Autos sacramentales completos de Lope de Vega. Projects. groupde researchSiglo de Oro (GRISO). University of Navarra

Autos sacramentales completos de Lope de Vega

Complete Autos sacramentales by Lope de Vega

Aplicaciones anidadas

autos_lope_foto

Complete Autos sacramentales by Lope de Vega

Edition, study and literary-historical context

FFI2013-45388-P | Ministry of Economics, Industry and Competitiveness

Spanish aurisecular theatre is one of the most important literary corpuses of Western culture.

Since the mid-twentieth century, the birth and consolidation of different teams at national and international level has meant a qualitative leap in the knowledgeand the dissemination of this corpus through programs of studyand critical editions, and the holding of different scientific meetings that have been designing a much more solvent critical panorama.

A large part of these programs of studyhave focused on the two most representative and emblematic figures of Spanish theatre in this century: Pedro Calderón de la Barca and Lope de Vega. On the former, the GRISO, groupof researchSiglo de Oro of the University of Navarra has been studying and critically publishing his autos sacramentales, while the groupof researchon Calderón (GIC) of the University of Santiago de Compostela, has been doing the same with his comedies and dramas.

The work being carried out by groupProlope of Barcelona on the comedies of the Spanish playwright is recognised throughout the academic world of Hispanism. However, the Lopean corpus of autos sacramentales, comprising a total of 40 autos sacramentales, hardly studied, hardly published and whose knowledgeis essential to understand the evolution of a genre which, from the second half of the 17th century onwards, became the maximum expression of Baroque theatrical aesthetics, has yet to be dealt with.

The study and publication of this corpus represents an advance in the knowledgeof the literary and cultural techniques of dramatic expression from its beginnings in the early nineties until the 1720s, when the Baroque aesthetic disintegrated. As a whole, it is a corpus that has been very little studied and systematically ignored by historians and critics, among other reasons because Lope never took care of the publication of these texts in a decisive manner and because, given their secondary nature, false attributions and misappropriations of authorship abound. There is only one more or less exhaustive edition of texts, by Menéndez y Pelayo for the Library Servicesde Autores Españoles in the 19th century. Therefore, in absolute terms, it is not possible to read it, unless one turns to manuscripts and printed texts prior to the 18th century, which are scattered in different libraries in Europe and America.

The lack of accessible texts, even for scholars, leads to a lack of literary knowledge and of evaluationwhich means that today Lope's autos sacramentales are an unknown terrain. This projectaims to establish the instructionsfor a comprehensive knowledgeof this literary facet of Lope de Vega, within the perspective of the critical edition of Lope de Vega's complete theatre.

Team

	Juan Manuel Escudero Baztán (University of Navarra) CV		José Enrique Duarte (University of Navarra) CV
	Amparo Domingo Izquierdo (UNED Valencia) CV		Vicente Balaguer (University of Navarra) CV
	Daniele Crivellari (Università degli Studi Roma Tre) CV		Elena Marcello (Università degli Studi Roma Tre) CV
	Víctor Roncero López (State University of New York at Stony Brook) CV		Fernando Rodríguez Gallego (University of the Balearic Islands) CV

