversión y arma social en la literatura y cultura del Siglo de Oro (FFI2017-82532-P MICINN/AEI/FEDER, UE), the first two volumes of the Antología de la literatura burlesca del Siglo de Oro have been devoted to poetry, and the third to prose; the fourth volume is devoted to the unique theatrical genre of the entremés. Any definition of this short, one-act play must be accompanied by adjectives such as comic or jocular or burlesque: comedy is essential to the genre of the entremés. The present volume contains a set of entremés - one of them unpublished - which, due to their special characteristics, are representative, within the gigantic world of entremés, of a sub-genre: entremés de burlases. The central motif of each of the twenty pieces selected is, precisely, a mockery, but it is not just any mockery: it has to be a witty mockery - wit is highly valued by the society of the time -; it has to have a purpose and carry it out; and it has to be inoffensive, eutrapelic. The anthology closes with two more pieces in which the structural mockery, while being ingenious and achieving its goal, does not fulfil the condition of not harming. Thus the reader can compare and see what the difference is between the entremeses de burlas and other entremeses that also contain mockery.

Celsa Carmen García Valdés, PhD in Philology Románica, has been Professor of teaching average , Associate Professor at the Universities of Oviedo and Navarra, and Technical Advisor to the Ministry of Education in the Rabat and Buenos Aires delegations. She has been a member of the group de research Siglo de Oro (GRISO) at the University of Navarra since its creation in 1990. As a scholar of Golden Age literature, she has published, between programs of study and critical editions, some thirty books, as well as numerous chapters and articles in collective works and journals of the specialization program.

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Fernando Rodríguez Mansilla (ed.), Antología de la literatura burlesca del Siglo de Oro. Volume 3. Prosa de burlasPamplona, Pamplona, Publications Service de la Universidad de Navarra, 2020.

BIADIG Collection (Library Services Áurea Digital), 55 / GRISO Digital Publications. ISBN: 978-84-8081-675-5.

This volume, which is the third in the Anthology of Burlesque Literature of the Golden Age, undertaken at framework of project Identidades y alteridades. La burla como diversión y arma social en la literatura y cultura del Siglo de Oro (FFI2017-82532-P MICINN/AEI/FEDER, UE), offers a collection of texts that develop the narrative modality of mockery. Without the intention of being exhaustive, but rather representative, we have selected texts and authors who are particularly outstanding in this field and who, at the same time, do not have recent annotated editions. The choice of these texts is due to the fact that, together, they make up a varied sample of prose mockery. The mockers include both men and women, rich and poor, nobles and commoners; among the mocked, we find old and young, candid young girls, ladies of the hustle and bustle and others of the low life; the settings vary between Seville, Madrid and Barcelona, with characters of different social and geographical origins. The reading of these texts, as well as being enjoyable, can be an invitation to the present-day reader to introduce him or herself to the festive culture of the Golden Age.

Fernando Rodríguez Mansilla is an associate member of GRISO (group of research Siglo de Oro) and PEI (project programs of study Indianos). He is currently Senior Associate Professor at Hobart and William Smith Colleges (Geneva, New York). He received the award Luis Andrés Murillo for the best article cervantino of 2014 given by the Cervantes Society of America. He is the author of the books Picaresca femenina de Alonso de Castillo Solórzano ( 2012) and El Inca Garcilaso en su Siglo de Oro (2019). In addition, he has published works on Cervantes, Quevedo, the picaresque novel, Lope de Vega, María de Zayas and colonial literature.

Javier Espejo Surós and Carlos Mata Induráin (eds.), Preludio a "La dama boba" de Lope de Vega (historia y crítica), Pamplona, Publications Service de la Universidad de Navarra, 2020.

BIADIG Collection (Library Services Áurea Digital), 54 / GRISO Digital Publications. ISBN: 978-84-8081-670-0

These pages, offered especially to the intelligence and sensitivity of candidates for the French competitive examinations(Agrégation interne d'espagnol) - but also to anyone interested in the Spanish theatre of the Golden Age - deal with the main lines of the history and criticism of La dama boba. The contributions that make up the volume offer an interpretation of the fundamental aspects of the portentous theatrical play by Lope de Vega. The lines of analysis that follow constitute in themselves a state of the question. They try, however, to go beyond the pale summary, the vague panorama, perhaps widening and deepening, even occasionally, the knowledge of the play. There are many, and perhaps many ways to explore the comedy of the Phoenix. We have not attempted to explore them all. Those aspiring to the prestigious Degree de professeur agrégé will find here some necessary orientations for a true understanding and knowledge of the work, of the historical, cultural and literary context in which it emerges and of many of the main questions still in dispute. In any case, there is no substitute for direct contact with a text that is still extremely enjoyable to read at contact .

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Ignacio Arellano (ed.), Anthology of the burlesque literature of the Golden Age. Volume 2. Poesía de los segundones, Pamplona, Publications Service de la Universidad de Navarra, 2019 

BIADIG Collection (Library Services Áurea Digital), 53 / GRISO Digital Publications. ISBN: 978-84-8081-657-1.

The first volume of the Antología de la literatura burlesca del Siglo de Oro, undertaken in the framework of the project Identidades y alteridades. La burla como diversión y arma social en la literatura y cultura del Siglo de Oro (FFI2017-82532-P MINECO/AEI/FEDER, UE), was devoted to the three major names in Golden Age poetry, Lope, Góngora and Quevedo. This second one gathers a selection of those who can be called second class, in relation to the first ones, and who in turn have different categories (the poetry of Villamediana is not the same as that of Maluenda, for example). Any selection is partial. More names could certainly be added; the poets of transatlantic Spain are not included here, because they will be included in a specific volume devoted to the burlesque poetry of the viceroyalties of the Indies. Other volumes of their own will include texts by women writers and burlesque poetry from jousts and academies. And the same can be said of the anthology presented: all the poets included wrote many more poems than those collected in these pages. It is, therefore, one of many possible anthologies. However, the high Degree of codification of themes and expressive resources - one will notice the reiteration of many jokes, burlesque motifs and puns - makes this problem of selection less relevant than it might seem, since all these poems are very representative of the genre. The main contribution of this volume consists of the annotation (nearly two thousand explanatory notes), which attempts to clarify for a lay reader the innumerable joking references, allusions and plays of all kinds subject.

Ignacio Arellano is Full Professor of the University of Navarra, and has been Senior Associate Professor of the University of León and Full Professor of the University of Extremadura, as well as a visitor at numerous universities around the world. He directs the group of research Siglo de Oro (GRISO) of the University of Navarra, where he develops an extensive program of research on the Golden Age, including the project critical edition of the complete works of Calderón de la Barca, the complete theater of Bances Candamo, or the publication of La Perinola. Revista de research quevediana and the yearbook Calderoniano.

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Ignacio Arellano (ed.), Antología de la literatura burlesca del Siglo de Oro. Poesía de Lope de Vega, Góngora y Quevedo, Pamplona, Publications Service de la Universidad de Navarra, 2019. 

BIADIG Collection (Library Services Áurea Digital), 52 / GRISO Digital Publications. ISBN: 978-84-8081-645-8.

