Façade of Pamplona Cathedral
An underappreciated façade
Even today there are still many who disparage the facade of the cathedral, comparing it to the interior of the temple and its Gothic cloister, and lamenting the destruction of the primitive Romanesque façade. The famous Victor Hugo described it as a "horrible mask" and the bell towers as "donkey's ears" (1843). Pedro de Madrazo spoke of it as an "enormous mass of that insipid architecture that was decorated with the pompous name of Greco-Roman. For having employee in it a single class of stone, almost yellow, is of an unbearable effect" (1886). Although during the 19th century there were those who judged it "beautiful" and "majestic", we have to wait for the next century to see its just evaluation. According to Yárnoz, "time has finally consecrated it, giving it the value and esteem it deserves" (1944), as in fact all art historians have confirmed by contextualizing it in the historical and artistic moment in which it was conceived. Recently, attention has been drawn to its increasing deterioration -as can be seen in this image of the tops of the towers- and the need for its restoration.
GOÑI GAZTAMBIDE, José, "La fachada neoclásica de la catedral de Pamplona", in Príncipe de Viana, nos. 118 and 119 (1970), pp. 5-64.
GUIJARRO SALVADOR, Pablo, "Memoriales, impresos e insultos contra Santos Ángel de Ochandátegui, director del project de nueva fachada", in Cuadernos de la Chair de Patrimonio y Arte Navarro, nº 1, 2006, pp. 109-131. (in press).
LARUMBE MARTÍN, María, "Neoclassicism", in La catedral de Pamplona, Pamplona, CAN, 1994, vol. II, pp. 75-89.
MOLINS MUGUETA, José Luis, "Ventura Rodríguez y el Academicismo en Navarra", in El Arte en Navarra, Pamplona, Diario de Navarra, 1994, t. II, pp. 529-544.
YÁRNOZ LARROSA, José, Ventura Rodríguez y su obra en Navarra, Madrid, Real Academia de Bellas Artes de San Fernando, 1944.