Dr. Eduardo Morales Solchaga

graduate in History from the University of Navarra (2004) and PhD in Art History from the same university (2008). After participating as an internal student in the department of Art History, he joined as teaching assistant, becoming part of the academic staff of the Chair of Heritage and Navarrese Art (2005).

Her doctoral thesis dealt with the artistic guilds in Pamplona in the Baroque centuries, focusing on the more strictly organizational aspects, training and legislation. He has published several monographic articles in specialized magazines, as well as programs of study resulting from communications and papers, in national and international congresses.

He coordinated, together with Pilar Andueza Unanua and under the direction of Ricardo Fernández the exhibition "San Francisco Javier en las artes. El Poder de la Imagen" (2006), as well as collaborated with José Javier Azanza López, in the acquisition and digitalization of images for a commemorative book of the fiftieth anniversary of the Sadar stadium, graduate "Fútbol y arquitectura. Estadios, las nuevas catedrales del siglo XXI" (2007), which gave rise to a homonymous exhibition , financed by the Osasuna Foundation.

In addition to his own publications and those not related to Chair, he has participated with programs of study and catalogues in various monographs and exhibition catalogs, including those of Juan de Goyeneche (2005), San Francisco Javier (2006), Monasterio de Fitero (2007), Las Edades del Hombre (2009), San Miguel de Corella (2010) and San Cernin de Pamplona (2011).

He collaborated in all the campaigns of the Catalog of Movable Goods of the Cultural Heritage of Navarra (2006 - 2011), inventory contemplated in the Law of the Cultural Heritage of Navarra. He has also participated in other cataloging projects of movable heritage, such as the Catalog of movable assets of the Cathedral of Pamplona (Foundation for the Conservation of the Historical Heritage of Navarre, 2009) and the Catalog of movable assets of the Capuchin Convent of Tudela (Chair of Heritage and Art of Navarre, 2011).

Regarding documentary heritage, she collaborated in the digitization, computerization and cataloging of file staff of Don Juan de Palafox y Mendoza (1600 - 1659), project financed and promoted in two campaigns by El Corte Inglés (2009 / 2011). At the same time, he completed a Postgraduate course in Archivistics, organized by the Carlos de Amberes Foundation in Madrid (2009 - 2010).

As far as management of heritage is concerned, she successfully completed a specialist program in management Cultural, organized by the Public University of Navarra (2011 - 2012). Currently, in addition to his research work within the Chair, he continues his work professor in the extra-university field.