The universe of mockery in the Golden Age offers many complications and difficulties to the reader and the scholar. Some of these issues are addressed, if not resolved, at least raised in the project Identidades y alteridades. La burla como diversión y arma social en la literatura y cultura del Siglo de Oro (FFI2017-82532-P MINECO/AEI/FEDER, UE), in whose framework we have conceived an anthological collection that begins with this volume. The importance of the three poets contained here merited their placement at the head of the series, which will be made up of ten volumes in which poetic, dramatic and narrative texts will be collected, as well as some other useful instruments to focus on the examination of mockery and its various dimensions. Indeed, Lope de Vega, Góngora and Quevedo are undoubtedly the three major poets of the Baroque period. And if one had to choose three fundamental poetic repertoires of the period, one would have to turn to the Rimas humanas y divinas of Lope's graduate Tomé de Burguillos; to the Chacón manuscript of Góngora's poems, and to the edition of Quevedo's El Parnaso español by José González de Salas. From these three essential sources we have chosen a series of poems characterised by the burlesque approach , abundant in mockery and with an intense satirical component, since in the internship it is impossible to separate these sides of jocoseria literature, all mixed with mockery and truth, not to mention the fact that the mockery is not in itself alien to the truth. We hope that this collection of materials will provide the reader with the appropriate delectare and the no less desirable prodesse.

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La famosa comedia de La dama alférez, edition and preliminary study by Gabriel Andrés, Pamplona, Publications Service de la Universidad de Navarra, 2019.

BIADIG Collection (Library Services Áurea Digital), 51 / GRISO Digital Publications. ISBN: 978-84-8081-643-4.

La dama alférez is an anonymous comedy rarely mentioned in programs of study on Golden Age theatre and almost always in connection with La monja alférez, by Juan Pérez de Montalbán, with which it has been confused. Apart from this fact, almost nothing is known about the play, except that it was included in a "hato" in the possession of the playwright Mateo de Salcedo prior to the date of 25 January 1601 when he sold it along with other theatrical copies - some by Lope de Vega - to another playwright, Andrés de Heredia. The known manuscript copy and the documentation related to the activity of these authors in charge of theatre companies are, for the moment, the only elements that allow us to place the writing of the play at a date prior to 1601, without further details about its actual authorship or its possible staging. It is an urban comedy with an Italian setting that brings to the stage an action set in Naples and interweaves a classic love affair between gallants (Bernardo, the Marquis Arnaldo and Count Urbino) and ladies (Beatrice, Lucrezia and Julia).

Carlos Mata Induráin and Sara Santa Aguilar (eds.), "Ars longa". conference proceedings del VIII congress Internacional Jóvenes Investigadores Siglo de Oro (JISO 2018), Pamplona, Publications Service de la Universidad de Navarra, 2019.

BIADIG Collection (Library Services Áurea Digital), 50 / GRISO Digital Publications. ISBN: 978-84-8081-637-3

The thirty papers collected in the present volume constitute the conference proceedings of the VIII International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2018), which was held on 17-18 December 2018 in Pamplona (Navarra), organised by the group de research Siglo de Oro (GRISO) of the University of Navarra. The meeting was structured around twelve sessions of papers, dedicated to "Siglo XVI", "Teatro", "Lope de Vega y la comedia hagiográfica", "Tirso de Molina, Suárez de Figueroa y Quevedo", "Novelas ejemplares", "Góngora y sus comentaristas", "Temas americanos", "Avisos y relaciones de sucesos", "Recepción del Siglo de Oro: 17th-19th centuries", "Reception of the Golden Age: 20th century", "Comparative literature: the Spanish Golden Age in China and India" and "De varia lección". As was the case in previous years' calls for papers, there are three main features that should be highlighted in this congress JISO 2018: the international character of its participants; the interdisciplinary approach of meeting; and, of course, the high quality of the works presented, which the curious reader can enjoy in these conference proceedings, whose degree scroll, Ars longa, is taken from the Latin maxim "Ars longa, vita brevis" 'Art [science] is lasting, but life is brief', which translates a phrase from Hippocrates, Aphorisms, I, 1.

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J. Enrique Duarte, bibliography crítica sobre el auto sacramental de Lope de Vega, Pamplona, Publications Service de la Universidad de Navarra, 2018.
ISBN: 978-84-8081-618-2 [Library Services Áurea Digital, BIADIG, 49].

The bibliography critique of Lope de Vega's auto sacramental is intended to be a useful tool for all scholars of the auto sacramental and especially for those interested in the sacramental works written by Lope de Vega. This new tool is part of the project edition of the "Autos sacramentales completos de Lope de Vega", which is being carried out by the GRISO of the University of Navarra and directed by Professor Ignacio Arellano Ayuso, a task that has already begun with the publication in the publishing house Reichenberger of the first volumes and which continues in the attempt to provide critics with correctly edited and annotated texts in volumes of two autos sacramentales.

We would like to make an appeal to all researchers of Lope's sacramental works to provide us with references to new publications on the subject and thus keep this small bibliography up to date with the contributions that are made, committing ourselves to producing new editions of this tool in the future.

This bibliography available , free of charge and in PDF format, allows the search for subjects, works, authors in a very fast way, thus facilitating the task of those interested in this subject. The bibliographic entries contain a short commentary illustrating the content of the reference letter, thus allowing a quick enquiry.

This publication is result of the research carried out at the framework of the project Autos sacramentales de Lope de Vega. Edición, estudio y contexto histórico literario (FFI2013-45388-P), of the Ministry of Industry, Economics and Competitiveness of the Government of Spain.

Ignacio D. Arellano-Torres, Carlos Mata Induráin and Sara Santa Aguilar (eds.), "Docendo discimus". conference proceedings del VII congress Internacional Jóvenes Investigadores Siglo de Oro (JISO 2017), Pamplona, Publications Service of the University of Navarra, 2018.

BIADIG Collection (Library Services Áurea Digital), 38 / GRISO Digital Publications. ISBN: 978-84-8081-621-2.

The thirty-one papers collected in the present volume constitute the conference proceedings of the VII International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2017), which was held on 14-15 December 2017 in Pamplona (Navarra), organised by the group de research Siglo de Oro (GRISO) of the University of Navarra. The meeting was structured around ten sessions of papers, dedicated to "Lope de Vega", "Calderón", Cervantes' "Novelas ejemplares", "Teatro", "Prosa y poesía", "Mitos y personajes míticos" and "Recepción", plus another three "De varia lección". As was the case in previous years, there are three main features that should be highlighted in this congress JISO 2017: the international character of its participants; the interdisciplinary approach of meeting; and, of course, the high quality of the works presented, which the curious reader can enjoy in these conference proceedings, whose degree scroll, Docendo discimus, the motto of several universities around the world, refers at written request to Seneca in one of his letters to Lucilius: "homines, dum docent, discunt"(Epistulae morales, I, 7, 8).

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Pedro Calderón de la Barca, El nuevo palacio del Retiro, electronic edition by Jesús M. Usunáriz, Pamplona, Publications Service de la Universidad de Navarra, 2018.