Publications

Félix Lope de Vega The Wedding between the Soul and Divine Love \| The Prodigal Son J. Enrique Duarte (ed.) Kassel, Edition Reichenberger, 2017; 282 pp. (Critical ed. 210) (Lope de Vega's complete Autos sacramentales 1) ISBN: 978-3-944244-61-7	Félix Lope de Vega La Maya : The Journey of the Soul Juan Manuel Escudero Baztán (ed.) Kassel, Edition Reichenberger, 2017; 230 pp. (Critical ed. 211) (Complete Sacramental Plays by Lope de Vega 2) ISBN: 978-3-944244-64-8	Duarte, J. Enrique (coord.), El auto sacramental de Lope a Calderón, monographic section of Hipogrifo. Revista de literatura y cultura del Siglo de Oro, 5.2, 2017. [see publication]
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Félix Lope de Vega The privation of man Victoriano Roncero López (ed.) The Name of Jesus Ignacio D. Arellano-Torres (ed.) Kassel, Edition Reichenberger, 2018; 214 pp. (Critical ed. 214) (Complete Sacramental Plays by Lope de Vega 3) ISBN: 978-3-944244-76-1	J. Enrique Duarte bibliographycritique of Lope de Vega's auto sacramental. Pamplona, Publications Serviceof the University of Navarra, 2018. (Library ServicesÁurea Digital, BIADIG, 49) ISBN: 978-84-8081-618-2 [see publication]	Félix Lope de Vega The Feats of the Second David \| The Misacantano J. Enrique Duarte (ed.) Kassel, Edition Reichenberger, 2018; 192 pp. (Critical ed. 216) (Complete Sacramental Plays by Lope de Vega 4) ISBN: 978-3-944244-77-8
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Félix Lope de Vega The Heir to Heaven Elena E. Marcello (ed.) The shepherd boy Fernando Rodríguez-Gallego (ed.) Kassel, Edition Reichenberger, 2019; 228 pp. (Ediciones críticas 218) (Autos sacramentales completos de Lope de Vega 5) ISBN: 978-3-944244-82-2	Félix Lope de Vega The Creditors of Man Daniele Crivellari and J. Enrique Duarte (eds.) Of Bread and Sticks Alejandra Ulla Lorenzo (ed.) Kassel, Edition Reichenberger, 2020; 172 pp. (Critical editions 223) (Autos sacramentales completos de Lope de Vega 6) ISBN: 978-3-967280-08-1	Félix Lope de Vega The Conception of Our Lady Celsa Carmen García Valdés (ed.) The Adventures of Man Amparo Izquierdo Domingo (ed.) Kassel, Edition Reichenberger, 2022; 216 pp. (Critical ed. 232) (Autos sacramentales completos de Lope de Vega 7) ISBN: 978-3-967280-29-6

Publications in the press

Félix Lope de Vega, El cantar de los cantares. Ed. Juan Manuel Escudero Baztán (ed.)

Digital versions of cars

Magazine articles

Crivellari, Daniele, "¿Las relaciones piden los romances? Metrics and narration in two comedies by Lope de Vega (1610)", yearbook Lope de Vega, XXI, 2015, pp. 1-28.
Crivellari, Daniele, "El workdel autor sobre sí mismo: Lope de Vega escribe La nueva victoria de don Gonzalo de Córdoba", yearbookCalderoniano. "Calderón en su laboratory", 8, 2015, pp. 93-111.
Crivellari, Daniele, "Estrategias de construcción del espacio en el primer Lope: algunas observaciones sobre El galán escarmentado", eHumanista, 30, 2015, pp. 1-16.
Crivellari, Daniele, "Sobre un manuscrito autógrafo de Lope: Barlaán y Josafat", Revista de Literatura, vol. LXXVII, n. 153, 2015, pp. 75-91.
Duarte, José Enrique, "De las dos versiones de El divino Orfeo de Calderón a Dionisio Areopagita: reescritura e intertextualidad", yearbook calderoniano, 8, 2015, pp. 113-130.
Duarte, J. Enrique, "El bestiario en los autos de Lope de Vega", Hipogrifo, 5.1, 2017, pp. 169-197.
Duarte, J. Enrique, "La imagen del poder en los autos sacramentales de Lope de Vega", Ínsula, 843, March 2017, pp. 32-36.
Escudero Baztán, Juan Manuel, "La construcción del mito del buen militar. Historia y funcionalidad dramática en don Lope de Figueroa", Neophilologus,98.2, 2014, pp. 259-274.
Escudero Baztán, Juan Manuel,"Violencia y género en Los comendadores de Córdoba", Romance Quarterly, 61.1, 2014, pp. 5-16.
Escudero Baztán, Juan Manuel, "Descripción y análisis de capas superpuestas en El castillo de Lindabridis de Calderón", Revista de Literatura, 78, núm. 153, 2015, pp. 93-108.
Escudero Baztán, Juan Manuel, "El celoso extremeño de Coello y las reescrituras dramáticas del Siglo de Oro", Criticón,124, 2015, pp. 53-64.
Escudero Baztán, Juan Manuel,"La reescritura calderoniana de la comedia tirsiana Amar por señas", Romance Studies, 33, núm. 2, 2015, pp. 95-106.
Escudero Baztán, Juan Manuel, "Las versiones dramáticas áureas de la leyenda de los amantes de Teruel. Escolios para un estado de la cuestión", Iberoromania, 81, 1, 2015, pp. 2-15.
Escudero Baztán, Juan Manuel, "La figura de Nabucodonosor como sourcede reescritura en dos comedias áureas", Bulletin of Hispanic Studies, 93.5, 2016.
Escudero Baztán, Juan Manuel, "Los entresijos dramáticos en las comedias hagiográficas de Juan Pérez de Montalbán. El caso de El divino portugués San Antonio de Padua", Hipogrifo, 3.2, 2015, pp. 135-147.

