The third edition of the annual annual cycle that the Museo Universidad de Navarra dedicates especially to music will begin tomorrow with a multimedia txalaparta show, the new production by Oreka TXand will end with Bach's Brandenburg concertos, interpreted by the Orchestra of Seville (award Nacional de la Música, 2011). "The cycle of contemporary music ends with Bach because the modern is the eternal and because Bach represents the summit for every musician and every spectator, besides being the axis of the Theater's programming this season" said during the presentation José Manuel Garrido, creator of the cycle and director artistic for the Performing Arts and Music of the Museum.

After the txalaparta concert, - "a journey through our territory, a layer by layer cartography, where we will show how the landscape, the language, traditions and internet speak about us", said Harkaitz Martínez-, will be followed on March 9th by "Music of the 20th Century for two pianos" where Ufuk and Bahar Dördüncü will fight a piano duel playing Debussy, Ravel and ProKofiev.

Next, on March 16, Nou Ensemble will present a repertoire of current experimental music "Technics", "a concert that redefines its own meaning because it will not only allow to listen, but also to see and feel the music", said Juan Pablo Polo, director artistic of the young group, one of the musical promises at present.

The meeting-concert with Teresa Catalán will arrive on March 23. "For a composer, to speak to the public is an honor, but if it is also in this environment, in a museum, and I am preceded by txalapartas and followed by Bach, it is a very exciting experience," said Teresa Catalán. The meeting will be moderated by the journalist of Radio 2, Eva Sandoval, and by Patxi Larrañaga, critic and architect; and the musical fragments will be interpreted by the pianist Mario Prisuelos. After this conversation, interrupted by short interpretations, the dance solo will be followed by "Gravity 0º"a choreography by Jean Philippe Dury, who was fascinated when he heard "La Danza de la Princesa", the ballet written by Teresa Catalán for the Euskadi Symphony Orchestra.

The sound mapsmusical performances in the exhibition halls, will take place on March 18 and 15. "Letting the music sound live, in front of the public and in a painting environment, is to turn the Museum into something alive," according to Teresa Catalán, whose compositions will sound those days in violin, flute and harp solos, but also in chamber and symphonic mode. Catalán concluded her speech by encouraging visitors to attend these musical activities, convinced that "the public will be able to understand contemporary art in an environment of maximum coherence, where music, paintings and architecture reveal together what the abstract is like".