BIADIG Collection (Library Services Áurea Digital), 47 / GRISO Digital Publications. ISBN: 978-84-8081-598-7

This edition of El nuevo palacio del Retiro by Pedro Calderón de la Barca is based on the 1998 edition (Kassel, Reichenberger) by Alan K. G. Paterson as regards the textual fixation of this auto sacramental. For an in-depth study and analysis, we refer to Paterson's critical study, and to the different contributions of authors such as Ignacio Arellano, Dominique Reyre and Margaret Greer, among others mentioned throughout the text.

The novelty of this critical edition lies in two elements. One is the annotation, which has been completely replaced and can be seen as an addition to the aforementioned Paterson edition. This new annotation is intended to clarify some questions that remained doubtful, as well as to establish a comparison between the ideas conveyed by Calderón and other authors of his time, whether they were theologians, historians or treatises of various kinds. In our opinion, the opinions reflected demonstrate the consonance between our playwright and the theological currents and opinions of his time.

The second element is the electronic edition of the auto, which turns the auto into a multimedia publication that allows, among other elements, access to most of the ancient texts cited in grade, the contemplation of works of art (paintings, engravings...) or musical compositions that reflect these same ideas or contribute to a better understanding of them. The edition of the auto, available in PDF, ePub and Mobi formats, thus offers other possibilities for reading the auto, adapted to new media, to which it adds its interactivity, with a simple and accessible hypertext, within challenge that the new perspectives and possibilities of the Humanities Digital offer.

This publication is part of the activities of project "Autoridad y poder en el teatro del Siglo de Oro. Estrategias, géneros, imágenes en la primera globalización" (FFI 2014-52007-P) funded by the Ministry of Industry, Economics and Competitiveness of the Government of Spain.

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Lorenzo de las Llamosas, También se vengan los dioses, preliminary study by José A. Rodríguez Garrido, edited by Javier de Navascués and Martina Vinatea, Pamplona, Publications Service de la Universidad de Navarra, 2018.

BIADIG Collection (Library Services Áurea Digital), 46 / GRISO Digital Publications. ISBN: 978-84-8081-596-3

Lorenzo de las Llamosas offers the text of También se venganse los dioses to the Count of Monclova, viceroy in Lima after having served as position in New Spain. The festejo is a multiple appellative act. Insofar as court theatre was part of the ceremonies and symbolic elaborations that served to exalt the figure of authority, Llamosas's play offered the viceroy an instrument of affirmation of his power. His manuscript, in this sense, invited the viceroy to order its immediate staging by providing him with the complete design of the fiesta (loa, comedia, entremés); the annotations carefully detailed the displays of machinery and scenery; the means for its staging were provided by the experience of the preceding years and by the existence in Lima of a portable theatre for spectacle comedies where that experience had taken shape; the musicalisation of the work could be entrusted to the maestro de capilla of Lima Cathedral, Tomás de Torrejón y Velasco, whose experience with court drama had possibly already been put to test. This work thus reflects a complex theatrical internship typical of the courtly sphere in America, and brings together aesthetic and political aspects in a construction worthy of reading and analysis.

This publication is part of the activities of project programs of study Indianos (PEI), of the University of the Pacific and the University of Navarra.

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Pedro Lanini Sagredo, La restauración de Buda. Auto sacramental alegórico, edited by Ignacio Arellano, Pamplona, Publications Service de la Universidad de Navarra, 2017.

BIADIG Collection (Library Services Áurea Digital), 45 / GRISO Digital Publications. ISBN: 978-84-8081-592-5.

The capture of Buda by the Holy League against the Turks in 1686 was an event of enormous political significance throughout Europe, prompting the writing of many pages describing the events, extolling the Christian protagonists and singing of the heroes' exploits. One of the works that deals with it is this auto by Lanini, one of whose fundamental objectives, related to the historical circumstances of the writing, is the celebration of an imperial Christian success, and the exaltation of the House of Austria, whose mythologised role as defender of the faith and guide of Christian civilisation constitutes the central support of the piece.

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Francisco Antonio Bances Candamo, El esclavo en grillos de oro, philological edition by Ignacio Arellano and electronic edition by Jesús M. Usunáriz, Pamplona, Publications Service de la Universidad de Navarra, 2017.

BIADIG Collection (Library Services Áurea Digital), 44 / GRISO Digital Publications. ISBN: 978-84-8081-574-1.

Bances Candamo can be considered the last important representative of Baroque theatre. Restricted to the court, where he played the role of official playwright, position , his themes, perspectives, style and dramatic techniques are marked by the limitations of the audience he addresses. We are now far from the multiple exploration that opened up with the figure of Lope de Vega and culminated in the vast and varied work of Calderón. This specific reduction to the stage and palace audience offers a privileged opportunity to analyse a particular horizon of expectations defined with great clarity and extremely homogeneous, which marks Bances' writing with the full awareness and decision of the poet, constituted as a kind of courtly advisor through certain genres of comedy.

El GRISO has been engaged for some time in the study and edition of Bances' work and also in the analysis of the manifestations of power and authority in the Golden Age theatre. This edition of El esclavo en grillos de oro responds precisely to the intersection of both lines of research and aims to provide interested readers with a text that is as reliable as possible, with a functional apparatus of notes and a presentation that pays particular attention to the aspects of authority and power, especially the doctrine of the art of good government and the denunciation of the tyrant ruler, without forgetting the discussion - usual in the bibliography on Bances - about the possible interpretations in core topic of the comedy and its relationship with political circumstances at the court of Charles II.

The philological edition (also published in print in IDEA's Batihoja collection) was produced by Ignacio Arellano. The digital version, in its varieties, and with its visual and sound elements, is the responsibility of Jesús M. Usunáriz.

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Armine Manukyan, Study and critical edition of two works by Alonso Jerónimo de Salas Barbadillo: "El necio bien afortunado" and "El sagazaz Estacio, marido examininado", Pamplona, Publications Service de la Universidad de Navarra, 2019.

BIADIG Collection (Library Services Áurea Digital), 43 / GRISO Digital Publications. ISBN: 978-84-8081-572-7.

This volume, after reviewing the life and varied production of Alonso Jerónimo de Salas Barbadillo, offers a critical and annotated edition of two interesting texts from his literary corpus: the novel El necio bien afortunado and the "comedy in prose" El sagazaz Estacio, marido examinado. Until now, both titles lacked critical and annotated editions on Spanish and were in urgent need of a critical and annotated edition update and textual purification. They are two works that stand out for their high aesthetic value and their satirical-costumbrista character, true gems from a socio-historical and linguistic point of view because they reflect the courtly customs of the time (17th century), form a unit due to the satirical setting, and also give a very comprehensive view of the cultural, social, artistic and linguistic panorama of the time. All of this is expressed in a typically baroque language that today requires a solid annotation.

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Francisco de Quevedo, Cómo ha de ser el privado, edited and studied by Ignacio Arellano, Pamplona, Publications Service de la Universidad de Navarra, 2017.

BIADIG Collection (Library Services Áurea Digital), 42 / GRISO Digital Publications. ISBN: 978-84-8081-573-4.