Books

Duarte, J. Enrique (ed.), Calderón de la Barca, Pedro, A Dios por razón de Estado, ed. J. Duarte, Pamplona / Kassel, University of Navarra / Reichenberger, 2014.
Duarte, J. Enrique and Isabel Ibáñez, (ed.), El hombre histórico y su puesta en speechen el Siglo de Oro, New York, IDEA / IGAS, 2015.
Escudero Baztán, Juan Manuel (ed.), Calderón de la Barca, Pedro, El laberinto del mundo, Kassel, Reichenberger, 2015.
Sánchez Jiménez, Antonio, Romances de juventud. De Lope de Vega Carpio, Madrid, Chair, 2015.
Ulla Lorenzo, Alejandra and Wilkinson, Alexander S. (eds.), Iberian Books Volumes II & III. Books published in Spain, Portugal and the New World or elsewhere in Spanish or Portuguese between 1601 and 1650, Leiden, Brill, in press.

Chapters in Books

Crivellari, Daniele, "Presencia de marcas autoriales de segmentación en las comedias autógrafas de Lope de Vega", in La comedia española en sus manuscritos. colloquiuminternacional, Parma, 17, 18 and 19 October 2013, Milagros Rodríguez Cáceres, Elena E. Marcello and Felipe B. Pedraza Jiménez (eds.), Cuenca, Universidad de Castilla-La Mancha, 2014, pp. 71-85.
Duarte Lueiro, J. Enrique, "gradetextual al auto El primer duelo del mundo", in Bances Candamo, Francisco Antonio, Poesías cómicas, I, 1, Obras completas, ed. Blanca Oteiza, Madrid / Frankfurt, Iberoamericana / Vervuert, 2014, pp. 83-90.
Duarte Lueiro, J. Enrique, "Spanish sacramental plays: A Study of their Evolution", in A companion to early modern Hispanic Theatre, ed. H. Kallendorf, Texas, The Renaissance Society of America Texts and Studies Series, Texas A&M University, 2014, pp. 59-74.
Blanco Sarto, Pablo and J. Enrique Duarte, "La misa, de Lutero a Lope: doctrina y paradigmas compositivos", in La santa Juana y el mundo de lo sagrado, ed. Blanca Oteiza, Madrid / New York, high schoolde programs of studyTirsianos / high schoolde programs of studyAuriseculares, 2016, pp. 249-264. availableen: dadun.unav.edu/handle/10171/43036
Escudero Baztán, Juan Manuel, "San Gil de Portugal en el teatro áureo. (De Mira de Amescua a Matos Fragoso)", in Diferentes y escogidas. Homenaje al profesor Luis Iglesias Feijoo, ed. S. FernándezMosquera, Madrid / Frankfurt, Iberoamericana / Vervuert, 2014, pp. 151-162.
Escudero Baztán, Juan Manuel, "Notas para un bestiario sacramental calderoniano: el águila", in Filologia. Teatro. Spettacolo, ed. F. Cotticelli et al., Naples, Publications of the Second University of Naples, in press.
Ulla Lorenzo, Alejandra, "De Mira de Amescua a Calderón: comedia en partnership, fiestas mitológicas y auto sacramental", Nuevas sonoras aves: catorce programs of studysobre Calderón, ed. A. Sánchez Jiménez y F. De Armas, Iberoamericana / Vervuert, Madrid / Frankfurt am Main, 2015, pp. 45-65.
Ulla Lorenzo, Alejandra, "Nuevos datasobre la labor del copista Pseudo Matos Fragoso: fechas y compañías teatrales", El patrimonio del teatro clásico española: actualidad y perspectivas, Valladolid, Universidad, Colección Olmedo Clásico, 2015, pp. 695-702.

