aula_abierta_itinerarios_visita_titulo

Front page of the Judgment of Tudela Cathedral

aula_abierta_itinerarios_visita_1_3_texto

Gentleman

This voussoir on the side of hell, which represents a knight dressed as a medieval warrior (chain mail, shield, helmet and lance or pennant in his hand), accompanied by another character on his back and with some animals at the horse's feet, has been interpreted in different ways. For some authors, it is a representation of the 4th Horseman of the Apocalypse or Death, according to the text of the Apocalypse (6, 7-8): "... and behold an olive green horse, and he that sat on him was called Death, and Hades was behind him, and power was given him over the fourth part of the earth to kill with scimitar and with famine and with pestilence and with the wild beasts of the earth ...". E. Aragonés and Lance, however, believe that it is a representation of the sin of pride, where a proud knight is led to hell by the devil who accompanies him on his rump, and where the animals that accompany him are a symbol of his possessions on earth. Near this voussoir we see in another voussoir the punishment, in which the knight, still wearing his helmet and shield, is burnt in a cauldron.

aula_abierta_itinerarios_visita1_3_imagen

Gentleman
Photo: Carlos Martínez Álava

aula_abierta_itinerarios_1_bibliografia

ARAGONÉS ESTELLA, E., "El mal imaginado por el gótico", Príncipe de Viana, nº63, (2002), pp. 7-81.

GARCÍA GAÍNZA, C. et alii, Catálogo Monumental de Navarra, I, Merindad de Tudela, Pamplona, Institución Príncipe de Viana, 1980.

LANCE, J., "Le portail du Jugement de Santa María La Mayor de Tudela", Cahiers de Civilisation Médiévale, 45, 2002, pp.255-274.

MARIÑO LÓPEZ, B., "Iudas mercator pessimus. Mercaderes y peregrinos en la imaginería medieval", conference proceedings del VI congress Español de Historia del Arte: los caminos y el arte, vol. II, Santiago de Compostela, 1989, pp. 31-43.

MARIÑO LÓPEZ, B., "Sicut in terra et in inferno: la portada del Juicio en Santa María de Tudela", file español de Arte, nº67, (1989), pp. 157-168.

MELERO MONEO, M.L., "Aproximación a la iconografía del 4º Jinete del Apocalipsis", Lambard, nº2 (1981-1983), Barcelona 1986, pp.125-128.

MELERO MONEO M.L., Escultura románica y del primer gótico de Tudela, Centro Cultural Castel Ruiz, Tudela, 1997.

MELERO MONEO, M.L., "Los textos musulmanes y la Puerta del Juicio de Tudela", conference proceedings del V congress español de historia del Arte, (Barcelona 1984), vol. I, Barcelona, 1986, pp. 203-217.

MELERO MONEO, M.L., "Recherches sur l'iconographie des métiers à Tudela", Cahiers de Civilisation Médiévale, nº 30, (1987), pp. 71-76.

aula_abierta_itinerarios_9_mapa