This only surviving comedy by Quevedo is a piece of circumstance and an example of literature from core topic, which reflects historical characters and events with a dramatic mask that is quite transparent in its most notable features. His topic belongs, roughly speaking, to the political and courtly sphere, in its evocation of a perfect privateer such as Olivares, at least in the first stages of the relationship between the minister and the writer. Later Quevedo would become a radical opponent of the privateer.

The present edition has a different approach and objectives than a conventional critical edition, such as the one already produced by Ignacio Arellano and Celsa Carmen García Valdés in the volume of Teatro completo de Quevedo ( Madrid, Chair, 2011). Here we present a digital edition for the eventual use of a wider, not strictly Quevedoist, public, which adds a series of visual and sound materials capable of evoking certain elements of the time in which the work was written.

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Pliegos de "relaciones de comedia" en Cerdeña: I. El taller de Leefdael, edition and preliminary study by Gabriel Andrés, Pamplona, Publications Service de la Universidad de Navarra, 2017.

BIADIG Collection (Library Services Áurea Digital), 41 / GRISO Digital Publications. ISBN: 978-84-8081-569-7.

Edition and study of the first "relaciones de comedia" produced in the Sevillian workshop of Leefdael at the end of the Golden Age (1717-1733), according to the testimonies preserved in the rich collection of the Library Services University of Cagliari (Sardinia), which constitutes an early sample of bibliographic collecting of these peculiar pieces of string literature. It is an assortment of texts in romance form, printed on single sheets, which allows us to appreciate, even outside the borders of the Iberian Peninsula, the reception of cultural practices derived from the Golden Age theatre that were not sufficiently known and studied, in this case in a Sardinia that was already distant from the Hispanic dominions but still attentive to its cultural manifestations.

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Anonymous, Los agravios satisfechos del Desengaño y la Muerte, ed. and study by Carlos Mata Induráin, Pamplona, Publications Service de la Universidad de Navarra, 2017.

BIADIG Collection (Library Services Áurea Digital), 40 / GRISO Digital Publications. ISBN: 978-84-8081-349-5.

Los agravios satisfechos del Desengaño y la Muerte, colloquium moral on the occasion of the canonisation of Saint Francis Borgia, is an anonymous work - sometimes mistakenly attributed to Luis de Fuenmayor - which has an allegorical structure similar to that of the autos sacramentales, insofar as the characters involved, along with Death and Disenchantment alluded to in degree scroll, are the Church, the World, Humility, the Devil, Pleasure, as well as St. Francis of Borgia and the Society of Jesus itself. The literary quality of this play is not A, but it is very interesting in the context of Jesuit hagiographic theatre, and specifically that dedicated to St. Francis Borgia. Throughout colloquium there is an abundance of clichés related to disillusionment and vanitas, since what is dramatised here is the transformation of the Duke of Gandía after noticing in the decomposed corpse of the Empress Isabella of Portugal, the wife of Charles V (who died in 1539), the expiry of all human beauty. After this shock to his conscience, and after the death of his wife Leonor de Castro, which occurred years later, in March 1546, Francisco de Borja y Aragón decided to abandon all riches, honours and worldly finery to enter the Society of Jesus.

Lygia Rodrigues Vianna Peres and Liège Rinaldi de Assis Pacheco (eds.), conference proceedings of the International congress "Globalised Cultures: from the Golden Age to the 21st Century".", Pamplona, Publications Service of the University of Navarra, 2017.

BIADIG Collection (Library Services Áurea Digital), 39 / GRISO Digital Publications. ISBN: 978-84-8081-558-1.

The Internationalcongress "Globalised Cultures: from the Golden Age to the 21st Century" was held from 6 to 8 July 2015 at the Universidade Federal Fluminense, Campus do Gragoatá (Niterói-Rio de Janeiro, Brazil). The organisers, the Programa de Pós-Graduação em Estudos de Literatura of the Universidade Federal Fluminense, the group de research Siglo de Oro (GRISO) of the University of Navarra and the high school de programs of study Auriseculares (IDEA), are pleased to present the conference proceedings of congress in digital version published in the collection BIADIG-Library Services Áurea Digital of the GRISO. Some fifty researchers from eleven countries - Argentina, Brazil, Chile, Colombia, Spain, the United States, France, India, Italy, Mexico and Puerto Rico - took part in this meeting, which was conceived as a fine-tuning of the programs of study of the Golden Age - a first global era - in the modern global era. The various round tables and panels dealt with Cervantes and Don Quixote, Quevedo, Calderón de la Barca, the picaresque novel, Golden Age theatre, religious and moral literature, and other issues related to authority and power, cultural identity and translation. It also analysed various recreations of themes and characters from the Spanish Golden Age in different modern and contemporary literatures of Ibero-America. This volume brings together a selection of twenty-eight of the papers presented, including a section devoted to Cervantes and Quvedo echoes in contemporary Colombian literature.    

DON QUIXOTE DE LA MANCHA AND FRANCISCO DE QUEVEDO IN CONTEMPORARY COLOMBIAN LITERATURE
Coord. Jorge Ladino Gaitán Bayona

Carlos Mata Induráin and Sara Santa Aguilar (eds.), "Posside sapientiam". conference proceedings of the VI congress International Young Researchers of the Golden Age (JISO 2016)Pamplona, Pamplona, Publications Service of the University of Navarra, 2017.

BIADIG Collection (Library Services Áurea Digital), 38 / GRISO Digital Publications. ISBN: 978-84-8081-546-8.

The twenty-two papers collected in this volume constitute the conference proceedings of the VI International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2016), which was held on 19-21 December 2016 in Pamplona (Navarra), organised by the group de research Siglo de Oro (GRISO) of the University of Navarra. The meeting was structured around nine sessions of papers: two devoted to "Cervantes", another two to "Theatre" and two other round tables on "Prose", "American themes", "Characters", "History and historiography" and "De varia lección". approach As was the case in previous years, three things stand out at congress JISO 2016: the international character of the participants; the interdisciplinary nature of the meeting; and, of course, the high quality of the works presented, as can be seen at conference proceedings, whose degree scroll, Posside sapientiam, refers to Proverbia, 16, 16, in the Sacra Vulgata Bible: "posside sapientiam quia auro melior est et adquire prudentiam quia pretiosior est argento".  

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Juan de Montenegro y Neira, La toma de Buda. Auto historial sacramental, ed. Ignacio Arellano, Pamplona, Publications Service de la Universidad de Navarra, 2017.

BIADIG Collection (Library Services Áurea Digital), 37 / GRISO Digital Publications. ISBN: 978-84-8081-557-4.

Juan de Montenegro y Neira wrote this play in celebration of the capture of Buda by the imperial troops who liberated it from Turkish rule in 1686. He dedicated it to the queen mother and conceived it in large part as an exaltation of the House of Austria, an advocation of Catholic religious union in the face of Discord, and an expression of the unity of monarchy and Church. The celebratory goal defines the play as a work of circumstance, little different from a comedy with moral figures along the lines of other plays written on the same occasion of the capture of Buda, which was so popular at the time. Montenegro does not show any particular capacity for allegorical structuring, but the piece is significant of the impact of the occasion celebrated throughout the Catholic world at the end of the 17th century. Also published in this volume are the accompanying pieces (loa, entremés and mojiganga) that constitute a complete sacramental feast.

