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place Nueva de Tudela

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Engraving of the descent of the Angel and the volatín in Tudela by J. A. Fernández in "Libro nuevo de la hermandad".

Nowadays, this place continues to host different devotional and folkloric festivities. Thus, on the morning of Easter Sunday, since the fourteenth century, the "Descent of the Angel" has been celebrated, a religious-folkloric act that stages the greeting of the Angel to the Virgin Mary informing her of the resurrection of her Son. Also from the same period is the ceremony of the "Volatín" held at ten o'clock in the morning of Holy Saturday and consisting of the symbolic representation of the suicide of Judas Iscariot. During the festivities of Santa Ana (around July 26) takes place one of the most popular events: "la Revoltosa". It is a dance that is practiced by spinning around the kiosk to the beat of the music for twenty minutes. Finally, "la Gigantada" gathers a considerable issue of giants of Navarre to attend to the procession of Santa Ana and, later, to dance in the place.

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Engraving of the descent of the Angel and the volatín in Tudela by J. A. Fernández in "Libro nuevo de la hermandad".

aula_abierta_itinerarios_8_bibliografia

MARTÍNEZ ESCALADA, J.: La historia de Tudela contada por sus calles, Zaragoza, 1999.

GARCÍA GAINZA, M.C., HEREDIA MORENO, M.C., RIVAS CARMONA, J. and ORBE SIVATTE, M.: Monumental Catalogue of Navarre. I. Merindad de Tudela, Pamplona, Institución Príncipe de Viana, 1980.

Catalogue of the exhibition 120th anniversary of Tudela (802-2002): La cultura en Tudela a lo largo de su historia, Tudela, 2002.

A.A.V.V.: Ibaiak eta Haranak. guide del patrimonio artístico y paisajístico. Vol. VIII. Navarra, San Sebastián, Etor, 1991.

YANGUAS Y MIRANDA, J.: Diccionario histórico-político de Tudela, Zaragoza, 1828.

SAINZ PEREZ DE LABORDA, M.: Apuntes tudelanos, Tudela, 1969.

TARIFA CASTILLA, Mª.J.: La arquitectura religiosa del siglo XVI en la Merindad de Tudela, Pamplona, Gobierno de Navarra, department de Education y Cultura, Institución Príncipe de Viana, 2005.

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