Documentalia/ Testimonies

For the critical edition of the first four autos sacramentales of the series(El viaje del Alma, Las bodas entre el Alma y el Amor divino, La Maya and El hijo pródigo) the following testimonies of El peregrino en su patria by Lope de Vega have been taken into account. We have placed the links corresponding to the editions that are digitised and offered to the public, basically in two repertoires: La Library Services digital hispánica and the Library Serviceshistórica de Madrid.

P1- El peregrino en su patria, Seville, Clemente Hidalgo, 1604. Library ServicesNational of Spain. Document number: R/ 7724.download]
P2- El peregrino en su patria, Barcelona, Sebastián de Cormellas, 1604. Library ServicesNational of Spain. Document number: R / 33966.
P3- El peregrino en su patria, Barcelona, S. de Cormellas for Juan de Bonilla, 1604. New York, NY (USA), Hispanic Society.
P4- El peregrino en su patria, Barcelona, Sebastián Cormellas, 1605. Library ServicesHistórica de Madrid. [download]
P5- The Pilgrim in his homeland, Brussels, house of Roger Velpius, 1608. Library ServicesHistórica de Madrid. [download]
P6- El peregrino en su patria, Madrid, Viuda de Alonso Martín, 1618. Library ServicesHistórica de Madrid. [download]
P7- El peregrino en su patria, Madrid, Francisco Martínez Abad, 1733. Library ServicesHistórica de Madrid. [download]
S- El peregrino en su patria, in Colección de las obras sueltas, así en prosa, como en verso, t. 5, Madrid, Antonio Sancha, 1776. Library Servicesdigital hispánica. [download]
MP- Works by Lope de Vega. 6, Autos y Coloquios I, ed. Marcelino Menéndez Pelayo, Madrid, Atlas, 1963.
LG- Novels. II, The pilgrim in his homeland. Unhappiness for the sake of honour. La prudente venganza. Guzmán el bravo, ed. Luis Guarner, Madrid, bookshopBergua, 1935.
gradeThe edition of El peregrino en su patria by Francisco J. Garriga has been consulted, but this edition omits the autos sacramentales.
PEY- The Pilgrim in his Homeland, ed. Myron A. Peyton, Chapel Hill, University of North Carolina Press, D.L., 1971.
AVA- El peregrino en su patria, ed. Juan Bautista Avalle Arce, Madrid, Castalia, 1973.
McG- Prose. I. Arcadia. El peregrino en su patria, ed. Donald McGrady, Madrid, Fundación José Antonio Castro, 1997.
PAR- Vega Carpio, Félix Lope de, El peregrino en su patria, Dueñas (Palencia), Simancas, 2007, 2 vols. (Library ServicesNacional de España, call numbers: AHMO/287448 V.1 and AHMO/287449 V.2).

The deprivation of man

La privanza del hombre: auto sacramental, Manuscrito de la Library ServicesNacional de España, Signatura, MSS/17017 [download]

From the songs

De los cantares, Manuscrito de la Library ServicesNacional de España. Signatura, MSS/ 15228 [download]

Collections of Auto Sacramentals

Vega, Lope de, Fiestas del Santísimo Sacramento, repartidas en doce autos sacramentales, con sus loas y entremeses, compuestas por el Fénix de España Frey Lope Félix de Vega Carpio, del Hábito de San Juan. Recogidas por el graduateJoseph Ortiz de Villena, y dedicados al túmulo y fama inmortal suyo, ed. Joseph Ortiz de Villena, Pedro Verges, Zaragoza, 1644 [download]
Lope de Vega, Colección de las obras sueltas assi en prosa, como en verso, de D. Frey Lope de Vega Carpio, del hábito de San Juan, Antonio Sancha, Madrid, 1778, vol. XVIII.download]

Congresses

congressInternational "El auto sacramental: de Lope a Calderón", organised by the project"Autos sacramentales de Lope de Vega. Edition, study and historical-literary context" (FFI2013-45388-P) of GRISO-University of Navarra, Corella (Navarra), Hospedería Nuestra Señora del Villar, 14-15 December 2015.[Programme][Poster] [Poster

News

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