Maite Iraceburu Jiménez and Carlos Mata Induráin (eds.), "Spiritus vivificat". conference proceedings of the V congress International Young Researchers of the Golden Age (JISO 2015)Pamplona, Pamplona, Publications Service of the University of Navarra, 2016.

BIADIG Collection (Library Services Áurea Digital), 36 /GRISO Digital Publications. ISBN: 978-84- 8081-524-6.

The twelve papers collected in the present volume constitute the conference proceedings of the V International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2015), which was held on 27 and 28 July 2015, in Olite and Pamplona (Navarra), organised by the group de research Siglo de Oro (GRISO) of the University of Navarra. The meeting was structured around four sessions of communications: one dedicated to "Theatre", another to "Lyric" and two more "De varia lección". As was the case in previous years, three things stand out in congress JISO 2015: the international character of its participants; the interdisciplinary approach of meeting; and, of course, the high quality of the papers presented, as can be seen in these conference proceedings -whose degree scroll, Spiritus vivificat, ultimately refers written request to the passage of St. Paul, Epistle to the Corinthians, II, 3, 6: "Littera enim occidit, spiritus autem vivificat".

Mariela Insúa (ed.), Models of life and culture in Navarre (16th and 17th centuries). Anthology of textsPamplona, Pamplona, Publications Service of the University of Navarra, 2016.

BIADIG Collection (Library Services Áurea Digital), 35 / GRISO Digital Publications. ISBN: 978-84-8081-489-8.

This volume is part of a project of research, developed by the GRISO, which focuses on the analysis of groups, estates and figures core topic of Navarrese history and culture in early modernity. The goal of these pages is to offer an anthology that will serve as a complement to another book (Models of life and culture in early modern Navarre, ed. Ignacio Arellano), written by the same team, which brings together critical articles on these subjects in the same period.

The texts collected here provide, from an interdisciplinary point of view, different approaches to various "models of life and culture". Thus, for example, they include pieces alluding to the literary portrayal of Saint Francis Xavier - the Navarrese saint and his representation in short dramatic dialogues of the Society of Jesus - (at position by Ignacio Arellano); and also rhetorical portraits, or inserted in the chronistic speech , referring to the adventurer Pedro de Ursúa in his relationship with other contemporaries such as Fernando de Guzmán and Lope de Aguirre (by Ignacio Arellano and Álvaro Baraibar). For the exemplification of the literary models in force in the Navarre of early modernity, which are those of the Golden Age, an anthology is included which includes a list of 19 authors and a total of 110 compositions (edited by Carlos Mata Induráin). On the other hand, in the context of the insults that make reference letter to anti-modern figures, Cristina Tabernero and Jesús M. Usunáriz extract from different documentary sources several testimonies of the terms bruja, brujo, hechicera, hechicero and sorgin corresponding to Navarre in the 16th and 17th centuries; this selection of voices is preceded by an introductory study from a historical and linguistic approach.

The volume is completed with a projection towards the dawn of the 18th century, through a compilation of love correspondence generated in Navarre (at position by Jesús M. Usunáriz), which allows us to look at the interaction of the social figures of the fiancés and their families in the framework of a marriage promise process.

This volume is part of the project Models of life and culture in early modern Navarresponsored by the Fundación Caja Navarra (project núm. 70.233, "Convocatoria de ayudas para la promoción de la research y el development 2015", area de Ciencias Humanas y Sociales).

Kala Acharya, Ignacio Arellano, Mariano Iturbe, Prachi Pathak and Rudraksha Sakrikar (eds.), The Cosmic Elements in Religion, Philosophy, Art and Literature, Pamplona, Publications Service of the University of Navarra, 2015.

BIADIG Collection (Library Services Áurea Digital), 34 / GRISO Digital Publications. ISBN: 978-84-8081-481-2.

From 31st January to 2nd February 2013 an International 

Interfaith Dialogue seminar took place at Somaiya Vidyavihar, Mumbai. It continued a fruitful tradition started in 1998. This time the Seminar was jointly organised by K. J. Somaiya Bharatiya Sanskriti Peetham (India) and GRISO from the University of Navarra (Spain). The theme of the seminar was "The Cosmic Elements in Religion, Philosophy, Art and Literature).

Papers were presented by scholars from different countries such as India, Spain, Portugal, UK, Italy, Canada, USA, Mexico, Dominican Republic, and others.The theme of the seminar was focused on the search for the origin of the world, a search that is clearly seen in the various fields of culture. It is a fact that several civilizations have defined a set of 'classical elements' which are considered as the source of whatever exists. The most traditional are the ones of Water, Fire, Earth and Air, to which Ether is also added. K. J. Somaiya Bharatiya Sanskriti Peetham by organizing Interfaith Dialogue seminars aims at fostering a sincere and enriching dialogue between Hinduism, Christianity and Islam. On this occasion it worked together with GRISO, one of the most prestigious research institutes on the Golden Century of Spanish Literature. The timeless message of the Rigveda, the Hindu scripture is: "Meet together, speak together, let your minds be of one accord... May your counsel be common, your assembly common, common the mind and the thoughts of these unite". And here in the seminar scholars from different cultures and religions came together and shared their thoughts.

Mariela Insúa, Vibha Maurya and Minni Sawhney (eds.), conference proceedings of the III Ibero-Asian Hispanists congressPamplona, Pamplona, Publications Service of the University of Navarra, 2015.

BIADIG Collection (Library Services Áurea Digital), 33 / GRISO Digital Publications. ISBN: 978-84-8081-482-9.

The 3rd Ibero-Asian congress of Hispanists was held from 15-17 October 2014 at the University of Delhi (Delhi, India). The organisers, the University of Delhi and the group of research Siglo de Oro (GRISO) of the University of Navarra, are pleased to present the conference proceedings of the congress in digital version published in the BIADIG collection.The programme of the congress included speakers from thirteen countries (Canada, South Korea, Colombia, Ecuador, Egypt, Spain, the United States, France, India, Morocco, Mexico, Puerto Rico and the Republic of Kazakhstan), a fact that highlights the marked international character of the participants as well as the approach multidisciplinary of the contributions as a whole, devoted to Spanish literature (with several papers on Cervantes) and Latin American literature, comparative literature (with contributions focusing on the link between Hispanic literature and culture and the Ibero-Asian context, especially India), film, theatre, linguistics, teaching of Spanish for foreigners, translation, etc. This volume brings together a selection of eighteen of the papers presented.

Carlos Mata Induráin and Ana Zúñiga Lacruz (eds.), "Venia docendi". conference proceedings of the IV congress International Young Researchers of the Golden Age (JISO 2014)Pamplona, Pamplona, Publications Service of the University of Navarra, 2015.

BIADIG Collection (Library Services Áurea Digital), 32 / GRISO Digital Publications. ISBN: 978-84-8081-460-7.  

