Dr. Emilio Quintanilla Martínez

D. in History from the University of Seville, and a graduate .D. in History from the University of Navarra, he is Adjunct Professor of the department of Art History, and has been teaching since 1987 the subject of History of Spanish Art at the Institute of Spanish language and Culture of the School of Philosophy and Letters. He has also teaching at the School of Information Sciences and at the School of Geography and History of the University of Navarra; at the Camón Aznar Museum in Zaragoza, at the Society programs of study Basque programs of study and, above all, from 1991 to the present, at the Fundación Caja Navarra, in the Humanities Courses, of which he is also director.

His research has been oriented in several directions. On the one hand, the Protection of Heritage, the result of which is his book La Comisión de Monumentos Históricos y Artísticos de Navarra ( 1995) topic on which he wrote his doctoral thesis ; on the other hand, the Didactics of Art, which has been reflected in the publication of several manuals on this subject and the book Para ver y para hablar (1998), in partnership with Dr. Mª Victoria Romero, as well as the book Para ver y para hablar (1998), in partnership with Dr. Mª Victoria Romero, in addition to the book La Comisión de Monumentos Históricos y Artísticos de Navarra ( 1995) topic on which he wrote his doctoral thesis . Mª Victoria Romero, as well as numerous art critiques and exhibition didactics; the Art of Extremadura, on which leave has published numerous articles and the book El convento del Carmen de source de Cantos 1652-2002 ( 2002); the History and Art of the Order of the Holy Sepulchre in Spain, and, in partnership with Dr. Wifredo Rincón García, the History and Art of the Order of the Holy Sepulchre in Spain, and, in partnership with Dr. Wifredo Rincón García, the History and Art of the Order of the Holy Sepulchre in Spain (2002). Wifredo Rincón García, the iconography of the Spanish Saints, forming part of various research projects at the committee for Scientific Research, the latest result of which was the publication of the work Iconography of St. Ildefonso, Archbishop of Toledo (2005).

He has curated several exhibitions such as "The Order of the Holy Sepulchre in Spain. 900 years of history", held at the Sástago Palace in Zaragoza in 1999, or "Mater Purissima. The Immaculate Conception in the Art of the Diocese of Tarazona", in the Collegiate Church of Santa Maria de Calatayud in 2005, among others.

He is board member of Plastic Arts of the Ateneo Navarro, founder and president of the association of Friends of the Museum of Navarra; Delegate in Navarra of the Center programs of study the Order of the Holy Sepulchre, Member of the Royal and Excma. Economic Society of Aragon of Friends of the Country, of the Madrid and National Associations of Art Critics, advisor of Patrimony of the Orfeón Pamplonés and corresponding Academician in Navarra of the Royal Academy of Fine and Noble Arts of San Luis de Zaragoza.