Dr. Eduardo Morales Solchaga

Dgraduate in History from the University of Navarra (2004) and PhD in Art History from the same university (2008). After participating as a student intern in the department of History of Art, he joined as a teaching assistant, becoming part of the faculty of the Chair of Heritage and Navarrese Art (2005).

Her doctoral thesis dealt with the artistic guilds in Pamplona in the Baroque centuries, focusing on the facets of organization, training and legislation. She has published several monographic articles in specialized journals, as well as programs of study resulting from communications and papers in national and international congresses.

He coordinated, together with Pilar Andueza Unanua and under the direction of Ricardo Fernández, the exhibition "San Francisco Javier en las artes. El Poder de la Imagen" (2006), and also collaborated with José Javier Azanza López, in the acquisition and digitization of images for a book commemorating the fiftieth anniversary of the Sadar stadium, graduate "Fútbol y arquitectura. Estadios, las nuevas catedrales del siglo XXI" (2007), which gave rise to an exhibition of the same name, financed by the Osasuna Foundation.

In addition to his own publications and those not related to the Chair, he has participated with programs of study and catalographic files in various monographs and exhibition catalogs, including those of Juan de Goyeneche (2005), San Francisco Javier (2006), Monasterio de Fitero (2007), Las Edades del Hombre (2009), San Miguel de Corella (2010) and San Cernin de Pamplona (2011).

He collaborated in all the campaigns of the Catalog of Movable Goods of the Cultural Heritage of Navarre (2006 - 2011), inventory contemplated in the Law of the Cultural Heritage of Navarre. She has also participated in other cataloging projects of movable heritage, such as the Catalog of movable assets of the Cathedral of Pamplona (Foundation for the Conservation of the Historical Heritage of Navarre, 2009) and the Catalog of movable assets of the Capuchin Convent of TudelaChair of Heritage and Art of Navarre, 2011).

Regarding documentary heritage, she collaborated in the digitization, computerization and cataloging of the file staff of Don Juan de Palafox y Mendoza (1600 - 1659), a project financed and promoted in two campaigns by El Corte Inglés (2009 / 2011). She also completed a Postgraduate course in Archival Studies, organized by the Carlos de Amberes Foundation in Madrid (2009 - 2010).

As far as heritage management is concerned, she successfully completed a specialist program in Cultural management , organized by the Public University of Navarra (2011 - 2012). Currently, in addition to his research work within the Chair, he continues his professor work in the extra-university field.