The fifteen papers collected in the present volume constitute the conference proceedings of the IV International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2014), which was held on 28 and 29 July 2014, in Olite and Pamplona (Navarra), organised by the group de research Siglo de Oro of the University of Navarra. The congress was structured around seven sessions: three devoted to "Theatre", one to "Prose", one to "Poetry, Rhetoric and Lexicon", one with the topic "Literature, power and justice" and one more on "Painting", all of which are now represented in the publication of the results. approach As was the case in previous years' calls for papers, there are three main features that stand out in congress JISO 2014: the international character of the participants; the interdisciplinary nature of meeting, which addressed a variety of topics related to literature, rhetoric, linguistics, history, law, art, religiosity, culture and society, etc.And, of course, the high quality of the papers presented, whose authors are claiming - some of them already have - the venia docendi, i.e. permission to teach and transmit to others their knowledge in their respective fields.  

Álvaro Baraibar and Martina Vinatea (eds.), Mythical journeys and citiesPamplona, Pamplona, Publications Service of the University of Navarra, 2015.

ISBN: 978-84-8081-462-1 [Library Services Áurea Digital, BIADIG, 31].  

It is well known that the new world was for Europeans the materialisation of the myths that populated the medieval imagination. The new lands and everything in them were something "so new and so unseen and unheard of" that from the very first moment they were engraved in the imagination as mythical territory. Accounts of these new regions, especially those describing Mexico and Cuzco, important viceregal centres, were written with overflowing enthusiasm by the chroniclers and founded mythical cities in the imagination.

This volume brings together a collection of past and present visions of mythical cities that have been imagined by Americans from finding to the present day: "Las Indias maravillosas en la Sumaria relación de Baltasar Dorantes de Carranza"; "Buenos Aires: de la ciudad de carne y hueso a la Misteriosa Buenos Aires de Manuel Mujica Láinez"; "Ruinas en palabras: Bahía, 1763"; "Travelling the world in Mexico City: a universal and universalist policy 1730: "Solemn festivities of the canonisation of the mystic Saint John of the Cross"; "The myth of Babylon in Calderón's theatre"; "The degraded myth in Lima inside and out"; "Francisco de Holanda. Da fábrica que falece à cidade de Lisboa"; "Ciudad mítica, ciudad utópica, México en los Diálogos México 1554 de Francisco Cervantes de Salazar"; "Fomentando la identidad institucional dominicana en tres relaciones de fiestas para la beatificación de Santa Rosa de Lima"; ""Un Machu Picchu, por favor": el Cuzco en una novela"; "De Aztlán a México-Tenochtitlan: Myths and omens of pilgrimage, foundation and destruction"; "Mountain of the Earthly Paradise: the moral rewriting of Christopher Columbus in Fray Bartolomé de las Casas"; "Rhetorical ethnography in travel reports to the Indies up to the first half of the 16th century"; "The myth of the return: contemporary Ithaca and Ulysses"; "A voyage of search in Mexican cinema: Cabeza de Vaca (Nicolás Echevarria, 1990)".

This book, attentive reader, is a pilgrimage through the vast territories of the imagination, the same imagination that traced the contours of Cuzco, Lima, Quito, La Paz, Bogota and the whole of figurative America with the Spanish language for the rest of the world.  

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Teatro cortesano y Relación de una fiesta en Cerdeña (1641): panegíricos y proezas de los príncipes de Oria, by Francisco Tello, edition and preliminary study by Gabriel Andrés, Pamplona, Publications Service de la Universidad de Navarra, 2015.

ISBN: 978-84-8081-453-9 [Library Services Áurea Digital, BIADIG, 30].

In the summer of 1641, coinciding with the feast of Our Lady of Mount Carmel, extraordinary public festivities were held in the capital of the Kingdom of Sardinia, which it is now possible to reconstruct thanks to the recent recovery of several texts related to that courtly theatrical festival, admired by the spectators of the time under the title degree scroll de Panegíricos y proezas de los príncipes de Oria (Panegyrics and exploits of the princes of Oria). It is a play in verse, in three parts conference and with an introductory loa, performed and published that same year in Cagliari (today's Cagliari) together with a copy of the Relación de la fiesta that describes in detail how both the theatrical performance and the preparations for the urban festivities were carried out.

The materials studied and edited in this volume enrich the corpus of Hispano-Sardinian theatre known until now, which has been limited to a limited number of religious drama texts. Occasional news and references in various texts and documents suggest that theatre production during the Modern Age on the island, especially in the Jesuit and courtly spheres, was not as limited as the preserved texts might indicate. In any case, the Panegyrics and exploits of the princes of Oria, by Francisco Tello de León, confirm the liveliness of that Seventeenth-century stage production of courtly invoice linked to practices that, on a greater or lesser scale, were deployed with a strong and indelible cultural impact in the main cultural centres of the time, including Sardinia.

Noureddine Achiri, Álvaro Baraibar and Felix K. E. Schmelzer (eds.), conference proceedings of the III Ibero-African Hispanists congressPamplona, Pamplona, Publications Service of the University of Navarra, 2015.

ISBN: 978-84-8081-451-5 [Library Services Áurea Digital, BIADIG, 29].

This volume brings together many of the papers presented at the 3rd Ibero-African congress of Hispanists held in Fez (Morocco) between 15 and 17 January 2014. In these conference proceedings we will find an important issue of works related to Hispanism in the international sphere, with special attention, obviously, to African Hispanism. The programs of study collected in these pages, in addition to analyses and reflections on different aspects of Spanish and Latin American literature from the Golden Age to the 21st century, address with special interest topics such as Spanish-African relations today and throughout history, the presence of the Arab and Muslim in Spanish literature, and the various realities and problems of translation, teaching and the teaching of Spanish in contexts of the African continent (such as Moroccan or Algerian, for example). The texts are equally varied and plural if we look at them from the point of view of their authors. In addition to Hispanists from different parts of the African continent (Morocco, Algeria, Cameroon, Ivory Coast, Egypt, Senegal and Tunisia), we also find contributions from other specialists from countries such as Spain, the United States, the Netherlands, Japan and Mexico. And no less important, alongside works by more established professors and researchers, we also find interesting contributions by younger Hispanists, translators and teachers of Spanish as a foreign language in a variety of contexts. A set of texts, in final, very different from each other that tell us about the varied reality of the Hispanic programs of study in the African sphere, a growing, fruitful and hopeful reality, to which, without a doubt, we will have to continue to pay attention in the future.  

Carlos Mata Induráin and Anna Morózova (eds.), Hispanic Themes and Forms: Art, Culture and SocietyPamplona, Pamplona, Publications Service of the University of Navarra, 2015.

ISBN: 978-84-8081-450-8 [Library Services Áurea Digital, BIADIG, 28].

