aula_abierta_itinerarios_visita_titulo

Front page of the Judgment of Tudela Cathedral

aula_abierta_itinerarios_visita_1_9_texto

Cambistas: marching to hell, in front of the table and cutting off the language

Within the sin of greed, we can highlight the punishments of the money changers or moneylenders. These characters are represented three times in Tudela. In one voussoir, they appear marching towards hell, one with a bag of coins in his hand and another carrying the exchange table. In another, a banker seated before the mensa nummularia used for the official document is punished by two demons who open his mouth with pincers, either to make him swallow his riches or to cut his language, a punishment also suffered by another character in another voussoir. Indeed, it was considered that the sin of the usurer, in addition to fraud, was deception and lying, and a widespread idea in the Age average was that the sinful organ (in this case, the language) was the punished organ. Regarding the punishment of swallowing wealth, Gonzalo de Berceo said about usurers: "Mentranlis por las bocas el oro regalado: diran que non oviesen el tal aver ganado". Also in a legend collected by Jacques de Vitry it is told that a miser asked to be buried with a bag of his riches around his neck, and when his relatives opened his tomb they were horrified to discover some little devils that made him swallow incandescent coins.

Cambistas: marching to hell, in front of the table and cutting off the language     
Photos: Carlos Martínez Álava

aula_abierta_itinerarios_visita_1_9_imagen

Cambistas: marching to hell, in front of the table and cutting off the language
Photo: Carlos Martínez Álava

aula_abierta_itinerarios_1_bibliografia

ARAGONÉS ESTELLA, E., "El mal imaginado por el gótico", Príncipe de Viana, nº63, (2002), pp. 7-81.

GARCÍA GAÍNZA, C. et alii, Catálogo Monumental de Navarra, I, Merindad de Tudela, Pamplona, Institución Príncipe de Viana, 1980.

LANCE, J., "Le portail du Jugement de Santa María La Mayor de Tudela", Cahiers de Civilisation Médiévale, 45, 2002, pp.255-274.

MARIÑO LÓPEZ, B., "Iudas mercator pessimus. Mercaderes y peregrinos en la imaginería medieval", conference proceedings del VI congress Español de Historia del Arte: los caminos y el arte, vol. II, Santiago de Compostela, 1989, pp. 31-43.

MARIÑO LÓPEZ, B., "Sicut in terra et in inferno: la portada del Juicio en Santa María de Tudela", file español de Arte, nº67, (1989), pp. 157-168.

MELERO MONEO, M.L., "Aproximación a la iconografía del 4º Jinete del Apocalipsis", Lambard, nº2 (1981-1983), Barcelona 1986, pp.125-128.

MELERO MONEO M.L., Escultura románica y del primer gótico de Tudela, Centro Cultural Castel Ruiz, Tudela, 1997.

MELERO MONEO, M.L., "Los textos musulmanes y la Puerta del Juicio de Tudela", conference proceedings del V congress español de historia del Arte, (Barcelona 1984), vol. I, Barcelona, 1986, pp. 203-217.

MELERO MONEO, M.L., "Recherches sur l'iconographie des métiers à Tudela", Cahiers de Civilisation Médiévale, nº 30, (1987), pp. 71-76.

aula_abierta_itinerarios_9_mapa