This volume brings together a selection of 38 papers prepared on the occasion of the Internationalcongress "Hispanic Themes and Forms: Art, Culture and Society", held in St. Petersburg (Russia) on 26-28 November 2013. The meeting, organised by the St. Petersburg State University, the group de research Siglo de Oro (GRISO) of the University of Navarra and the high school de programs of study Auriseculares (IDEA), was organised in three main sections ("Art and Culture", "History" and "language and Literature") which are well represented here. Various authors deal with different aspects of Spanish-Russian relations: historical, political and cultural contacts in different periods, the image of Russia in Spain, the influence of Russian writers on Spanish literature, etc. In the field of painting, we could not miss some programs of study focused on the great Spanish artists (El Greco, Ribera, Murillo, Goya, Picasso...), to which are added other analyses on court portraiture in the 17th century or the problem of converted and enlightened artists, or the relationship of nobility and lineage with art. But there are also papers focusing on other arts such as architecture and sculpture (late Gothic, Spanish sculptures in Moscow, Easter Week floats, etc.). The papers in the field of history deal with a wide variety of periods and subjects, such as the Christian Church at the time of the Muslim conquest, the Crown of Aragon in the 14th century, the Hispanic Monarchy (in Europe and the American viceroyalties), the Inquisition, etc. Several works analyse authors and works of Hispanic literature, from the Poema de mio Cid to Salvador Espriu, as well as the classics of the Golden Age such as Cervantes, Jiménez Patón, Lope de Vega and Gracián, among others. Finally, some contributions offer linguistic approaches (phraseology, gender vocabulary, onomastics, etc.) or deal with questions of translation, cultural anthropology, etc. Taken as a whole, we believe that this volume on Temas y formas hispánicas: arte, cultura y sociedad can constitute - with the necessary selection of topics that such a wide-ranging subject matter imposes - a valuable contribution multidisciplinary to the Spanish-Russian programs of study .  

Shoji Bando and Mariela Insúa (eds.), conference proceedings of the II Ibero-Asian Hispanists congress (Kyoto, 2013)Pamplona, Pamplona, Publications Service of the University of Navarra, 2014.

ISBN: 978-84-8081-436-2 [Library Services Áurea Digital, BIADIG, 27].

This new issue of the collection offers the reader a selection of the papers presented at the II congress Ibero-Asian Hispanists, co-organised by Kyoto University of Foreign Studies and the group de research Siglo de Oro (GRISO) of the University of Navarra, which took place in the city of Kyoto, the former imperial capital of Japan, from 21 to 23 September 2013. More than one hundred Hispanists from five continents participated in the congress , with a total of 24 countries represented in the programme, namely: Japan, Spain, France, Italy, Romania, United Kingdom, Ireland, Norway, Ivory Coast, Senegal, Egypt, Iran, India, Taiwan, South Korea, Australia, Canada, United States, Argentina, Brazil, Chile, Colombia, Ecuador and Mexico. This publication brings together a selection of 48 of the works presented. The marked international character of the authors of the volume stands out, as well as the approach multidisciplinary of all the contributions, dedicated to Spanish and Latin American literature, history, linguistics, teaching of Spanish for foreigners, International Office, cultural contacts between East and West... These conference proceedings that we now publish are intended to be a new step on the road towards this twinning in a network of programs of study Ibero-Asian in which Japanese Hispanists, as the works collected in this volume show, have much to contribute.  

Emmanuel Marigno, Carlos Mata Induráin and Hugo Hernán Ramírez Sierra (eds.), Cervantes creator and Cervantes recreatedPamplona, Pamplona, Publications Service of the University of Navarra, 2015.

ISBN: 978-84-8081-422-5 [Library Services Áurea Digital, BIADIG, 26]. 

This volume aims to be a valuable contribution in the double plane of analysis announced by its title degree scroll: the creative activity of the author of the Novelas ejemplares -Cervantesthe creator-but also, in the field of reception understood in a broad sense, the numerous literary and artistic traces -Cervantesrecreated-to which this creative work gave rise in posterity, thanks to the enormous potential contained in it. Of the nineteen works included here, several of them are approaches that analyse, with a variety of approaches and approaches, certain issues specifically related to the Novelas ejemplares, whether they are considerations of the whole, or approaches to specific titles, or to the narrative art of these works and the concept of exemplarity handled by Cervantes. Other contributions deal with the commentary on various recreations that these twelve short novels - but also other works by Cervantes - have inspired over the centuries and in the most diverse arts, as the abundant literary re-readings in many languages have been joined by others ranging from painting and the plastic arts in general to cinema.  

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Anonymous, Cada cual con su cada cual, ed. by Marcella Trambaioli, Pamplona, Publications Service de la Universidad de Navarra, 2014.

ISBN: 978-84-8081-421-8 [Library Services Áurea Digital, BIADIG, 25].  

The volume offers the critical edition of the anonymous burlesque comedy Cada cual con su cada cual, whose degree scroll, which is a proverbial phrase, announces the eventful marriage of the two infantas of a grotesque and provincial court with their worthy suitors: the Prince and Escalante. In fact, it is a comedy of absurdities that does not parody any particular play. Several textual indications point to a late composition, so that its peculiarities shed light on the last phase of development of the theatrical typology to which it belongs. The annotation attempts to elucidate anachronistic linguistic uses, burlesque devices, cultural and stylistic elements, as well as mentioning parallel passages from other comedies and contemporary literary texts.

Carlos Mata Induráin, Adrián J. Sáez and Ana Zúñiga Lacruz (eds.), "Sapere aude". conference proceedings del III congress Internacional Jóvenes Investigadores Siglo de Oro (JISO 2013), Pamplona, Publications Service of the University of Navarra, 2014.

ISBN: 978-84-8081-417-1 [Library Services Áurea Digital, BIADIG, 24].

If the conference proceedings of the two previous congresses, JISO 2011 and JISO 2012, were presented under the labels Scripta manent and Festina lente, respectively, on this occasion we take up one of the lessons that Horace gives his friend Lolius from a dialogue on the return of Ulysses from Troy: "Dimidium facti, qui coepit, habet: sapere aude, / incipe"(Epistolas, II). Quite rightly, this 'dare to know' (or 'dare to think', as it is also translated) is an ideal motto for the university teaching and, in general, for the approach to all forms of knowledge. Perhaps it is even more apt for those who are in the early stages of their journey along the paths of literary criticism.

This volume brings together some thirty contributions that were presented at the III International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2013) which, organised by the group de research Siglo de Oro (GRISO) of the University of Navarra, took place in Pamplona on 31 July and 1 August 2013. This select group of works on a variety of subjects, contributed by young critics from the most disparate backgrounds, allows us to take a closer look at the directions in which their new work projects in the field of the Golden Age are heading, which shows that the Philology and other related disciplines are alive and have continuity over time.  

Mariela Insúa and Robin Ann Rice (eds.), El diablo y sus secuaces en el Siglo de Oro. Algunas aproximaciones, Pamplona, Publications Service de la Universidad de Navarra, 2014.

ISBN: 978-84-8081-416-4 [Library Services Áurea Digital, BIADIG, 23].

In the Golden Age, the devil became one more element in the list of recurring characters in the golden age genres, such as the gallant, the joker or the villain. This collection of seven articles provides some approaches to the presence and function of the devil in different literary genres and from different critical perspectives. Thus, the character is analysed in his relationship with tragic culture (Aguilar Víquez) or the cynical Philosophy and the Menippean tradition (Castro); his characterisation in some novels by María de Zayas (Paredes Monleón) or his development in Mira de Amescua's El esclavo del demonio and his relationship with Sandoval y Zapata's Lo que es ser predestinado ( Herrera). A typology of the figures of evil as literary characters is also proposed, applied especially to the Novo-Hispanic context (Ortiz y Terán Elizondo); and also, within the American sphere, the demon is studied in the short plays of the Costa Rican Oreamuno y Muñoz de la Trinidad (Sancho Dobles).

In short, the demonic protagonist is an important part of the collective religious and popular imagination. Mischievous and extrovert, his works entertain in some cases and terrify in others. El diablo y sus secuaces en el Siglo de Oro (The Devil and His Minions in the Golden Age) offers a series of looks at this singular and attractive character that show his great potential.  

Álvaro Baraibar (ed.), Visibilidad y knowledge dissemination de la research desde las Humanities Digitales. Experiencias y proyectos, Pamplona, Publications Service de la Universidad de Navarra, 2014.

ISBN: 978-84-8081-412-6 [Library Services Áurea Digital, BIADIG, 22].

At the group de research Siglo de Oro (GRISO) of the University of Navarra, we have been working for some time now on projects that clearly fall within the scope of Humanities Digital. The latest of the projects we have promoted has to do with the application of new technologies to the visibility and dissemination of the results of research. This is one of the challenges that the information society has set for humanists, since the dissemination of the results of our research, the dissemination and knowledge dissemination of knowledge, is precisely one of the strong points of the transfer of Humanities to society in general.

This work brings together interesting initiatives, projects and experiences at different levels in this broad context of the visibility and dissemination of research in the field of Humanities. It brings together different experiences, shares knowledge, and makes other initiatives known, because in the field of Humanities Digital the exemplary value of projects is very important.

Thus, the book has been organised in four different areas with their own personality, but linked, as it could not be otherwise, to each other: "Academic Blogging, visibility and dissemination of the research", "Digital Journals", "Digital Publishing" and "knowledge dissemination and Digital Libraries".  

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Horacio A. Acevedo González, El teatro de Calderón. The anthropology of René Girard and the triumph of the Eucharist. Claves católicas para una reescritura de la Modernidad en "La vida es sueño", Pamplona, Publications Service de la Universidad de Navarra, 2013.

ISBN: 978-84-8081-383-9 [Library Services Áurea Digital, BIADIG, 21].

Mariela Insúa and Martina Vinatea Recoba (eds.), Theatre and popular and religious festivalsPamplona, Pamplona, Publications Service of the University of Navarra, 2013.

ISBN: 978-84-8081-409-6 [Library Services Áurea Digital, BIADIG, 20].

Theatre, popular festivity and religious celebration are strongly interwoven in the Hispanic world of the Baroque and their study has been greatly enriched in recent years. Moved by this interest in the rich heritage of festivity as a historical, cultural and social phenomenon, the group de research Siglo de Oro (GRISO) of the University of Navarra, the high school de programs of study Auriseculares (IDEA) and the Universidad del Pacífico organised the congress International "Teatro y fiesta popular y religiosa", in Cuzco, Peru, between 4 and 7 June 2012.

We now offer the reader a publication that we hope will make a significant contribution to the continuation of programs of study on this vast and exciting topic of theatre and popular and religious festivals during the Baroque period and its projection to the present day.

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Sabyasachi Mishra, Barlaam and Josafat in the Spanish theatre of the Golden Age. Estudio y edición de "Los defensores de Cristo", comedia anónima de tres ingenios, y "El príncipe del desierto y ermitaño de palacio", de Diego de Villanueva y Núñez y José de Luna y Morentin, Pamplona, Publications Service de la Universidad de Navarra, 2013.

ISBN: 978-84-8081-391-4 [BIADIG, Library Services Aurea Digital, 1

Mariela Insúa and Felix K. E. Schmelzer (eds.), Teatro y poder en el Siglo de Oro, Pamplona, Publications Service de la Universidad de Navarra, 2013.

ISBN: 978-84-8081-400-3 [Library Services Áurea Digital, BIADIG, 18].

This volume brings together some fifteen works that address various aspects related to power and its concomitants in the plays of the Golden Age. This publication is part of the line of research "Authority and power in the Golden Age" that the GRISO has been developing for several years at partnership with other European institutions, such as the University of Oxford, the Westfälische Wilhelms Universität-Münster and the Université Sorbonne Nouvelle-Paris III, and more recently with the universities of Toulouse-Le Mirail, Trento, Firenze, Roma Tre, Nova de Lisboa, Minho, Coimbra and Amsterdam, and the Academia Rumana-Craiova. In the last phase of project, this European network of research has been supported by the Jerónimo de Ayanz Programme of the Government of Navarra and the TC/12 Consolider "Spanish Classical Theatrical Heritage", CSD2009-00033, of the National Plan of research Scientific, development and Technological Innovation of the Government of Spain.

The works collected in this book have their origin in different meetings organised in the framework of this line of research, mainly in the congress International "Power and the aesthetics of the grotesque", co-organised by the high school de Estudos Ibéricos e Ibero-Americanos da Universidade Nova de Lisboa and the GRISO-University of Navarra (Lisbon, 24-25 May 2012) and the congress International "Theatre and power in the Golden Age", organised by the GRISO (Pamplona, 31 July and 1 August 2012).

Carlos Mata Induráin, Adrián J. Sáez and Ana Zúñiga Lacruz (eds.), "Festina lente". conference proceedings del II congress Internacional Jóvenes Investigadores Siglo de Oro (JISO 2012), Pamplona, Publications Service of the University of Navarra, 2013. ISBN: 978-84-8081-385-3 [Library Services Áurea Digital, BIADIG, 17].

This volume brings together a total of 41 papers that were presented at the II International congress "Jóvenes Investigadores Siglo de Oro" (JISO 2012) which, organised by the group de research Siglo de Oro (GRISO) of the University of Navarra, took place on 2 and 3 August 2012.

If the conference proceedings of the first congress, JISO 2011, were presented under the label Scripta manent, to show the desire for permanence in writing of the research presented orally, the current ones come out under Festina lente ("Hurry slowly"). The motto of this volume is an oxymoron that Suetonius(Parallel Lives) attributes to Augustus and which may well be valid as committee for every young man researcher: 'work calmly so that the result will be good', or, in another sense, 'make the most of your initiative and your spirits but, be careful, do not be too hasty'. We believe that there are few better mottoes than this one when it comes to summoning up a body of work by young scholars, some of whom are starting - some more than others - their careers in the world of academia. Finally, it is worth remembering that "Festina lente" was also the motto of Aldo Manuzio, whose trademark was an intertwined anchor and dolphin.

Several of the contributions focus on the dramaturgy of the Golden Age; and, thus, one can find here reflections on the figure of the gracioso, the reflection of the valido in Tirso de Molina's plays or the variety of conversational discursive markers in Lopesque plays. But, given the multidisciplinarity of this meeting, one can also enjoy reading programs of study which analyses, for example, the influence of Italian architecture on the Peninsula or which sheds light on the development of mercantile calculation in the fifteenth century.